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Celebrities Transformed By Tattoos Is Our New Obsession

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Ever wanted to know what Prince William and his delicately beautiful Kate Middleton would look like if they were deeply into tattoos and lived in Brooklyn? Well, now you can.

Cheyenne Randall has been transforming images of pop culture and historical figures in Photoshop, reports Today. The 36-year-old Seattle artist, who practices Native American artwork, told Today he has a "slight obsession with seeing, out of pure curiosity, what some of my favorite iconic personalities would look like, perhaps if they were in a parallel universe or took another path in life."

Randall publishes results to his Tumblr page, Shopped Tattoos, and to Instagram, where he has over 2,500 images to date.

Head over to Today.com for more.

Prince William and Duchess Kate Middleton



Audrey Hepburn



Carrie Fisher as Princess Leia



Marilyn Monroe



Princess Diana



Elvis


Annie Leibovitz's Book Bash Draws Hollywood Elite, Reveals Stars' Secret Hiding Places

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Annie Leibovitz is not just an American portrait photographer, she is royalty. Or, put in more accurate terms, she has photographed Hollywood royalty for decades, and is perhaps the most iconic, and infamous, of them all.

At a private cocktail party at the Chateau Marmont in Los Angeles on Wednesday night, Vanity Fair, Leon Max and Benedikt Taschen presented the new Annie Leibovitz coffee table book. The limited-edition, sumo-size Taschen book costs around $3,000 and includes over 40 years of Leibovitz’s most esteemed photographs.

“The book took about four years,” Leibovitz told The Huffington Post. “There was a moment when it stalled a little bit. And I changed my thinking on it. It’s just so big. I’ve never done anything like it. You start to go through it and you can’t remember what you had in the beginning," she said, leaning near a grand piano in the living room of the Chateau Marmont. "This is the first time I’ve done a book that isn’t chronological. There are riffs. It’s kind of like a roller coaster ride -- it goes up and down.”

The 476-page book is 19-inches by 27-inches and weighs so much it seriously comes with its own stand (designed by Marc Newson). “It’s not really meant to be flipped through. You’re supposed to just fall upon pictures and leave them open. It’s not a retrospective. It was hard,” Leibovitz said. Shooting Vanity Fair’s iconic Hollywood cover is one of Leibovitz’s signatures. “I loved Cate Blanchett, and I definitely think Sandra Bullock was amazing. But I was sorry that Robert Redford didn’t get in there,” she said of this year's top performances.

While she is known for her famous portraits, Leibovitz seems to have left her own indelible mark on Hollywood. “I had a great platinum blond wig on. My tits were completely out. This was 15 years ago,” actress Melanie Griffith reminisced about being on set with the famous photographer. “I just adore Annie. She’s wild and wonderful and natural and crazy and so good. She took another one of me wrapped up in celluloid. Naked. Sitting like a pin up-girl. Just only in celluloid with John Waters in the picture and Stephen Dorff in this crazy old director’s outfit," she said. "I have that in the men’s bathroom in our house. I was hiding it from my kids. Now they’re all grown up. The other one is in a dark hallway. We don’t like having photos of us all around the house. But those are special.”

Griffith’s favorite film of the year is “12 Years A Slave.” “I loved the whole thing. I think Michael Fassbender is fucking unbelievable. And I loved Lupita [Nyong'o] and Chiwetel [Ejiofor]. All of them.”

Others like Quincy Jones, David Hockney, Patricia Clarkson, Paul Haggis and photographer Terry Richardson joined the party. Sylvester Stallone (holding hands with his wife and daughter) seemed to have missed a memo. “I didn’t know there was a book! I thought this was just a party. I just came here out of the ether. My god. I’ve got to get out more,” he laughed.

Stallone’s iconic “Thinker” photograph with Leibovitz is in the book -- and it leaves little to the imagination. “She’s probably the only one I would do that for. She thought of it all,” Stallone told HuffPost. “She found out that I liked sculpture -- I collect Rodin and Boteros, you name it. She said, 'Why don’t you and your wife reenact Rodin’s figures?' I went, 'Okay!' And now I see it and I cover my face and go, Oh, my god.”

Turning to his wife, Jennifer Flavin, Stallone laughed, “She wants me to take them down. The kids’ friends come over and it’s like, ‘There’s my dad naked!’ We have two in our bedroom so the kids don’t have to see them.”

His favorite performance of the year belongs to “Dallas Buyers Club.” “I think Matthew McConaughey did an amazing job. He certainly earned it. And actually I think Christian Bale is unbelievable. It’s really been a stellar year,” Stallone said.

Over by a corner, Michael Richards peered over at the pages of Leibovitz's tome. “I just looked through the book with the publisher. That was a highlight. The photographs really come through when they’re printed this large,” Richards said. “I have worked with Annie only once. But in spirit, I feel like I have worked with her more than that. She’s very creative," Richards said. "We went through a sort of search-and-destroy process together and then Annie had this one thought. And it became the thought. We went for it and that’s the picture in the book.”

The book is available in four different dust jackets: Whoopi Goldberg (1984), Keith Haring (1986), David Byrne (1986) and Patti Smith (1978) and is limited to a total of 10,000 signed and numbered copies.

What Elizabeth Taylor Taught Us About Bringing The Drama

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Today we celebrate Elizabeth Taylor's birthday, remembering the late actress as one of the most glamorous stars in Hollywood. Throughout her career, we saw Taylor go through the highs and the lows -- but who can forget her award-winning performances in classic films like "Suddenly, Last Summer" and "Who's Afraid of Virginia Woolf?"

The legend, who would of been 82 years old today, also knew a thing or two about style and grace. From her casual caftans to extravagant gowns, Taylor explored a variety of looks which made her a style icon.

