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The Real Problem With Sean Penn's Green Card Joke at the Oscars

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As I was watching the final moments of a very long Oscars telecast, all but certain that Birdman was about to be announced Best Picture, I was not offended so much as baffled when Sean Penn joked about Mexican director Alejandro G. Iñárritu's green card since Penn, while a talented actor, is not known for being a bigot or, for that matter, funny.

I realize that both Penn and Iñárritu later said that this was some good-natured ribbing between friends, an inside joke. But I also understand--and they should, too--why so many people in the Latino community took offense. Even on the most triumphant Oscar night ever for someone of Hispanic heritage, Penn's joke reinforced Latinos' perception--borne out of history and experience--that Hollywood believes our community does not belong at the Academy Awards. Not only were there no Hispanic acting nominees, but a Latino has not been nominated for Best Actor since 2011, or a Latina for Best Actress since 2006. If you are a U.S.-born Hispanic, the landscape is even grimmer: No Best Actor nomination since 1988 and no Best Actress nomination since... ever. That's right: No U.S.-born Latina has ever been nominated for Best Actress. In nearly a century of Oscars, you can count the number of total acting awards won by Latinos on one hand plus an extra finger.

Our virtual invisibility at all Hollywood award shows--not just the Oscars--is why NCLR created the NCLR ALMA Awards 20 years ago. We realized that if the many contributions of Latino talent both on-screen and behind the camera were going to be recognized and honored, we would have to do it ourselves. Unfortunately, two decades later, that still seems to be the case. After 15 ALMA shows honoring hundreds of Latinos and Latinas in Hollywood, the Oscars still managed to only showcase a couple of us--Jennifer Lopez and Zoe Saldana--as presenters on Sunday night's show.

But we also do ourselves a disservice by dwelling on Penn's dopey, spur-of-the-moment quip, because it overshadows the best moment for Latinos on television in a long time: Iñárritu's Best Picture acceptance remarks. It is a tribute to Iñárritu that in the greatest moment of his career thus far, he chose to focus on the plight of those who are too often invisible. He said, "I just pray [that Mexicans here in the United States] can be treated with the same dignity and respect of the ones that came before and built this incredible immigrant nation." In just one sentence, Iñárritu captured the hopes and dreams of the nation's 55 million Latinos. And he did so in front of the estimated billion people around the world watching the event, giving voice to something never before heard on such a large scale. The best way to make sure that people forget Penn's crassness is for us to make sure that people do not forget these timeless and eloquent words.

This piece was first posted to the NCLR blog.

Mo'Nique Debunks Lee Daniels' 'Blackball' Comments: 'There Were No Demands'

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Earlier this week, Lee Daniels clarified comments Academy Award winner Mo'Nique made claiming that the director told her she had been “blackballed” in the years following her 2010 Oscar win for her role in “Precious."

In his response, Daniels said that wasn't exactly what he said and suggested Mo’Nique should “play ball” in order to sustain a successful career. He also made comments saying she failed to meet "certain demands" as part of her role in "Precious", a film directed by Daniels.

“I love her, and I’ve spoken to her. And she’s brilliant, and I like working with brilliant people. But sometimes artists get in their own way — I know I certainly do often, I have my own demons that I get in front of myself…I think there were demands that were made from her on the ‘Precious’ campaign, that everyone knows about, that hurt her. And I told her that," he said.

On Thursday, the comedienne responded to his interview and appeared on CNN Tonight with host Don Lemon where she debunked reports that she had specific “demands” while promoting “Precious.”

“Actually, there were no demands,” she admitted. “There was a request from the movie studio, and they called and requested that I fly to France for the Cannes Film Festival. I simply said, ‘I respectfully decline.’ Because if you can remember at the time there was a talk show called, ‘The Mo’Nique Show,’ I was doing a comedy tour, I was actually in the awards season of the awards, and I’m also a wife and I’m a mommy. So when they called, I had a couple of days just down time, I wanted to spend that with my husband and my kids.”

