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Anderson vs. Alec: Who Is the Bigger Ally to the LGBT Community?

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I have been reading the reports and listening to the character assassination of Alec Baldwin for his big mouth horrifying us once again, and I ask you what is worse for the LGBT community: someone calling us a name in a moment of anger or one of our own carefully spending decades hiding in the shadows, too ashamed or scared to stand with us?

When celebrities come out late in life, they always use lots of spin to explain their actions, but it is never about anything more than fear and shame. Many people in the public eye worry that coming out may hurt their career, and rightfully so. If you prioritize your career over your truth or the fight for equal rights, that is your choice, but don't let me hear you criticizing another person for not being gay-friendly enough when you yourself chose to hide in silence while others fought bravely for your freedom and equality.

I love Anderson Cooper: his snarky little grin, his giggle, the fact that he is so squeaky-clean but loves him some Kathy Griffin. He is adorable. However, when I read about Anderson Cooper laying into Alec Baldwin for the alleged use of an anti-gay slur, I couldn't help but roll my eyes. Cooper, who finally came out of the closet just last year, did far more harm to the LGBT community by staying in the closet for all those decades than Alec Baldwin has ever done with his temper tantrums.

Baldwin, never mistaken for an angel, has a list of absurd outbreaks so long that you can't possibly still be surprised when he calls someone a name. We are talking about a person who called his own 11-year-old daughter a pig. Clearly the man has a temper.

I believe that public figures have a responsibility to live out and true lives. I have read several reports of celebrities supporting Cooper's decision to come out so late in life, and I think their words are soft. If you want to be a private person, then you should avoid a public career. For a public figure to stay in the closet, that person is silently conceding that there is something wrong with who they are.

Cooper says he stayed in the closet for his own safety. Again, that was his choice. Many others were beaten and killed for living their true lives. He made his choices, and he's received great affirmation for those choices. However, I think he's received a little too much affirmation if he thinks he's in a position to wage a war for LGBT rights against a man who supported the LGBT community long before Cooper decided it was safe enough to come out.

I came out of the closet just after high school, two decades ago. When I came out I lost almost everything I held dear. I fought for equality when it wasn't always safe to do so. I have been yelled at, spit upon, threatened, abandoned and arrested all along the way. Life is pretty good for members of the LGBT community these days, but it was very different just a handful of years ago.

Anderson Cooper never experienced any of those extremes living in the comfort of the closet while freedom and equality were tirelessly pursued by others. Alec Baldwin publicly supported equality long before Anderson Cooper, and if I had to pick an ally, it would be Alec Baldwin without reservation.

The Beautiful Sadness of Dallas Buyers Club

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Just because it's over
Doesn't mean it didn't happen
Doesn't mean it wasn't beautiful
Even with the pain.

--"Beautiful Sadness," sung by '80s chanteuse and gay favorite Jane Olivor

In the first minutes of Dallas Buyers Club, the astounding new film about the darkest years of the AIDS crisis, rodeo cowboy Ron Woodroof (a gaunt and barely recognizable Matthew McConaughey) is punched in the face. He has it coming. The self-serving crook has a lot of enemies.

2013-11-18-CreditAnneMarieFoxFocusFeatures.JPGThe blood spills from his mouth and glows a bright crimson, an almost clownish contrast to his drained, ghostly pallor -- which itself is evidence of a raging HIV infection he has yet to discover. Another gash on his forehead is a sickly collection of reds, and unlike most movies in which injuries disappear by the next scene, the wound remains. And remains. For many scenes thereafter, the blood on Woodroof's forehead is in full view, a disconcerting reminder of what lies beneath, until you wish he would just put on a bandage already.

But Dallas Buyers Club isn't interested in making the truth very pretty. A river of infected blood runs through it. So too does practically every other bodily fluid, along with bruises that won't heal and purple skin lesions and flakes of dry, reddened skin. And that's kind of beautiful. Because that's what AIDS looked like in 1985, and it's been ages since we have fully remembered it. (This movie doesn't concern itself with the modern-day notion of "living with HIV," since having the virus in those days typically meant an AIDS diagnosis and fast and efficient death.)

I had never seen AIDS shown this way in a film. And of all the movie portrayals of the disease, from Parting Glances to Precious to I Love You, Phillip Morris, nothing else has captured the ugly physicality of the disease like Dallas Buyers Club. Even the tearful hospital-bed goodbyes in Longtime Companion seem overly romanticized by comparison.