So, in honor of Elizabeth Taylor, here are seven lessons she taught us about bringing the drama.


1. Never leave home without groomed, bold brows.

elizabeth taylor


2. Blue eye makeup isn't for wallflowers.

elizabeth taylor


3. Red lipstick makes everything look sexier.

elizabeth taylor


4. Big hair is always better. Who needs to see around you? All eyes should be on you.

elizabeth taylor


5. Perfume is your best accessory.

elizabeth taylor


6. As she once said, "Big girls need big diamonds."

elizabeth taylor


7. There's no age limit on playing dress-up.

elizabeth taylor

Hollywood Movie Titles Get Lost In Translation Overseas

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JERUSALEM (AP) — David O. Russell's crime drama "American Hustle" could be a big winner at Sunday's Academy Awards. But for the movie's many international fans, it may take a little longer to realize it. In their country, there is simply no word that captures the true essence of "Hustle."

So in Israel the film is known in Hebrew as "American Dream." In France, it's translated as "American Bluff." In Argentina, it's "American Scandal." In Portugal, it's "American Sting." In Quebec, it's "American Scam." In Spain, it's the "Great American Scam." And in Turkey, it's merely known as "Trickster." Big Hollywood films have immediate name recognition in the Unites States. But in the rest of the world, moviegoers are long accustomed to their respective countries translating the titles with their own, often quirkier names.

Observers say there is often a need to reframe a linguistic expression or a cultural phenomenon that may be foreign to non-American ears. Sometimes the distributors orchestrate the name shift to create familiarity, stir a local buzz and attract more viewers. Other times, nonsensical translations simply defy logic.

Arie Barak, whose public relations company represents the studios of Fox, Disney and Sony in Israel, said that in this era of globalization the trend was to try to stick as much as possible to the original title, particularly with blockbusters and well-branded superheroes like Batman and Superman. Other times, a literal translation does the trick just fine.

But the bottom line is money, and if the name doesn't work locally, he said Hollywood studios are more than happy to adapt. That's how his firm came up with one of the strangest Hebrew translations in recent years, turning the animated comedy flick "Cloudy with a Chance of Meatballs" into an Israeli version called "It's Raining Falafel."

"Meatballs are not something Israelis relate to," Barak said, noting that falafel was a better equivalent of a local food staple. (In Turkey, the title apparently translated just fine and the film was renamed "Raining Kofte," a local version of the meatball.)

While the Hebrew film lacked any reference to fried balls of chick peas, Barak said the strategy paid off and the movie did well at the box office. Ditto for "Silver Linings Playbook," which he helped translate into "Optimism is the Name of the Game." In France, for example, the film was renamed "Happiness Therapy."

"We always try to stay true to the source," he said. "When we can't do that we insist on maintaining the spirit of the movie."

The results are often amusing. No one can quite explain how "Terminator" became "Deadly Mission," ''Alien" turned into "The 8th Passenger" or "Top Gun" morphed into "Love in the Skies." Even the movie "Lost in Translation" was literally lost in translation. It was called "Lost in Tokyo."

"'Top Gun you don't have in Hebrew ... when you want to say to a pilot he is good you say he is an 'Ace'," said Avi Edery, deputy chief executive of the New Lineo cinema chain in Israel. "Hebrew is a difficult language. It's not as rich as English sometimes and you cannot translate word by word all the time."

It's hardly a unique phenomenon.

In France, "The Dukes of Hazzard" became "Sheriff, Make Me Afraid," and "The Hangover" is known as "Very Bad Trip." The French have a tendency to add titillating titles to subpar movies to spark interest. So "Step Up" is known as "Sexy Dance," and "No Strings Attached" became "Sexy Friends."

In Germany, Woody Allen's classic "Annie Hall" was called "The Urban Neurotic." The war comedy "Stripes" was called "I think I'm Being Kissed by an Elk!" and "Eternal Sunshine of the Spotless Mind" was titled "Forget me not!" (In Italy, they called it "If You Leave Me, I Delete You.")

Turkey also transformed "There's Something About Mary" into "Oh Mary, Oh Mary!" and "Erin Brockovich" into "Sweet Trouble."

Emrah Guler, who writes about cinema for Turkey's Hurriyet Daily News, said the distributor probably used the world "sweet" to describe Julia Roberts in her Oscar-winning performance. Had Gwyneth Paltrow played the part, he said, "the Turkish translation would probably be 'Elegant Trouble.'"

In Japan, George Clooney's "Up in the Air" was translated into "Mileage, My Life." In China, "The Full Monty," a comedy about a group of unemployed men who form a striptease act, was called "Six Naked Pigs" and "Boogie Nights," the story of a young man becoming a porn star, was renamed "His Great Device Makes Him Famous."

Yehuda Stav, a veteran Israeli movie critic, said that in Israel the names are actually less absurd than they used to be but the logic remains the same.

"It is done in a clear and decisive manner in order to draw people to the movie theaters," he said. "They are looking for something catchy or funny, even if it is ridiculous."

For example, the title of Paul Newman's 1978 comedy "Slap Shot," about a bungling minor league hockey team, was considered so obscure in Israel at the time that it was simply renamed "Paul Newman and his gang." Apparently, this kind of transformation is also common just north of the American border. In the French-speaking Canadian province of Quebec, Woody Allen's 1973 sci-fi comedy "Sleeper" was turned into "Woody and the Robots."

Danny Warth, an archivist at the Tel Aviv Cinematheque, a local art-house theater, took a more academic approach, saying the crude altering of titles was an insult to the genre.