The 47-year-old actress went on to reveal her ultimate decision to forgo promotional duties in France resulted in the studio’s longstanding guidelines not to compensate actors.

“When the third call came and they said, 'What is it going to take to get Mo’Nique to France to the Cannes Film Festival?’ And my husband said, ‘Is there a number associated with it?’ And they said, ‘oh, we would never pay for anyone to do any promotions for a movie.’ And we said, ‘We understood.’ Because what people didn’t know was, I was paid $50,000 to do the movie ‘Precious,’” she continued. “And it really wasn’t about the money, I’m not complaining because I signed up to do it with my friend.”

Check out Mo’Nique’s CNN interview in its entirety in the clip above.

New 'Game Of Thrones' Season 5 Poster Confirms One Big Story

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It's clear that dragons are coming, but that's not even the biggest reveal in HBO's new "Game of Thrones" Season 5 poster.

The image shows Tyrion aboard a ship looking at a huge dragon that appears to be Drogon. But, other than just being awesome, what does it mean? Well, from the poster, the exchange between Varys and Tyrion in the trailer (where they talk about who should sit on the Iron Throne) and the events that happen in George R.R. Martin's novel A Dance with Dragons, the image seems to confirm that Tyrion will definitely be crossing paths with Daenerys in Season 5.

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"Game of Thrones" Season 5 premieres Sunday, April 12, on HBO.

Kelly Osbourne Quits 'Fashion Police' After Zendaya Hair Controversy

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Kelly Osbourne has left "Fashion Police." The news, first reported by TMZ, was confirmed in a statement from the E! network:

Kelly Osbourne is departing E!s “Fashion Police” to pursue other opportunities, and we would like to thank her for her many contributions to the series over the past five years, during which time the show became a hit with viewers. “Fashion Police” will return, as scheduled, on Friday, March 30th at 9:00 p.m. and no decisions have been made on her replacement.


According to TMZ, the 30-year-old made good on her threat to quit the show following Giuliana Rancic's offensive remarks about actress Zendaya's dreadlocks.

Though Rancic apologized to the former Disney star, sources told TMZ that tension had been building ever since the "Fashion Police" cast taped the first episode without Joan Rivers, and Osbourne was unhappy with how the show was being produced.

Jennifer Lawrence Shuts Down 'Terrible Rumor' About On-Set Fight With David O. Russell

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Jennifer Lawrence doesn't use social media very often, so when she does, you know it's got to be about something important.

The 24-year-old actress posted a message to Facebook on Friday in an effort to clear up the rumor that she and director David O. Russell had a heated argument on the set of their new movie, "Joy." TMZ first reported the alleged "showdown," claiming Lawrence and Russell got into a "loud argument" on Tuesday in Boston while filming a scene. A rep for the film's studio, Fox 2000, shot down the report, insisting that although there was some screaming going down on set, it was all just part of a scene -- aka Russell was getting Lawrence all amped up for a shot.

Now, Lawrence is backing that statement:

Hey guys!

It's Jen! I know I don't go on here a lot because I can barely work email but there's been a terrible rumor going around the last 24 hours so I wanted to clear it up.

David O. Russell is one of my closest friends and we have an amazing collaborative working relationship. I adore this man and he does not deserve this tabloid malarkey. This movie is going great and I'm having a blast making it!


So there you have it, straight from J.Law herself: No bad blood here!

Will Forte's Wedding Toast To Seth Meyers Is Wonderfully Inappropriate

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Oh, what we would give to have been a fly on the wall at the rehearsal dinner of Seth Meyers and his now-wife Alexi Ashe.

On Thursday, Will Forte stopped by "Late Night with Seth Meyers" to promote his new show "Last Man On Earth." While there, the pair reminisced about the pre-wedding dinner in 2013 where Forte made an inappropriate and yet oh-so entertaining wedding toast as his creepy and racist "SNL" character Hamilton Whiteman.

"That was about a six-minute toast and those were about the only 30 seconds we could show on television," Meyers said after playing the clip.

Here's to hoping they release the other 5:30.