The based-on-a-true-story narrative concerns Woodroof, a hard-living cowboy and drug abuser who must face certain death and the cruelty of his redneck buddies when he tests HIV-positive. Woodroof also lives the sheltered life of a Southern homophobe, so watching him negotiate the AIDS-community terrain of queers and drag queens is fascinating viewing and provides some of the surprisingly plentiful humor in the film.

But Woodroof hasn't successfully dodged the consequences of his petty crimes for nothing. He quickly cheats the system to acquire the medication AZT, and after an eye-opening trip to Mexico, he figures out how to profit from the sale of unapproved drugs to the throngs of support-group members back home.

Along the way he allows himself a guarded friendship with a drug-addicted transgender saleswoman, Rayon (Jared Leto in an effective and quietly humble performance), and eventually accepts, to some degree, the gratitude and generosity of the many gay people around him.

Nearly everyone in the story, patients and physicians alike, is a wretched outcast, damaged by drug addiction or homophobia or loneliness or their own destructive behaviors. No one is healed, no one fully conquers their demons, and no one gets out unscathed. The fact that the filmmakers make you root for every one of them is a testament to terrific storytelling and a vexing main character you grow to love and admire.

These characters also live a world away from the more sophisticated New York City activists who populate the Oscar-nominated documentary from last year, How to Survive a Plague. In fact, the big-city AIDS battles being waged elsewhere barely register in this story about Southern vice and ingenuity. When Woodroof and his rodeo buddies first learn of the death of Rock Hudson, the actor is dismissed as a "cocksucker," except by one of them, who doesn't know who Hudson is. His buddies scoff. "Haven't you ever seen North by Northwest?" one asks.

Woodroof's entrepreneurial efforts ultimately create the Dallas Buyers Club, a real business that provided unapproved medications to very desperate people with AIDS. As someone who once used a buyer's club to purchase Compound Q and other pharmacological footnotes in HIV/AIDS history, I can attest that everything from the cheap cinder-block setup to the anxious expressions on the customers' faces felt tragically familiar.

The real villain in the story, other than the virus itself, would have to be the early, toxic drug AZT and its manufacturer. Although the film uses a fictional name for the pharmaceutical company behind AZT, let history show that AZT was produced by Burroughs Wellcome (eventually absorbed into GlaxoSmithKline), which downplayed side effects in a complicated rush to have a drug, any drug, to treat the growing pandemic.

Matthew McConaughey is a revelation. His physical transformation alone would be Oscar bait, but then there's his ability to gain our affections for such a self-serving swindler. Calling the performance free of vanity is an understatement. His harrowing depiction of living with AIDS makes the award-winning Philadelphia look about as realistic as Dark Victory. It reminds me of when we settled for scraps in Hollywood's depiction of AIDS, when any major actor brave enough to play a gay man won an Oscar.

There is a moment late in the story during which Woodroof checks himself in the mirror before an evening out. Suddenly he finds himself staring, and in the dim bathroom light he sees the undamaged face of the man he might have been. He allows the slightest expression of pride, for the things he has accomplished, for those he has helped. And then, as those of us who lived through the 1980s know so well, the face returns to a look of both hope and despair, of the beautiful sadness that always brought too many questions about the fate that was barreling toward us.

It is that face in Dallas Buyers Club, the one free of blood and injury, that is the most haunting of all.

Photo credit: Anne Marie Fox / Focus Features

Madonna Tops Forbes' World's Highest Paid Musicians 2013 List

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Are you surprised?

madonna

Don't be. According to Forbes' latest roundup, Madonna made a whopping $125 million in 2013.

"The bulk of Madge’s millions this year come from the tail end of her MDNA Tour, which grossed $305 million," explains Forbes. Add to that heavy "merchandise sales at concerts as well as her Material Girl clothing line and Truth or Dare fragrance," and you've got a clear winner.

Her runner-up, Lady Gaga, trails behind with a "mere" $80 million. The tour she cut short due to her injury, explains Forbes, still grossed $168 million.

Bon Jovi lands in third place with a close $79 million. "All in all, the group earned more than Kanye West, Skrillex and Carrie Underwood," Forbes noted, in what might make little sense to anyone born after 1990.