"We are talking about a work of art here. No one would dare change the name of a novel or a theater production, but in film for some reason it is allowed," he bemoaned. "A ridiculous name is indeed humorous but I have a hard time being forgiving about this. It is not dignified."

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Associated Press writer Lori Hinnant in Paris, Frank Jordans in Berlin, Benjamin Shingler in Montreal and Suzan Fraser in Ankara contributed to this report.

Patricia Richardson Offers Support On Rare Disease Day: 'What You're Going Through Is Not Rare'

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Rare disease.

Based on those words alone, it's easy to think a rare disease automatically translates to a rare experience: battling a condition that is not well-understood, under-researched, and likely without a cure.

"You feel really alone. You feel lonely, you feel powerless, and you feel like your experience is rare," actress Patricia Richardson, best known for her roles on "Home Improvement" and "Strong Medicine," explains to HuffPost. "But it's not. There's 30 million Americans with rare diseases. It's not a rare experience. What you're going through is not rare."

Keeping this in mind can help provide the support and strength that is needed to fight against a condition that most people have never heard of, she says.

Friday, Feb. 28 is Rare Disease Day, which is an internationally recognized day meant to bring awareness to this public health challenge. According to the Food and Drug Administration, a rare disease is officially classified as such when it affects fewer than 200,000 Americans at any one time. (In Europe, it's defined as affecting fewer than one in 2,000 people.)

According to the National Organization for Rare Disorders, there are 6,000 to 7,000 rare diseases. Some rare diseases are more well-known than others, and some cancers are even considered rare diseases. NUT midline carcinoma, for instance, is a rare kind of cancer that develops in the "midline" of the body (meaning, the chest, upper airways, mouth, sinuses and trachea); only about 30 cases of this cancer are diagnosed each year. Neuroblastoma is another type of rare cancer that mainly affects infants and young children, and develops in the tissues forming the sympathetic nervous system; about 710 children are expected to be diagnosed this year with this kind of cancer, according to the American Association for Cancer Research.

Richardson, whose father passed away from a rare brain disorder called progressive supranuclear palsy (PSP) nearly a decade ago, explained that the whole process of a medical diagnosis is exponentially harder when it involves a rare disease. Her own father, for instance, was incorrectly diagnosed with Parkinson's disease before finally being correctly diagnosed with PSP.

PSP "looks a lot like Parkinson's -- with Parkinson's, they fall sideways, but with PSP, they fall backwards. With Parkinson's, they can't look sideways, and with PSP they can't look up and down," she explains. "That's why neurologists miss it."

Richardson says that the most important thing a person can do when faced with a rare disease, whether firsthand, or as a caregiver, is to find a support group. Groups such as the National Organization for Rare Disorders -- established in 1983, the same year the Orphan Drug Act was passed to incentivize the development of drugs for rare diseases -- can help to connect people with others going through similar experiences, she said, not only for practical matters (like advice on helping your loved one walk or use the restroom) and information about the condition (such as realizing common symptoms), but also for emotional support.

"The most important thing, and I know this because we didn't have it, is to get support," Richardson says. "It's to connect with other people."

Watch Richardson's conversation with HuffPost Live below:

'The Square,' Egypt's First Oscar Nominee, Blocked In Home Country

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CAIRO (AP) — Directors of Egypt's first Oscar-nominated film will be walking the red carpet at the Oscars ceremony next week in Los Angeles, but most Egyptians have yet to see the hard-hitting movie that chronicles the country's unrest over the past three years.

Far from being widely celebrated in Egypt, the film has not been shown at Egyptian film festivals or theaters after running into problems with censorship authorities. The filmmakers say they have been blocked because of their portrayal of the country's military-backed governments. They still hope to get approval for wider distribution. "It's a kind of politics disguised in bureaucracy," said Karim Amer, the film's producer, taking a line that one of the film's central character uses to describe the government's counter-revolutionary actions.

"The Square," named for Tahrir, or Liberty Square, is built around the geographic focal point of the uprising, where millions of Egyptians gathered to protest Hosni Mubarak's regime, the rule of the generals who succeeded him and now-deposed Islamist President Mohammed Morsi. It recounts the country's recent turmoil, beginning when Mubarak stepped down in 2011 through August 2013, right before security forces stormed two protest camps of Morsi supporters, killing hundreds.

The filmmakers tell the story through the eyes of three protesters hailing from different backgrounds. The self-described revolutionaries are Ahmed Hassan, a streetwise idealist; Khalid Abdalla, a British-Egyptian Hollywood actor raised abroad by his exiled activist father; and Magdy Ashour, a member of Morsi's Islamist group, the Muslim Brotherhood, which has been outlawed and labeled a terrorist organization by the government installed by the military.

The movie follows their ideological trajectories, from hope and exuberance to disappointment and disillusion.

Ashour grows apart from the Brotherhood. He goes to protest in the square even after the group has prohibited members from demonstrating because, he says, the demands of the revolution have still not been met by the country's interim leaders. Abdalla struggles to convince his exiled father that his activism will bear fruit, and Hassan suffers a head injury while throwing rocks at security forces and falls into a depression.

"The good and free people are being called agents and traitors, and the agents and traitors are being called heroes," Hassan narrates over scenes of ambulances carrying away wounded protesters.

The film's director, Jehane Noujaim, who grew up in Egypt, said she wanted to tell the story in a way that would let viewers in 50 or 100 years feel "that energy and that spirit of being in the square."

The footage includes graphic images of bloodied bodies getting smashed by military vehicles, police dragging a protester's limp body across the street and other scenes of brutality. At one point, a protester kneels on the sidewalk, weeping, with the blood of comrades on his hands.

"Our army is killing us. They are killing us," the protester says. "They've forgotten Egypt."