H/T Jezebel

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Adam Glassman's 3 Red Carpet Trends To Try -- And 1 To Avoid (VIDEO)

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Still oohing over Scarlett Johansson's dramatic collar necklace and ahhing about Jennifer Aniston's leggy look? Adam Glassman, Creative Director at O, The Oprah Magazine, breaks down the three red carpet trends from the 2015 award season that we all should try -- and the one look that should never be replicated.

Try: Statement Necklace

own ownshow red carpet cate blanchett

Statement necklaces were all over the red carpet this season. The trick to pulling off something like Cate Blanchett's turquoise Tiffany necklace, Glassman says, is to let it be the star of the show. "She built the outfit around the necklace, so she kept the dress very simple," he explains. "And that's what I love about statement necklaces, and that's what all of you at home can do – is you can buy a statement necklace and just perk up a little black dress you have already, a white shirt, even a T-shirt -- it could be quite fun. And you can find these necklaces everywhere at every pricepoint."

own ownshow red carpet scarlett johansson

Another accessory he loved on the red carpet was Scarlett Johansson's bold collar necklace. Adam loves this statement piece and the matchy-matchy nature of her look. "Monochromatic always makes you look longer and leaner, no matter what," he says.

Try: 50 Shades of Blue

own ownshow red carpet jessica chastain

"It was all about blue," gushes Glassman, who loved Jessica Chastain's navy blue dress.

"Blue is really sort of the newest color to wear at night, especially navy," Glassman says. Unlike black, navy is much softer against the face, he explains.

Try: The High Slit

rosamund pike

"It was all about the leg," Glassman says. "Everyone had a lot of high slits -- Jennifer Aniston, Rosamund Pike, Emma Stone."

Avoid: Too Much Of A Good Thing

own ownshow red carpet chrissy teigan

Chrissy Teigen looks gorgeous -- no argument there. But unless you're genetically blessed like the supermodel she is, Glassman says it's best to stick with "one zone."

"So if you love your upper body and you want to do a plunging neckline, that's great," he says. "Keep everything below the waist more conservative. But if you're choosing to go with a high slit, then you may want to keep the top a little more covered up."

More fashion advice: Sarah Jessica Parker dishes shoe tips and styles Oprah for a photo shoot.



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Remembering Leonard Nimoy

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I knew it was coming.

I'd steeled myself for grim news when I read earlier in the week that he'd been admitted to a hospital due to chest pains, but that didn't make it any less of a gut punch to actually see the headline that Leonard Nimoy, 83, was gone.

This one hurts for a variety of reasons. The older you get, the more aware you become of the immutable passage of time. Your own mortality starts feeling more starkly pronounced, as does that of the people close to you, and the people you admire. Certainly Nimoy falls into that latter camp. While he amassed a raft of impressive accomplishments during his many years in and out of the film industry, it's of course for his pointy-eared alter ego as the original Star Trek's Mr. Spock, such an indelible part of so many of our lives, that he'll rightly be remembered, in death just as he was in life.

With Spock, the dispassionate, half-human, half-Vulcan officer who manned the science station on the U.S.S. Enterprise, Nimoy found the kind of character performers both clamor for and disdain (often at the same time). He assured himself a place of permanence in the pop culture conversation while also chaining himself to that role forever and always. And while he attempted to branch out in other directions following Trek's cancellation in 1969 (including a two-season stint as "The Great Paris" on TV's Mission: Impossible), it wasn't long before Spock came calling once again, and Nimoy answered.

While reticent at first (he even wrote an autobiography in the early '70s with the pointed title I Am Not Spock), the actor did reprise his role for the Trek animated show, and eventually returned with the rest of the crew for 1979's Star Trek: The Motion Picture, which in turn launched a string of five movie sequels over the next twelve years (three of which Nimoy himself was intimately involved with shaping). By the end of that run, which included a guest shot on Star Trek: The Next Generation, Nimoy had long since come to be viewed by many (including the late Trek creator Gene Roddenberry himself), as "the conscience of Star Trek." And indeed he was.