Justin Bieber, Taylor Swift, Elton John, Beyonce and more make respectable cameos on Forbes' Highest Paid Musicians 2013 list. To find out exactly how much each songbird raked, head over to Forbes.com.

'Necessary Roughness' Canceled: No Season 4 For Callie Thorne Series

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"Necessary Roughness" has been canceled. The USA sports drama will not return for a fourth season.

“We are proud of this show and its writers, which had a unique ability to address topical subjects before they unfolded in real life on the sports pages,” USA said in a statement. “We want to thank Liz Kruger and Craig Shapiro, the incredible cast led by Golden Globe nominee Callie Thorne and our partners at Sony Television.”

Series star Thorne took to Twitter to bid farewell.

"Bidding farewell to 'Necessary Roughness' & the 3 years I was BLESSED to have," she tweeted. "This show was bound tgthr w the blood, sweat, laughter & tears of an outstanding group of creators, producers, directors, designers, actors, an unparalleled crew, tried and true fans- Any and all of whom I would be lucky to call friend. I will miss all of u terribly. And as my old pal Dr Seuss likes to say---> 'Don't cry because it's over - Smile because it happened.' #Danicoforever"


R. Kelly's 'Black Panties' Album Artwork Is Absurd

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Ahead of the Dec. 10 release of his upcoming album "Black Panties," R. Kelly debuted artwork for the record.

R. Kelly's latest falls in line with the sexual nature of the album title. He is shown on the cover with a topless woman on his lap, playing her as one would a cello. The 13-track album takes a similar note with song titles like "Leg Shakin,'" "Crazy Sex," and "Marry the Pussy." Check out R. Kelly's album artwork and the full track list to the standard and deluxe editions of "Black Panties" below.

r kelly

1. "Legs Shakin'" feat. Ludacris
2. "Cookie"
3. "Throw This Money on You"
4. "Prelude"
5. "Marry the Pussy"
6. "You Deserve Better"
7. "Genius"
8. "All the Way" feat. Kelly Rowland
9. "My Story" feat. 2 Chainz
10. "Right Back"
11. "Spend That" feat. Jeezy
12. "Crazy Sex"
13. "Shut Up"
Deluxe Version:
14. "Tear It Up" feat. Future
15. "Show Ya Pussy" feat. Migos and Juicy J
16. "Physical"
17. "Every Position"

Melissa Joan Hart Wows In Tight Bandage Dress At 'Frozen' Premiere

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Talk about casting quite the spell! Melissa Joan Hart wowed in a tight bandage dress Tuesday (Nov. 19) at the premiere of Disney's "Frozen" in Hollywood.

Hart wore the curve-hugging dress, which featured strips of various shades of blue, to the event at El Capitan Theatre. The 37-year-old mother of three looked ravishing with her blond hair in curls and a pair of nude pumps. She posed for photos on the snow-white carpet; she was later joined by her family -- husband, Mark Wilkerson, and their sons, Mason, 7, Brady, 5, and Tucker, 1.

The former "Sabrina the Teenage Witch" star has been busy promoting her new book, "Melissa Explains It All: Tales from My Abnormally Normal Life." In the memoir, she describes the wild times she experienced as a young actress in Hollywood, including her experimentation with "weed, ecstasy, mushrooms and mescaline for about a year and a half."

melissa joan heart

melissa joan heart

melissa joan heart

We Can't Wait For Immortal Humans Jeff Koons And Pharrell To Talk About Art

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Jeff Koons is really a hit with the pop stars. Right after collaborating on album art and an ArtRave with Lady Gaga, Koons is engaging in a deep talk about art with honorary art world member Pharrell Williams.

The two gentlemen sat down for one of Pharrell's ARTST TLKs, a series of tête-à-têtes between cultural giants that often leaves viewers going "huh?"

In the preview, the two discuss how Koons' work, namely his massive balloon sculptures, affirm the viewer. "What I love about the reflective surface is that it affirms," Koons explains, "it's about you. You move, all of the sudden the abstraction on the surface moves."

It's a lofty, and almost convincing, description of why mirrored things are cool. Almost. Needless to say, we can't wait to watch the entire talk. Things to look out for:

1) Jeff Koons' baby photo
2) Pharrell's Fedora
3) The way neither of these men seem to age. Possible relation to Koons' "eternal" artworks? To be continued...