That depiction of the Egyptian military, which removed Morsi in July, is the reason the filmmakers believe the film has not been licensed for showing in Egypt.

But the project has gained acclaim in the West, winning audience awards at the Sundance Film Festival and at Toronto and Montreal festivals. It was acquired last year by subscription service Netflix.

In Egypt, it's only available through YouTube and illegal downloads. After the academy announced the Oscar nominations, the film was hacked and released on the Internet. Amer estimates that more than 1.5 million people have watched it online.

"What's been fantastic is to see the overwhelming ability of the Internet to show truth from fiction," he said.

Ahmed Awad, undersecretary to the Minister of Culture and head of censorship, told The Associated Press that the film has not been banned in Egypt for any political reasons. He said it was not shown because the film's producers did not file the proper paperwork. He called the filmmakers' accusations of repression "propaganda" designed to attract more attention.

"I am very happy about the Oscars, because it's a very high level of art," Awad said. "We are not against the film, but there are laws. I can't make exceptions."

Noujaim said that the team submitted the film to censorship authorities in September and received verbal permission to show it at a festival. But, she explained, the film never received an official letter to that effect, and the filmmakers did not feel comfortable proceeding without a formal permit given the tense political climate. She said they are appealing and submitting additional paperwork.

Some Egyptians who have seen the film say it is designed more for educating a Western audience than interpreting the country's recent history, that it glosses over some events and does not capture the nuance of post-revolutionary politics.

Joe Fahim, an Egyptian film curator and critic, said the film is not an artistic masterpiece, but he believes it's an important film for Egyptian audiences because it can serve as a record of the country's political upheaval.

"It's a reminder of the turbulent history of the past three years," Fahim said.

Noujaim, who last month received a Directors Guild documentary award for "The Square," said the film is ultimately an ode to the activists who made the revolution happen.

"That's the only thing that's ever worked — a dedicated few that stick to their principles, stick to every battle, and once in a while, they're able to inspire the majority," she said.

Despite the setbacks, Amer added, what's fundamentally changed in Egypt is that "the young Egyptian voice that's been born in that square is unwilling to give up, and I think that's what our film chronicles and shows."

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Lederer reported from the United Nations.

Juan Pablo Galavis Won't Be On Season 18 Of 'Dancing With The Stars'

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While he's already been denied once this week (by Andi leaving on her own accord and calling him an a--hole during Tuesday's episode of The Bachelor), today Juan Pablo Galavis is getting rejected AGAIN from what could have been a great opportunity to make a positive comeback in the media world.

Rumer Willis Goes Old Hollywood Glam At Artists Gala

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Rumer Willis is a stunner.

The daughter of Bruce Willis and Demi Moore channeled old Hollywood glamour in a floor-length white gown on Thursday night, Feb. 27, at the Sunset Tower Hotel in Los Angeles. Willis attended the 7th Annual Hollywood Domino & Bovet 1822 Gala benefiting Artists for Peace and Justice -- an organization that supports communities in Haiti through programs in education and healthcare.

The 25-year-old was not just a guest, but took the stage as well, both as speaker and singer.

Vanessa Hudgens, Kate Beckinsale, Ali Larter, Jon Hamm and Omar Epps were also in attendance.

See Willis' gorgeous look below:

rumer willis

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rumer willis

Hayden Panettiere Tries On Wedding Dresses For Brides Magazine

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Here comes the bride-to-be!

Hayden Panettiere, who got engaged to boxer Wladimir Klitschko last year, is trying on this season's trendiest wedding gowns in the April/May 2014 issue of Brides magazine. Slipping into gowns from Naeem Khan, Monique Lhuillier and Marchesa for the photo shoot, the Nashville star is all-smiles as she gushes to the publication about her life as a fiancée.

Melissa Joan Hart Poses In Swimsuit To Reveal 40-Pound Weight Loss

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As her Melissa & Joey co-star Joey Lawrence would say, Whoah! Melissa Joan Hart reveals her impressive 40-pound weight loss in behind the scenes look at her new commercial for weight loss program Nutrisytem.

Keeping Memories Alive Through Candid Conversation

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Click here to watch the TEDTalk that inspired this post.

Anderson Cooper and Liam Neeson courageously engaged in a conversation on 60 Minutes that we rarely see on prime time TV. Cooper interviewed Neeson about the loss of his wife, Natasha Richardson, five years after she died in a skiing accident. The community of grief is a group that no one wants to join, but we are all members at some point in our lives. Yet discussion about loss is noticeably absent from our airwaves. After the obituaries, accolades, and the funeral, we rarely talk about the long-term impact of grief on those who are left behind.

In her TED talk, Ash Beckham talks about how she came out of the closet as a lesbian. She says that all human beings are hiding something, and need the courage to come out of their own closet. "A closet is a hard conversation," Beckham explains.

"I wanted very much to have a conversation with Liam about grief," said Cooper in an expanded interview on 60 Minutes Overtime. To see the complete interview, click here.

Coming out of my closet enabled me to honestly share my grief journey with others and to gain inspiration from their experiences. -- Meryl Ain


"People don't really talk about grief and loss enough in this country, I think, and for those of us who have suffered losses in our lives, it's something we think about all the time. Not talking about it feels almost artificial."

Neeson said in the interview that it helps him to talk about his wife. He told Cooper that he feels that his wife is still present in their home in upstate New York -- that he feels "a vibe." He plants roses and daffodils at her grave. And his wife's donated organs are "keeping three people alive," he said. "She would be very thrilled and pleased."

He added that he has experienced consolation in the community of those who joined together to comfort him.

"Dealing with grief, dealing with loss- there is power in hearing how other people have dealt with it and power in hearing how other people have faced it and live with it," said Cooper.