By all accounts a gregarious and self-effacing guy, Nimoy nonetheless took his role, his work, and his fans seriously, and he was beloved right back as a result. Despite some early headaches in the post-TV, pre-movie Trek era thanks to typecasting, it's plain to see that the franchise gave Nimoy far more than it ever took from him. (His second bio, from the mid-'90s, seemed to reflect his own acknowledgment of this fact, bearing the amended title I Am Spock.) Indeed, from the '60s right up to his death, he never stopped working, including a particularly memorable (to me) voiceover, and directing the hit comedy Three Men and a Baby in 1987.

More than that, he was also the perfect point man to help pass the torch of the original Trek crew to its new iteration via his key role in 2009's J.J. Abrams-helmed Star Trek reboot, which gave us this memorable moment between the two Spocks. By itself that would have been fitting enough goodbye, but they found a way to include him in 2013's sequel, Star Trek Into Darkness as well. At the time, I thought Nimoy's cameo there was reflective of lazy writing more than anything else. But looking at it now, I view it as a little gift from the filmmakers to us. One final chance to spend some too-fleeting moments with an actor and character we loved so much.

For the perfect perspective on his passing, here's Leonard Nimoy's final tweet, from five days ago. LLAP indeed, Mr. Nimoy. Thanks for giving us so many perfect moments for our memories.




9 Surprisingly Feminist Classic Films, Because Strong Women Have Always Existed

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This post originally appeared on Bustle

By JR Thorpe


We tend to think of classic black-and-white films as pretty bad ground for women's equality. The ladies in them look fantastic, sure, but the gender politics can be fairly awful: They're there to look silly, make catty remarks and ultimately do the "natural" thing and bow to love and marriage. Right? Wrong. While that depressing state of affairs does characterize many old-school films, there are several stunning examples in classic cinema of powerful women kicking caboose and taking names on their own terms.

So, what qualifies as a seriously feminist film for this list's purposes? For one, the focus can't be on ultimately being "tamed" by a man: the amazing Female (1933) starring Ruth Chatterton, about a tough female boss of a huge automotive factory who uses men and does what she likes, is fantastic until the last 10 minutes, when she's basically bullied into marriage and children because that's "what women are born for." (Yes, that is an actual piece of dialogue.) And complicated, driven women are in, but woman-on-woman "shrewish" competition is out -- hence The Women (1939), an all-female romp about competing for a man's attention, doesn't make the cut.

Ultimately, it's all about taking female strength and purpose seriously -- and, in some of the films, it's not even remarked upon that a woman would want to take charge of her own destiny and make her own choices. It's simply a fact. That's pretty radical, even in today's films. Here are nine classic films which feature strong, complex, well-rounded women.

1. Mildred Pierce (1945)

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Mildred Pierce was one of the first films to showcase an ambitious career woman as a central character: in this flick, Joan Crawford, as the mother who pushes incredibly hard and sacrifices virtually everything for her nasty little spoilt daughter. Mildred isn't unflawed -- but she's powerful, and intent on getting what she deserves.

2. The Little Foxes (1941)

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This film was actually pretty remarkable for the time, because it featured a Southern aristocratic belle who wasn't a brat or markedly hopeless. Instead, Regina, played by the awesome Bette Davis, is fighting her brothers for her well-deserved share of their inheritance. Regina inevitably goes too far in her pursuit of justice, but her rage against the confines of her gender is palpable and accepted.

3. The African Queen (1951)

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Now mostly famous for pairing Katharine Hepburn with a spectacularly grumpy Humphrey Bogart, this film should be better known for the fact that Hepburn's character drives the whole thing: She and Bogart get stranded in a German-controlled bit of Africa at the outbreak of WWI, and she hatches a plan to convert their knackered boat into a gunboat and torpedo a German warship upriver. And she's more than a match for Bogart's embittered captain, intellectually and emotionally.