We're not certain Koons and Williams will blow us away with their artistic insights, but we're sure there will be plenty of awkward moments to humanize these pop art icons. See our coverage of a previous Pharrell ARTST TLK here.

Leighton Meester, Adam Brody Engaged? Rumor Makes Our Teenage Hearts Grow

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They say when you wish for something long enough, it's bound to eventually come true. So let's think long and hard about this one: Leighton Meester and Adam Brody, the CW power couple of our dreams, might possibly be engaged, according to recent rumors.

Star magazine was first to report that Seth Cohen and Blair Waldorf Brody and Meester are set to wed, quoting a source that said, "Leighton and Adam are crazy about each other and have talked about getting married eventually. But she had no idea he would propose so soon! It was the surprise of her life and she’s ecstatic!"

According to MTV Australia, the couple met while shooting the movie "The Oranges" together in 2011 but only started dating about 10 months ago. Celebuzz adds that the two are considering getting married in southern California, possibly at Sandy and Kirsten Cohen's estate?

A request for comment made to both Adam Brody and Leighton Meester's reps was not immediately answered.

Miley Cyrus' Eyebrows Are Now Bleach Blond ... And Invisible

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It appears Miley Cyrus is trying out a new look.

In a photo posted by model Miranda Kerr last night (Nov. 19), Cyrus' eyebrows appear to be, well, invisible.

"Shot by the master @mertalas with the gorgeous @mileycyrus," Kerr wrote, sharing the below picture, which features Cyrus' new bleach blond brows:



Considering Kerr's luck with Photoshop this week, we figured the snapshot might have filtered out Cyrus' usually prominent eyebrows, but nope -- Lily Allen shared a photo of the tongue-wagger as well, and those perfectly arched brows are, poof, gone. (Well, blond.)



We have to say, Miley, this look is reminiscent of Lady Gaga's dark hair, light brows look she debuted this past summer.

Channing Tatum Spoofs Jean-Claude Van Damme's Split

Stevie Nicks Looks Great On 'American Horror Story: Coven' Set

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Stevie Nicks has arrived in New Orleans. The Fleetwood Mac singer is in NOLA to film a cameo on "American Horror Story: Coven." Series co-creator Ryan Murphy tweeted the first look at Nicks in the witches' academy.




Murphy also broke Nicks' casting on Twitter earlier this month.

"She appears as herself. It’s part of Fiona’s ruse in that Fiona is trying to get the true Supreme to reveal herself because she needs to stay alive," Murphy told EW. "So she tells Misty Day [Lily Rabe] that the Supreme gets so many great things in life, like tickets to the Oscars and Met Ball tickets. So she brings Stevie Nicks in as a gift to Misty to prove to her that if she exhibits more power she’ll get that and more. Then the other girls come home and see Stevie and Misty singing and it starts them trying to move much quicker to prove that they are the Supreme."


Rabe's character Misty Day is obsessed with Nicks
.



Nicks will appear in Episode 10 of "American Horror Story: Coven."

"American Horror Story: Coven" airs Wednesdays, 10 p.m. EST on FX.

The Rolling Stones' Australian Tour Date Confirmed For March

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The Rolling Stones are headed to Australia, and they're taking Mick Taylor along.

The enduring rock 'n' roll favorites announced Tuesday they'll be playing a gig March 22 at the Adelaide Oval. They haven't played in Australia since 2006. A news release says ex-member Taylor will be a special guest for the concert. The date is the latest on the 50 and Counting tour, a celebration of the five decades Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have been together. It began last November.

The Stones will be the first entertainment event at the Oval, a sports field that's undergone a refurbishment. It's been nearly two decades since the band visited Adelaide, leading Richards to say, "It's been awhile, right?" in a promo video.

___

Online:


http://rollingstones.com

Kim Kardashian Dons Sheer Shirt And Skintight Latex Skirt For Kanye West's NYC Show

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We're starting to see a pattern emerge, and we can't help but wonder if Kim Kardashian is warm enough in her new-found love of completely see-through shirts.