I could not agree with him more. I thank Anderson Cooper and Liam Neeson for participating in this important dialogue. It is particularly meaningful for me since it coincides with the upcoming publication of the book that I wrote with my husband, Stewart, and my brother, Arthur Fischman, about how people have transformed the power of grief into meaningful action and living legacies.

Beckham says in her TED talk: "The only story that matters is the one you want to write. You may feel alone, but you're not." Once I started researching and writing the story that I wanted to write, I realized that I was not alone. Coming out of my closet enabled me to honestly share my grief journey with others and to gain inspiration from their experiences. And I gained a new perspective on life and death.

The Living Memories Project: Legacies That Last was a project that I began thinking about following the death of my mother after a brief illness. I was bereft and grieving, but I was told that I needed to move on and have closure. I felt very much alone until I started talking with friends, family, and colleagues. I learned from them that there is no closure with those we love deeply; they are in our lives and in our hearts forever.

The book is an effort to provide inspiration from others who have harnessed their grief. The Living Memories Project describes through interviews, anecdotes, essays, poems and photographs, the many ways that 32 individuals - celebrities and others - keep alive the memories of loved ones. Some are huge projects; some are small ones.

For example, Nick Clooney tells how he keeps his sisters' (singers Rosemary and Betty Clooney) memory alive through a museum, foundation and special events. In addition, he talks about how he carries on his grandfather's values of social responsibility through his work on behalf of Darfur with his son, actor George Clooney. Another example is the work of Liz and Steve Alderman, who established the Peter C. Alderman Foundation to honor the memory of their 25-year-old son, who was killed on 9/11 at the World Trade Center. The foundation trains doctors and establishes mental health clinics on four continents to treat victims of PTSD. A simpler tribute is the story of a woman who makes her mother's special recipes on holidays.

The research and writing of The Living Memories Project has been healing and cathartic for me and for my coauthors. We hope that it will help others by showing readers how to find comfort and meaning through honoring the memory, values, and legacy of their loved ones. Let us continue the candid conversation exemplified by Anderson Cooper and Liam Neeson. As Ash Beckham says: "Let's find the courage to open up."

The Living Memories Project: Legacies That Last, by Meryl Ain, Arthur M. Fischman and Stewart Ain, will be published on March 28 by Little Miami Publishing Company.

Ideas are not set in stone. When exposed to thoughtful people, they morph and adapt into their most potent form. TEDWeekends will highlight some of today's most intriguing ideas and allow them to develop in real time through your voice! Tweet #TEDWeekends to share your perspective or email tedweekends@huffingtonpost.com to learn about future weekend's ideas to contribute as a writer.

Parenthood Recap, Season 5, Episode 15 Recap: 'Just Like At Home'

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The separation that no one thought would actually happen but is somehow still a thing is at the heart of Parenthood's post-Olympics return. As the crew copes with the Julia-Joel fallout, there's a whole lotta Hank and not nearly enough Amber, but Adam manages to save "Just Like At Home" from despair with signature doses of schmaltz. Let's break it down Braverman by Braverman:

Julia and Joel
The episode kicks off with Victor and Sydney packing their weekend bags, since Joel has apparently made good on his promise to be a completely unreasonable human. J&J share a terse trade-off and the kids head to Joel's new apartment where he attempts to woo them with an Xbox and Rainbow Loom kit. The video games may work on Victor, but Joel please. Queen Sydney is so over Rainbow Loom. She's 10 now. Luckily, Joel has a swimming pool trump card up his sleeve. Even the Queen can't resist the allure of a new swimsuit. All family woes are briefly forgotten.

That night in the big house, Julia feels super weird sleeping in her giant, empty bed and consoles herself by crawling into Sydney's instead. Because the smaller the bed the less alone you feel, right?

Saturday comes and goes. Joel sits the kids down for a delivered pizza dinner and begins talking about all the fun things they can do the next day. This is met with a disgusted, "We're here all day tomorrow too?!" from Sydney who just wants to return to her castle.

Meanwhile, Julia is saved from a second night of loneliness by the unexpected arrival of both Sarah and Crosby, who show up with the healing gifts of wine and Thai food. Julia laments that she feels like the black sheep of the Braverman clan, which HAR HAR because that would mean her measly kiss with Roy from The Office trumps the dark deeds of Crosby sleeping with Max's behavioral aide and Sarah dropping out of high school. Adam stops by to join the fun. Julia's moved to tipsy tears. Adam lightens the mood by coming down with a case of dance fever and a raucous living room party ensues. Braverman siblings unite!

Meanwhile, Victor's super freaked out by weird noises at Joel's place, so he steals Joel's cell phone and calls Julia because Mom. Julia whisper-talks Victor to sleep while tucking in her siblings who've now decided to make camp in various locales around her house. She avoids the big bed and joins a sleeping Adam on the couch.

Sarah and Her Suitors
Ray "Hank" Romano and Sarah are at odds over how their latest photos have turned out. But even when fighting, Hank is still crushing on Sarah and he's dismayed to learn that she's about to go on a date with her tenant-lover Carl. Sarah runs off for their super chill taco dinner (to which she wears an outrageous fedora), and Carl proceeds to say sweet things and confess that he's falling for her. Sarah seems to like this idea.

Returning to the studio the next day, Sarah discovers that Hank has decided to Photoshop all of their images behind her back in a presumed jealous rage and -- even though she admits that 80 percent of them look better his way -- she's none too pleased. She needs them to work together, not apart. She also needs coffee.

Confused by her reaction, Hank checks in for another session with Berkeley's resident Asperger's expert, Dr. Pelikan. The doc tells Hank that he seriously needs to start communicating with Sarah and, duh, stop Photoshopping behind her back.