4. I'm No Angel (1933)

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Oh, Mae West, how we love you. West was one of the first female comedians to get the big bucks and be frank about her sexuality. I'm No Angel, which she also wrote, features her in a lot of romantic entanglements (at least five) as a burlesque dancer, and while she does eventually find true love, she does it with some feminist ass-kicking. She sues her ex-fiancée (who was tricked into breaking off the engagement) for breach of promise, cross-examines all her ex-lovers herself, wins the case and gets back together with him. Score 100 points to West.

5. His Girl Friday (1940)

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This screwball comedy from Howard Hawks looks pretty normal on the surface -- Cary Grant uses every trick in the book to lure his best worker and ex-wife, Rosalind Russell, back to him -- but it's actually pretty subversive. Rosalind, as Hildy, is clearly the brains of the operation, and she and Grant match wits and ambition all the way to the inevitable happy ending.

6. Queen Christina (1933)

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Greta Garbo stars as the gender-bending, completely non-compromising Queen Christina of Sweden, who was renowned for dressing in men's clothes in an attempt to be taken seriously in the patriarchal environment of the Swedish court. In real life, Christina's story was more interesting -- she abdicated her throne because she didn't want to marry anybody, for one thing -- but Garbo's Christina is an intensely powerful woman who makes difficult choices for her people and herself.



7. La souriante Madame Beudet (1922)

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This surrealist short is regarded as the first truly feminist film: a woman imagines the death of her stupid, humiliating husband, before a twist keeps her imprisoned in the marriage. It's very much from her point of view, and depicts her as intelligent and fully-formed. It's both very silly and very sad.

8. The Thin Man (1934)

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The Thin Man movies, based on the novels of Dashiell Hammett, are technically all about Nick Charles' (William Powell) pursuits of criminals and murderers, but it's his marriage to Nora (Myrna Loy) that got the headlines. And deservedly so: Nora, based on Hammett's own partner Lillian Hellmann, is an equal, trades wisecracks at every opportunity, and is enraged when Nick, in a fit of justifiable chivalry, knocks her out to prevent her being shot at a crucial moment. "I wanted to see you get him!" she yells. Damn straight.

9. All About Eve (1950)

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If you see one film on this list, make it this one. While the terrifying Eve, who manipulates everybody to supplant actress Bette Davis and get all her fame and roles, is a bit sociopathic, it's the serious Davis who carries the picture: she's a fully-rounded, highly intelligent, very sad character with huge flaws and high ambitions. That's what feminist cinema is really about: not perfect women, but ones who try to take charge of their destinies, have real weaknesses and come to know their own strength.



Images: Wikimedia Commons

More from Bustle:

10 Classic Movies You've Never Seen, Starring Actors You Already Love, That You're About to Be Obsessed With

9 Perfect Beauty Moments From Your Favorite Cult Films To Inspire Your Next Makeover

The Most Awkward 2015 Oscars Red Carpet Moments Prove Celebs Can Be Cringey, Too



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Lupita Nyong'o's Pearl Oscar Dress Has Been Fake This Whole Time

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It's turning into the greatest Oscar story in years. Lupita Nyong'o's stolen Oscar dress -- which was reportedly worth between $150,000 and $10 MILLION -- appears to be all smoke and mirrors.

Alicia Keys Shares First Photo Of Baby Son Genesis

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Alicia Keys' baby boy, Genesis, is very adorable.

The star took to Facebook on Friday to share the first photo of her son, whom she welcomed with husband Swizz Beatz, a rapper and music producer, on Dec. 27, 2014. Along with the couple and baby, Keys' son Egypt and stepson Kaseem Jr. are also pictured.




Keys announced Genesis' birth in an Instagram post back in December, along with an image of the little one's footprints.

"The joy of joy is joy!! It's a boy!!," she wrote at the time. "We are so grateful!! #blessings!!"



Kobe Bryant's New Documentary Goes Beyond Basketball To Explore Fatherhood And Failure

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Kobe Bryant doesn't have the patience to write a book. He says so in the trailer for his new documentary on Showtime, “Kobe Bryant’s Muse.” Directed by Gotham Chopra, the film shows a side of Bryant that will be new to those used to seeing him in NBA warrior mode, as he examines his own upbringing, setbacks and failures and contemplates a life beyond pro basketball glory.