One day after daring to wear a cream-colored netted shirt that exposed her nude bra, the new mom stepped out in a plunging black bra top featuring a completely sheer overlay. The 33-year-old paired Tuesday night's (Nov. 19) outfit with a tuxedo jacket and a skintight, high-waisted latex skirt, which she wore to fiance Kanye West's "Yeezus" show at the Barclays Center in Brooklyn, NY.

kim kardashian sheer shirt

kim kardashian sheer shirt

The reality star also posted photos from the show's after party to her Instagram account, featuring pals Jonathan Cheban, Lala Anthony and her makeup artist Joyce Bonelli. Even model Cara Delevingne posed for a picture alongside Kim and Kanye.





Bill Murray To Star In 'Olive Kitteridge' On HBO

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Bill Murray is heading to HBO to join the cast of "Olive Kitteridge," the high-profile miniseries based on Elizabeth Strout's Pulitzer Prize-winning novel of the same name.

According to Deadline, Murray will play Jack Kennison, a local widower and friend of titular Olive Kitteridge, who will be played by Frances McDormand. Joining them on-screen will be Richard Jenkins, Rosemarie DeWitt, John Gallagher, Jr., Zoe Kazan, Jesse Plemons and Cory Michael Smith.

Set in a quiet New England town that has been ravaged by crime, despair and adultery, the four-hour miniseries will be directed by Lisa Cholodenko ("The Kids Are All Right") and written by Jane Anderson. Tom Hanks and Gary Goetzman will serve as executive producers.

[via Deadline]

Lenny Kravitz' Very Good Year, From 'The Butler' To 'Catching Fire'

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Lenny Kravitz plays Cinna, the stylist to Jennifer Lawrence's Katniss Everdeen, in "The Hunger Games: Catching Fire," but for many of the months before that film's Friday release date, Kravitz has been thinking about another role. In "Lee Daniels' The Butler," Kravitz stars as James Holloway, a White House employee and confidant of the title butler, Cecil Gaines (Forest Whitaker).

"It was an amazing film to be a part of," Kravitz said of the movie, which uses Gaines and his family as a window into much of the American Civil Rights movement (Gaines, based in part on the life of real-life White House butler Eugene Allen, spends over three decades in service at 1600 Pennsylvania Avenue, while his son becomes a key player in the era's social upheaval). The movie enters award season with a healthy amount of buzz, built largely on Daniels' direction, Oprah Winfrey's supporting turn as Gaines' wife, Danny Strong's original screenplay and Whitaker and Kravitz' portrayals of the less-televised side of life in the White House.

"I felt that it was a great story, and I love the historic value and the emotional value and everything -- Lee's direction, the actors," Kravitz said of the film, which earned $146 million worldwide. "But I had no idea that it was going to have this kind of success. No idea."

Reached hours before the "Catching Fire" premiere in Los Angeles, Kravitz took some time to reflect on "The Butler," size up the importance of a role like Cinna and dish on the production of "You And I Ain't Nothin' No' More,'" the original song he wrote and produced for Daniels' film.

A lot of people have a "Lee Daniels story," like Oprah's tale of being harassed for months before relenting to join the picture. What's yours? Was making "Precious" very different than "The Butler"?
No, I mean, it was a different situation, but Lee's style is Lee's style. He works pretty much the same way that I'm used to working, which is very spontaneous and led by the spirit. We're friends as well, so there wasn't anything out of the ordinary. He was just really focused on making this film, and was very into telling this story as clearly as he could.

Can you take us into the production of the song a little bit? You wrote and produced it, but when was that done?
That was after the film was done, or toward the end. Lee and I talked about the song and what we thought it should be about. It was important to not just be some song about black history. It's a song about a father and a son and the relationship, when it gets torn apart. So that's what it's about: "You and I ain't nothin' no more." I was honored to write that song for the amazing Gladys Knight.

Did you know it would be for her?
Pretty much -- I mean, I sang the reference vocals, but we knew we wanted to have a woman to sing it, and her name came right up.



There's been lots of talk about whether or not we're in a golden era for the presentation of black American stories in film. What do you make of that?
I think things are in the air. Somehow, a spirit is going around. It's a great time. It amazes me how many people don't know history. You take it for granted, thinking people know about Freedom Fighters and the sit-ins and know about Jim Crow and the March on Selma and all of these things. So many people don't. So many kids really do not, which I found was surprising.

Did you also get the sense that many of the people who do know these stories seem to talk about them as though they are ancient history?
Yes -- exactly. I agree with that 100 percent.