That night, Hank shows up at Sarah's door. She's just out of the shower and in a robe, but Hank is not to be distracted. He recites an apology that Sarah quickly calls out as ridiculous. She questions why they can't have a normal conversation, and Hank embarrassingly admits his Asperger's fears. Sarah gets misty eyed and forgives all.

Adam and Kristina
Adam and Kristina start off adorkably living it up in a hot tub while on a "cancer gift" spa getaway in Mendocino. But being the caring big brother that he is, Adam can't truly relax for worry over Julia. He calls her up, and after she assures him she's totally fine and binge-watching Orange is the New Black, he jumps care-free back in the tub and strips out of his "old man bathing suit." Kristina's lovin' it.

Later, up to their necks in mudbaths, Kristina thanks Adam for all his support during her dark cancer days, and he responds with the Adamism, "If I have to be stuck in the mud, I want to be stuck in the mud with you." Precious.

Next, they're off on a hike and surrounded by majestic scenery. And yet, Adam's still obsessing about poor Julia's plight. Kristina concedes that since they've summited a mountain and had sex twice it's okay if they call it a weekend and go tend to Baby J. But not before they take a fun selfie.

Drew and Amy (+ Bonus Amber!)
Amy is still living in Drew's dorm, which was all fun and games at first but now the semester's heating up and Drew is busy with important things like astronomy lab. Amy's simply become a listless clinger who refuses to return to the depressing winter at Tufts. This routine is getting old fast.

Your BFF Amber can't catch a break (or a scene of her own in this episode), but luckily she can offer Drew awesome life advice. Hanging out at Amber's loft, Drew confides that he loves Amy but seriously needs her to leave. And like the Yoda of millennials that she is, Amber muses, "It's crazy. You can really love somebody but want them to go." Yes indeed, Amber. Yes indeed.

Empowered, Drew sucks it up and confronts Amy about her overstayed welcome. Is this about that-hussy-down-the-hall Natalie? Amy asks. No, Drew assures her, you're just hiding from major stuff like college and your seasons'-old abortion. He convinces Amy to overshare with her family, and they drive to her parents' house that night. An indie ballad plays while they kiss in the car and then she's off to face the 'rents. Godspeed, Amy.

Zeek and Camille
Back from her life-changing trip to Italy, Camille -- who is like a female Benjamin Button and looks younger every episode -- has convinced Zeek to press forward with plans to sell Casa Braverman and live the RV life. But when Crosby learns of their mischief, he responds like any good youngest child would and completely loses it. After a brief dinner confrontation, Zeek gets Crosby to see the light by explaining that he loves Camille more than a house and he'll do whatever it takes to keep her from running off to Europe again.

The night ends with everyone who's in town and not sleeping at Julia or Joel's cozily roasting marshmallows by the Braverman fire pit. Zeek teaches Jabbar the art of proper roasting, but Camille sticks to the burnt ones because she's a saucy minx. Drew and Amber lean on each other. Baby Nora looks cute. Love of family is in the air.

NEXT WEEK:
Scary piano music and a bathroom cry scene signal Kristina's cancer may or may not be back. Sarah and Carl are totally hooking up. Hank is NOT okay with this.


Parenthood airs on Thursdays at 10 p.m. EST on NBC.


David O. Russell And Florence Henderson Share A Special Spiritual Bond

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Harvey Weinstein isn't the only one with the Pope in his pocket.

Actor Florence Henderson joined Vanity Fair and Chrysler at a cocktail party Thursday evening in L.A. to toast director David O. Russell and the cast of “American Hustle.”

After overhearing that Henderson was holding Russell’s Pope-blessed rosary in her hand at the party, The Huffington Post stole a moment away to ask her about it. “I have that in my purse. But I am holding something else from him tonight. He gave it to me at the beginning of the evening and I won’t say what," Henderson said. "But at the end of the evening I’ll give it back to him. And I’m just praying for him to win the Oscar. I do believe in prayer. And I have such great respect for his work.”

The two met at the premiere of Russell's “The Fighter,” which scored seven Oscar nominations at the 2011 ceremony (it went on to win Best Supporting Actor and Best Supporting Actress for, respectively, Christian Bale and Melissa Leo). Having never officially met before, Henderson said of Russell, “I was invited to the premiere and he was so gracious. I didn’t even think he would know who I was. But then he went on stage and said, ‘Tonight is very special for me because two of my heroes are here. Florence Henderson and Gloria Steinem.’ That was the beginning. We have sort of formed a spiritual relationship.”

Russell has proven himself to be an Oscar-whisperer of sorts. His films “The Fighter,” “Silver Linings Playbook” and this year’s “American Hustle” have scored multiple nominations and wins. One of Russell's hallmarks as a director is wringing emotional and unexpected performances out of top-notch actors, including frequent collaborators Jennifer Lawrence, Christian Bale, Amy Adams and Bradley Cooper, all of whom were nominated for their work in "American Hustle."

The Huffington Post spoke with Russell about Oscar pressure and if arriving at the Academy Awards is always his goal when he starts a new film. After hollering politely at a friend for “Wine. Red. Pinot,” Russell said, “No you can’t think that way. The Oscars motivate me. They motivate me to make the most emotional, impactful movie I can make. I have to weave a tapestry. If the movie isn’t good, it doesn’t mater if the performances are good. The movie has to be propulsive.”

In terms of sitting at the awards anxiously waiting for his categories to be called, Russell said, “That’s what you get. That’s the price of admission. If you get to be a part of it, you have to go in expecting nothing and you have to really, really meditate on that. And be okay with it and just be happy to go.” Russell is nominated twice this year, for Best Original Screenplay (with Eric Warren Singer) and Best Director.