“I have things I want to think about," Bryant says, "things I want to dive into and get off my chest.”

Bryant and his wife Vanessa joined friends at a private screening in Los Angeles on Thursday night at the London Hotel in West Hollywood. The room fluttered with pro athletes dressed to the nines and sports agents in expensive suits. Former Lakers forward Rick Fox walked around looking for a place to charge his phone. The music of Ray Charles and Etta James floated from the speakers. Bryant was all smiles and posed with just about everyone who asked for a picture.

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"Kobe Bryant's Muse" is more than a glorified highlight reel. Yes, there is great footage of him at every stage of his career, including air balls from his first season with the Lakers. But instead of focusing on Bryant's all-star games, championship rings and milestones -- like recently surpassing Michael Jordan on the NBA’s all-time highest scorer list -- the filmmakers aim to go deeper, and darker. Chopra and Bryant, who executive produced the film and was involved every step of the way, explore some of the more complicated and conflicted emotions behind Bryant's success.

For starters, the documentary anchors itself on Bryant’s devastating 2013 Achilles injury. Many professional athletes who have suffered the same injury have retired. But the subsequent recovery become a source of motivation for Bryant and the film focuses heavily on the ripple effect the injury and recovery had on him personally.

For Bryant, who has sometimes been called arrogant and smug, the film is an opportunity to reveal personal stories and vulnerabilities. He talks about how it felt to grow up as a complete outsider in Italy and then come back, even more an outsider, to the United States. Basketball was his refuge and his antidote to loneliness. As he grew up, Bryant reflects that basketball even became his equivalent of a psychiatrist.

kobe

The darkest parts of the film are quite painful. Bryant talks openly about feeling he had let his wife and family down, though he doesn't explicitly address the widely-publicized (and later dismissed) 2003 sexual assault case that made him a fixture in the tabloids. These moments show a version of Bryant far more vulnerable than in any of his on-court appearances. He speaks of waking up every morning wondering if that would be the day he would lose his wife and kids. And recalling his wife's miscarriage, during a time of extreme marital stress, Bryant bluntly says, while looking at the camera, that he blames himself.

Throughout "Kobe Bryant's Muse," the sense of joy and purpose Bryant derives from being a father is palpable. And after 18 years on the court, it's clear that the 36-year-old superstar has learned to accept some of his own limitations. At the end of the film, Bryant says his brain cannot process failure. He even admits that the idea of failure feels worse to him than death. “When do determination and drive become unreasonable?” he asks.

There is an air of deep contemplation about Bryant; an almost philosophical musing about how what we love and what we do informs the core of our identity. As he nears the end of his career, his thoughts are clearly tending toward the existential. “I'm no spring chicken. And that’s okay,” Bryant says. “But when do you know? When do you walk away?"

Jimmy Fallon Cracks The Best John Travolta-Idina Menzel Joke Of The Season

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Jimmy Fallon has the perfect joke to end the latest round of John Travolta-Idina Menzel chatter.

The two stars' fates became forever entwined at last years' Oscars after Travolta accidentally called Menzel "Adele Dazeem." In Fallon's "Thank You Notes" segment on "The Tonight Show" on Friday, the host addressed the new talk following Travolta weirdly grabbing Menzel's face at this year's ceremony.

"Thank you, John Travolta, for grabbing Idina Menzel's face at the Oscars," he said. "Or, as she put it, 'Let it go, let it go.'"

And with that, we can forever retire all "Let it Go" punch lines.

Fallon also expressed his thanks to Alaska, Netflix and kale.






7 'Game Of Thrones' Theories So Crazy They Have To Be True

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Warning! This post is dark and full of spoilers!

You know nothing about crazy, Jon Snow.