At times, though, it seems like the emphasis on black stories is only granted in stories that are historical. Put another way, when you look at how the Academy has awarded actors of color, it has almost always been for roles that have to be played by a black person -- as though those are the only times the industry is ready to reward a performance by a black actor. Do you think these movies will help break down that divide?
I would certainly hope so. I mean even with this role, even though it's a supporting role, back it up with me playing Cinna [in "Catching Fire"]. I mean, who knew? Cinna could have been any color. But yes, even the film that I'm about to do with Christopher Walken -- I'm playing his son. We're doing "Little Rootie Tootie," and that could have obviously easily been a white actor, but I'm doing it. In my experience, I'm just looking for characters that can be any color.

I hope that the industry is opening up more, because whether they're African-American or Korean or Mexican or Chinese or whatever they may be, that characters can be characters. Because in my life, growing up, I saw all kinds of people doing all kinds of things. Hopefully that will translate.

What is your hope for "The Butler," in terms of awards? How much of a role does that play in your life -- obviously you're no stranger to hosting pieces of hardware at award shows, is that something that you see as a validation?
I mean, it's a wonderful thing, but it is what it is what it is. A lot of great things don't get celebrated and sometimes a lot of very mediocre things get celebrated. At the end of the day, it's about the creative experience, and if that was true and wonderful, then great. That means everything, whether it sells or gets an award. When you do get an award, however, and you've done good work, it makes you feel good. No doubt.

Do you and Lee have any plans for linking up again?
We'll see! With Lee you never know where he goes next. We've talked about some things, but you never know until he says, "OK, that's it."

You finished "The Butler" before filming "Catching Fire." Was it at all odd to step back into the "Hunger Games" universe?
No, I landed in Atlanta and went straight to work. I knew who Cinna was, though we had a new director, but I knew him because we had worked together in the past in the music business. It all just happened very simply.

You sort of know everyone, at this point. Was there a point in your career when you looked around and realized that you have a huge network and that you were incredibly successful? An "I got this" moment?
In music, well ... I don't know if I ever think of that. I'm always trying to grow, to do better and go deeper. I feel like my best work as a musician is yet to come. I know that there has been a lot of time that has gone by that suggests that I should say that or feel that way, and I'm doing really well, but I don't really feel like that.

Are you also in the camp of musicians who feel like what they've most recently finished is their best work?
The album that I just completed that is coming out next year is somewhere that I haven't been yet. The work is incredibly strong and I'm very proud of it -- I do think it's my best work to date. But five years from now, it will be something else.

And in film--
Oh, all four of my films! I'm four for four, at least. [Note: Kravitz has starred in "Precious," "The Hunger Games," "The Butler" and "Catching Fire," a pretty impressive run.]

Right, "Catching Fire" won't be that small of a film at the box office.
No, no it won't. [Laughs] I'm very grateful.

Tell me a little bit about your Fred Segal collaboration -- have you designed anything yet or is that still to come?
We've begun working on it. Anything from $100 to $100,000 -- it's 10 items that start from the perfect t-shirt up to a piece of jewelry or a weekend bag or headphone cover to a custom motorcycle. It's just 10 items that people use all the time, but we're doing our own version of them.

The particulars of design, film and music can be very different, but in terms of a creative process, do you find that it all comes from one place?
Absolutely. I find that they're all the same. It's all just making something out of nothing. Whether you're creating a song or a piece of furniture or a role, it's all just drawing from the unseen or unheard. I find the processes to all be very similar, if not exactly the same.

Ellie Goulding Announces North American Tour Dates For Spring 2014

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Having completed her rounds across North America as the supporting act on Bruno Mars' Moonshine Jungle tour this summer, Ellie Goulding is heading back to the States for a string of headlining dates this spring.

Supported by drum & bass quartet Rudimental, the tour currently has 17 stops set, starting at the Theatre at Madison Square Garden on March 12, and ending at the Red Rocks Amphitheater in Colorado on May 2.

Pre-sale tickets are available today at varying times, and general tickets will go on sale this Friday. Check out all the dates listed below.