Russell said he grew up watching the Academy Awards, and one of his favorite Oscar memories includes a Hollywood legend. “I remember Warren Beatty hosting the Oscars. He was real dry and sardonic. Which is kind of a '70s luxury,” Russell said. “I also remember him winning for ‘Reds’ [1981] and giving a very beautiful speech to Diane Keaton and Jack Nicholson who were sitting there. I have been fortunate enough to become friendly with him over the years.

“I also remember Dustin Hoffman winning for ‘Rain Man’ [1988] and he forgot to thank Tom Cruise," he continued in reminiscing on Oscars past. "He went backstage and Ryan O’Neal or somebody came out and said Dustin Hoffman is freaking out, he forgot to thank Tom Cruise. I experienced that last year when Jennifer [Lawrence] forgot to thank me and Harvey [Laughs]. She has spent the last year thanking us. Which, hey -- I’ll take it!”

Come Sunday night, there might be a lot more thanking in order. “American Hustle” is nominated for a whopping ten Academy Awards, including Best Actor, Actress, Supporting Actor, Supporting Actress, Best Picture, Director and Original Screenplay.

Vanity Fair’s “American Hustle” event was held in support of the Ghetto Film School, an organization that educates, develops, and celebrates the next generation of great American storytellers, and is a cause very close to David O. Russell’s heart.

Mellie And Andrew Nichols Is The One Thing You Need To See From The 'Scandal' Premiere

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Holy Vermont-made jam, "Scandal" is finally back! The mid-Season 3 premiere aired Feb. 27, and Shonda Rhimes and the writers gave viewers dozens of RUFK moments.

There was the time "Scandal" pretended to be "House Of Cards" with the whole Publius text messaging hooplah. Then Sally declared she'd run against the president but wouldn't resign. Mellie caught Olivia making out with Fitz, but it didn't really matter. Quinn lured a little boy into a car after school (and returned him safely). Abby taught Harrison how to use a gun and reminded him not to shoot off his penis.

But the greatest, most insane and wonderful moment from last night's "Scandal" happened in the last few moments. See below...

scandal gifs

scandal gifs

scandal gifs

We can only assume Mellie has a lurid past with Fitz's new running mate, Andrew Nichols! In December, "Scandal" cast Jon Tenney to play Mellie's potential new love interest and we finally get to see that play out on screen.

On behalf of all "Scandal" watchers everywhere, YAAAAAS!!

Cristin Milioti Sang 'The Moon Song' At The Oscars Concert

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LOS ANGELES (AP) — John Williams and Jill Scott were among the artists who brought this year's Oscar-nominated music to life at an inaugural concert organized by the motion picture academy.

Williams conducted an 80-piece orchestra performing his score from "The Book Thief," while Scott put her own spin on the Pharrell ditty "Happy" from "Despicable Me 2" at Thursday's first-ever Oscar Concert at UCLA's Royce Hall. The show featured each of this year's nominated composers leading an orchestra of professional studio musicians, as well as performances of each original song vying for the Academy Award.

"What's fantastic about an evening like this is we can understand completely that these movies we see wouldn't be what they are and couldn't be made without the service of a great orchestra," said Williams, who with 49 nods is the second most nominated person behind Walt Disney in Oscar history.

The concert, hosted by rapper-actor Common and featuring an appearance by Oscar-winning songwriter Richard Sherman, kicked off with six-time nominee Alexandre Desplat leading a suite from "Philomena." Other composers who took the stage included 12-time Oscar nominee Thomas Newman with "Saving Mr. Banks"; as well as first-time nominees William Butler and Owen Pallett of Arcade Fire with "Her"; and "Gravity" composer Steven Price, who delegated conducting duties to collaborator Joseph Trapanese.

Pallett recalled that the nimble score from filmmaker Spike Jonze's futuristic love story "Her" was originally intended to be more dark and mechanical.

"Originally, the movie was set 30 years in the future, and then he brought it back to 15 years in the future, so we had to take the 'Blade Runner' score out and make it a bit more contemporary," said Pallett.

For her rendition of "Happy," Scott was joined not only by the orchestra but also the young girl Redbirds dance troupe from the Debbie Allen Dance Academy.

The other song performers included "The Voice" contestant Matt Cermanski singing U2's "Ordinary Love" from "Mandela: Long Walk to Freedom" and actress Cristin Milioti from "The Wolf of Wall Street" and "How I Met Your Mother" crooning Karen O's "The Moon Song" from "Her." Robert Lopez and Kristen Anderson-Lopez, the songwriters behind the sweeping "Frozen" ballad "Let It Go," performed their own tune from the animated film starring Kristen Bell and Idina Menzel.

"I am not Idina Menzel," warned Anderson-Lopez before she was accompanied by her husband on piano. "Very few of us are, which means I don't have to perfect. I can just let go."

Menzel, as well as each of the other nominated song performers, including Karen O and U2, will be on hand during Sunday's ceremony to showcase their original song selections on the live broadcast.

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Online:


http://www.oscars.com

Flashback: Most Memorable Oscar Looks From 2004

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The 86th Annual Academy Awards is just around the corner, and while we are on the edge of our seats to find out who the winners will be, what we really can't wait to find out is who will be winning our hearts on the red carpet prior to the show!

Anthony Mackie Comments On Michael B. Jordan's 'Fantastic Four' Casting Controversy

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Anthony Mackie stars in "Captain America: The Winter Soldier" as The Falcon, but in an interview with Marc Lamont Hill on HuffPost Live, the 35-year-old had more to discuss than just his franchise. When asked about the recent controversy that sprouted up in the wake of Fox casting Michael B. Jordan in "Fantastic Four" as Johnny Storm, a character who has been portrayed as white in the comics, Mackie said the problem lies with the viewers. "As an audience member, if you can't [accept that anyone can play a fictional character], you have to look at yourself," he said. Watch Mackie and Hill chat about that and "Captain America" in the clip above. The full segment can be found online here.