By now most "Game of Thrones" fans have heard about "R + L = J," a theory about Jon Snow's true parentage. Many fans are also aware of various other theories, like how Tyrion may not really be a Lannister. These have been widely accepted, but they're just a few of the many theories out there. Yeah, a lot of theories are easy to dismiss right away. But the craziest thing of all is that some of the wildest actually make a lot of sense.

Here are seven "Game of Thrones" theories that are so crazy they have to be true:

1. Robb Stark is alive



What we're supposed to believe:
The King in the North was betrayed by the Freys and the Boltons at the Red Wedding, which led to his death, his mom's death and freakouts across the Internet.

The theory:
Robb Stark is about to send his regards to the Lannisters. The Starks clearly have an uncanny ability to warg into animals. The theory, which can be found on various fan message boards, states that before Robb's death he warged into his direwolf, and later into some other kind of animal when the wolf was killed. There's actually evidence that this is possible, as shown by the wildling Orell, who wargs into an eagle as he dies.

2. The true identity of Jon Snow's parents is not R + L = J

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What we're supposed to believe:
"R + L = J" argues that Rhaegar Targaryen and Lyanna Stark are Jon Snow's real parents. It's believed that it was Lyanna's dying wish for Eddard to claim Snow as his own to protect him. Plus, Eddard is pretty much the most honorable dude around. Could he really cheat on Catelyn?

The theory:
Hells yeah he cheated on Catelyn. George R.R. Martin has said he doesn't think there are characters in the story who are "wholly good or wholly evil." Well, except for Eddard Stark, right? Unless, of course, he is actually Snow's father. If so, Snow's real mother could be Lady Ashara Dayne or even the wet nurse Wylla, who is actually mentioned in the show.

3. Jon Snow will become a White Walker



Image: Giphy

What we're supposed to believe:
Jon Snow is pretty much running the show at the Wall at this point. New clips show him seemingly trying to get Mance Rayder on his side in the fight against the White Walkers. The guy just doesn't like them.

The theory:
The book series is called A Song of Ice and Fire. If Daenerys and her dragons are the fire, what's the ice? As noted above, Martin has said his characters aren't all good or all evil. Considering some events that occur in Martin's novel A Dance with Dragons, it's theorized that Snow will join up with the White Walkers in the fight against House Targaryen.

4. Jamie and Cersei are Targaryens

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What we're supposed to believe:
Jamie and Cersei are a couple of twins who have carried on a seriously disturbing incestuous relationship for years, and their father either didn't know or never acknowledged it. This relationship results in three kids who should clearly not be sitting on the Iron Throne.

The theory:
In the books, it's stated that the Mad King Aerys took some liberties with Tywin Lannister's wife, Joanna, on Tywin's wedding night. Also, as Reddit user tuna_HP points out, there are hints in the books that seem to support the idea that Cersei and Jaime might not be Tywin's. This can be seen in a statement said to Jaime by his aunt:

Tyrion is Tywin's son, not you. I said so once to your father's face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years.


This, along with the fact that incest was a pretty common thing with the Targaryens, has led many to believe that perhaps Jaime and Cersei aren't Lannisters after all. If that's true, Cersei's children might actually have a claim on the kingdom, and Jaime would be a kinslayer, not just a Kingslayer.

5. Syrio Forel is Jaqen H'ghar


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What we're supposed to believe:
Syrio Forel, the former First Sword of Braavos, becomes Arya's swordfighting "dancing" instructor and dies offscreen while defending her from Lannister guards following Eddard Stark's arrest. He must be dead, because Ser Meryn Trant, one of his adversaries, continues to appear in the series, and that dude seems fine.

The theory:
Syrio Forel is actually one of the Faceless Men from Braavos -- i.e., an assassin who can change his appearance. If that's the case, it wouldn't be much of a stretch to suppose that Forel is also Jaqen H'ghar, the Faceless man who killed three people for Arya. It makes sense. As this Dorkly video points out, both Forel and H'ghar are from Braavos, they both offer Arya their help and they both call her "boy."