[via Billboard]

  • March 12: New York, NY (Theatre at Madison Square Garden)

  • March 14: Philadelphia, PA (Liacouras Center)

  • March 16: Washington, DC (Echostage)

  • March 17: Boston, MA (Agganis Arena)

  • March 20: Atlanta, GA (Fox Theatre)

  • March 22: Austin, TX (Austin Music Hall)

  • March 24: Houston, TX (Bayou Music Center)

  • March 25: Dallas, TX (South Side Ballroom)

  • April 19: San Francisco, CA (Bill Graham Civic Auditorium)

  • April 22: Portland, OR (Arlene Schnitzer Concert Hall)

  • April 23: Seattle, WA (Paramount Theater)

  • April 24: Vancouver, BC (Orpheum Theatre)

  • April 26: Calgary, AB (MacEwan Hall)

  • April 27: Edmonton, AB (Shaw Conference Center)

  • April 29: Garden City, ID (Revolution Center)

  • May 1: Magna, UT (The Great Salt Air)

  • May 2: Morrison, CO (Red Rocks Amphitheater)

Sean Penn FLIPS OUT On Fan: 'I'll Make You Eat Your Cell Phone!'

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Sean Penn went nuclear on a fan in a fancy San Francisco hotel last night -- threatening to jack the guy up after Sean caught him trying to sneak a cell phone pic ... and TMZ has the explosive footage.

Kim Kardashian And Kanye West Wear Matching Outfits In Brooklyn

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Long coat? Check. Ripped jeans? Check. Downcast stares? Check.

Kim Kardashian and Kanye West stepped out in matching outfits -- and facial expressions -- Wednesday night (Nov. 20) in Brooklyn ahead of the rapper's "Yeezus" show at the Barclays Center. Both wore long dark coats, white T-shirts and ripped jeans when they left their Manhattan pad to go to the rapper's show. The reality star paired her Yves Saint Laurent denim with black pumps, while Yeezy wore his with brown suede shoes.

The matching outfits certainly brought back memories of a certain other celebrity couple who rocked the double-denim look circa 2001.

The 33-year-old reality star was in the crowd watching as her man performed. She posed for a photo at the show with celebrity jewelry designer Lorraine Schwartz (the woman behind her 15-carat engagement ring) and makeup artist Pat McGrath.

On Tuesday night, Lindsay Lohan and Anna Wintour were photographed at West's show, Us Weekly noted.

kim kardashian

kim kardashian

Jennifer Lawrence Has Meltdown At 'Catching Fire' New York Premiere And We Don't Blame Her One Bit

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After weeks of zipping across the globe to promote "The Hunger Games: Catching Fire," Jennifer Lawrence finally lost it, and we don't blame her one bit.

At the film's New York premiere on Wednesday night (Nov. 20), something snapped inside the 23-year-old actress. She, apparently, couldn't take being screamed at by dozens upon dozens of photographers while she and co-stars Jena Malone and Elizabeth Banks were posing on the red carpet.

Lawrence lost her cool, if only for a moment, clenching her hands into fists and throwing her arms into the air repeatedly. She began screaming back at the photographers, though it's not entirely clear what she was saying.

We can't say we're surprised this happened given how overworked Lawrence is these days. During her appearance on "The Late Show With David Letterman," Lawrence revealed she'd cancelled her scheduled visit on Wednesday so she could go to the hospital for a suspected ulcer after suffering from weeks of stomach pains. Though doctors ruled out an ulcer, they haven't come to a clear conclusion as to why the Oscar-winner is in pain.

Lawrence did admit to Letterman that it might just be phantom pains related to how incredibly tired she is. Not only is she currently out promoting "Catching Fire," she's also filming the next two movies in the franchise, and getting ready to start out on the promotional tour for her next film, "American Hustle."

Memo to Jennifer Lawrence: Take a break, girl!

Best 'Law & Order: SVU' Line Ever?

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"Law & Order: SVU" is known for its penchant for tongue-in-cheek lines, but this one from the Wednesday, Nov. 20 episode of "SVU," "Rapist Anonymous," may take the cake for the most "SVU"-est line of "SVU" ever.

It started with M.E. Warner (Tamara Tunie) explaining that the man who fell off a roof wasn't alone because his pants were unzipped, he had saliva on his penis and had a large amount of ejaculate in his urethra. The amount was consistent with him having recently ejaculated before death. Ice-T's character asked for the explanation in simple terms and Warner delivered this gem:

"He came and then he went."

Classic.

"Law & Order: SVU" airs Wednesdays, 9 p.m. EST on NBC.

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