Mackie's "Captain America" film is out in theaters on April 4.

Deion Sanders' Gift Brings A Single Mom To Tears (VIDEO)

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Former pro athlete Deion Sanders is a single father who, along with raising his own children, has taken on a sort of surrogate role for many of the students at Prime Prep Academy, the charter school he helped co-found.

When one of Deion's student athletes, whom he calls "Shorty Lo," confides that he and his mom have been struggling, Deion decides to help. In the above clip from OWN's new docu-series, "Deion's Family Playbook," he meets Shorty Lo's mom.

"Their dad is not in their life," she mom tells Deion. "And you don't know what I went through."

She tells Deion that when she heard of Prime Prep Academy, a school that aims to help children in underserved areas, she pulled out all the stops to get her kids there.

"Because I felt like if I didn't get him from where he was at, I was either going to a funeral home or to a jail," she says.

Shortly Lo's mom goes on to tell Deion how much warmth they've felt at the school. "But it's been hard," she says. Breaking down into tears, she tells Deion she doesn't have a job and that she and her son have been sleeping on the floor.

Stopping her, Deion pulls out a check. While Deion chose to keep the amount of the check between him and the mother, her emotional reaction in the above clip says it all.


"Deion's Family Playbook"
premieres Saturday, March 1 at 10 p.m. ET on OWN.

Arthur Chu Is A Good Thing For 'Jeopardy!'

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Arthur Chu is a polarizing figure. The current king, or as some would say, "villain" of "Jeopardy!" is on a trivia war-path and he's shaking up the decades-old game show.

Chu uses game theory and a method known as the "Forrest Bounce" to optimize his chances of winning each game. He hops around the board, instead of playing straight down category columns, searching for the Daily Doubles that will give him a score boost. He also works quickly, aiming to squeeze as many questions (or as he sees them, opportunities to increase his earnings) as possible into each round.

Many die-hard "Jeopardy!" fans have vilified Chu for his technique, saying that he has ruined the spirit of the game. The Washington Post recently published an article that says they're "mad" at the "ruthless" player, and they're certainly not alone in thinking that. "Jeopardy!" itself has even tapped into the madness.




Chu's not a "villain," though. He's resourceful, pragmatic and the boldest competitor that the game show's seen in quite a while. In fact, he's good for the show. Take a look at some of the reasons that we should be applauding Chu's efforts, rather than vilifying him.

Change is okay.

Nothing can stay the same forever. "Jeopardy!" didn't always have special shows for teens and college students, the application process didn't always include an online test, and Alex Trebek wasn't always the host. But you know what? These changes have made the show interesting, diverse and relevant to more people than ever. Maybe Chu is ushering in a whole new play style that will forever reinvent the game. Maybe it'll die out when his run is over. It doesn't matter; change happens.

He's not ruining the "Jeopardy!" spirit; he's embracing it.

The point of "Jeopardy!" is to answer questions, make money and survive to compete another day. That's exactly what Chu is doing. The aforementioned Washington Post article admits that Chu hasn't broken any rules, saying "He’s just being ruthlessly, idol-killingly pragmatic, in a space where we don’t want pragmatism — we want pure genius! We want Ken Jennings!"

Well, Jennings, the 74-game-winner who many see as the greatest "Jeopardy!" player, lauds Chu's style. He interviewed the new champ and even written a defense of him for Slate, saying, "Strategic play makes for a more complex, exciting show. Don’t listen to the Internet kibitzers. Arthur Chu is playing the game right."

He's making people really think.

"But you've got to think about so many things on "Jeopardy!," you say. Well, sort of. "Jeopardy!" is a game of knowing. Usually, whoever wins does so simply because he or she has the largest bank of facts squirreled away in his or her brain. Chu is keeping his competitors on their toes in a whole new way by bringing strategy into the mix.

His "advantage" is hardly unfair.

There's nothing truly unfair about Chu's methods. In fact, he got his "game-wrecking" ideas from Google. Literally any contestant could have tried out his strategy -- any contestant still can. They just aren't, which is a personal choice.

It's not just a game.

Sure, we love watching "Jeopardy!" on television. It's exciting, yet relaxing for the home viewer who won't be at all affected by the outcome. But when contestants have thousands of dollars on the line, it's more than just a game. It would be uncouth to whip out these tactics at a family game night, sure, but that's not what's happening here. When winning a game show could drastically change your financial future, yeah, it's okay to play for keeps.

Frankly, it's too early to start complaining.

Chu hasn't necessarily "broken" the game. As of Feb. 28, he's won eight games. Ken Jennings won 74. Let's wait a bit before assuming that it's all over for America's beloved game show.

By virtue of the fact that they've made it to the show, Chu's competitors most likely have the intellectual ability to keep up; anyone can play his game. The only question now is will they?

Oscar Winners Should Learn From Joe Pesci & Alfred Hitchcock

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Brevity is the soul of wit and also tolerable Oscar speeches. With a show that threatens to run for at least three-and-a-half hours, what viewers don't need is Julia Roberts chastising the "stick man" or Roberto Benigni thanking pretty much everyone. As such, HuffPost Entertainment directs Sunday's potential Oscar winners -- most likely Matthew McConaughey, Cate Blanchett, Jared Leto and Lupita Nyong'o -- to glean pointers from two of the most memorable speeches in the history of the Academy Awards: Alfred Hitchcock and Joe Pesci. Thank you.



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