6. Eddard Stark is alive

eddard

What we're supposed to believe:
Eddard Stark is accused of treason. Then, after Joffrey decides to be the gracious king he is, the Stark patriarch loses his head and the world goes nuts.

The theory:
What if it wasn't Eddard who was killed that day? If Forel was in fact a Faceless man, he could've changed his appearance and taken Stark's place, and there's always that whole Stark warging thing. Could Ned do it too?

Users on A Forum of Ice and Fire have marshaled what they claim is evidence from the book series that Eddard is alive, including Sansa not necessarily recognizing his face after his death and Catelyn's comments about his bones not appearing how she expected. Though if Joffrey did have the real Eddard killed, it offers a good excuse to watch this:


Image: Giphy


7. "Hodor" has a secret meaning that could change everything


hodor

What we're supposed to believe:
Hodor is a simpleton who is loyal to the Starks. He's just this awesome guy who carries Bran around and can only say "Hodor," which can pretty much mean anything.

The theory:
Hold on to your Hodors. Hodor's real name is actually Walder. In the books, Old Nan explains that "Hodor" is just what he says. But what if there's actually more meaning to it?

Martin hasn't really revealed how Hodor came to say "Hodor." Fan forums claim that Hodor's name was inspired by the Norse god Hod, and that the character has a connection to darkness and winter, perhaps being an agent for the Great Other who is the enemy of Melisandre's Red God. Others even claim the word could have something to do with controlling dragons.

So what do you think about that, Hodor?


Image: Giphy

Well said.

The fifth season of "Game of Thrones" premieres Sunday, April 12, on HBO.

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William Shatner took to Twitter on Saturday to express his regret over having to miss Leonard Nimoy's funeral.

Though the two "Star Trek" actors were very close friends, Shatner explained in a series of tweets that he won't be able to attend Nimoy's funeral on Sunday, due to a previous commitment to appear at the Red Cross Ball in Florida Saturday night. Though he will not be present at the funeral, Shatner said he plans to honor Nimoy's life from afar.













Shatner and Nimoy starred as Captain Kirk and Mr. Spock, respectively, on the "Star Trek" television series and in multiple feature films. Nimoy died Friday at his home in Los Angeles, at the age of 83. Following the announcement of Nimoy's death, Shatner released a statement expressing love for his longtime friend.

"I loved him like a brother," he said. "We will all miss his humor, his talent, and his capacity to love."

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Sharon Osbourne and Melissa Rivers have both commented on Kelly Osbourne‘s exit from E!’s "Fashion Police."

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In an interview with Harper's Bazaar UK, the star opened up about the untraditional audition that led to her career-launching role as the wife of Leonardo DiCaprio's character in "Wolf of Wall Street."

Robbie recalls auditioning with a scene in which her character and DiCaprio's character are in the midst of an argument.

In my head I was like, 'You have literally 30 seconds left in this room and if you don’t do something impressive nothing will ever come of it. It’s a once-in-a-lifetime chance, just take it.' ... So I walk up really close to his face and then I’m like, 'Maybe I should kiss him. When else am I ever going to get a chance to kiss Leo DiCaprio, ever?' But another part of my brain clicks and I just go, Whack! I hit him in the face. And then I scream, 'Fuck you!' And that’s not in the script at all. The room just went dead silent and I froze.


As it turns out, director Martin Scorsese and DiCaprio loved it, and now Robbie is Hollywood royalty.

H/T Celebuzz

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Leonardo DiCaprio could play 24 different personalities in the upcoming film "The Crowded Room." According to The Hollywood Reporter, DiCaprio's production company Appian Way and New Regency are coming together to produce it.

The movie will reportedly be adapted from the Daniel Keyes' nonfiction book "The Minds of Billy Milligan." Keyes tells the story of Milligan, a man who went on trial in the '70s for three rapes. He was the first person to successfully use multiple personality disorder as a defense.

DiCaprio and New Regency also teamed up recently on the film "The Revenant," which is due out next Christmas. That project includes "Birdman" director Alejandro González Iñárritu and actor Tom Hardy.

For more, head to THR.
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