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Is An Even Sadder Season Of 'Downton' On The Way?

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If you thought "Downton Abbey" creator Julian Fellowes would be easing up on viewers on Season 4 of the series, think again: Masterpiece executive produce Rebecca Eaton says more hard times are to come.

“We talked about last season being a big season of change but I think this season is even more, because everybody changes,” Eaton said in an interview with Buzzfeed.“Big things happen to a lot of people. There is appropriate respectful healing time in the series and then there’s life. Life goes on and then big things start happening ... Julian [Fellowes] always says that it’s hard to write happiness … People didn’t see Matthew’s death coming and I don’t think they saw Sybil’s coming either. And there are a few [more] things that they’re not going to see coming.”

With the amount of tragedy in Season 3, it's hard to imagine what Fellowes could have in store for viewers in the coming season. But one thing's for sure: With the recent death of Matthew (Dan Stevens), Lady Mary's (Michelle Dockery) cold-hearted attitude is back, making it difficult for her to bond with her baby George.

"She was never going to be a very maternal mother ... And also, within the aristocracy, they didn’t really see their kids very much. So there’s a nanny, and eventually there will be a governess looking after baby George. So you don’t see much interaction between the baby and Mary," Dockery said at the Television Critics Association summer press tour. "To begin with, it’s hard to bond with the baby because she’s going through the grief. She looks at him and she sees Matthew. So it’s a slow process with motherhood for Mary."

"Downton Abbey" Season 4 premieres Sunday, Jan. 5, 2014 on PBS.


Beliebers Were NOT Happy About This Selfie

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Who would've thought that an innocent kiss on the cheek between two celebs could spark such controversy?

Well, if you're Ariana Grande and Justin Bieber, that's another story.

The "Right There" singer posted the following selfie on Twitter earlier this week:

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Needless to say, fans weren't exactly happy about it, according to Teen.com.

Luckily, Ariana -- who is the girlfriend of Janoskian Jai Brooks -- was able to clear things up:

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Beliebers, take a deep breath. It's gonna be OK, we promise.

WDYT of Ariana and Justin's selfie? Do you they're really "just friends"? Sound off in the comments, or tweet @HuffPostTeen!

[h/t Teen.com]

16 Reasons Why We Forget Kylie Jenner Is Still A Teenager

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Kylie Jenner celebrates her Sweet 16 this Saturday, but the "Keeping Up With the Kardashians" star often seems mature beyond her years. Here are 16 reasons why we forget she's just a teenager.

She's already walked the runway at New York Fashion Week.
kylie

She has a busier travel schedule than most high-ranking politicians.


She's worked as a fashion designer.

And a contributing editor.
kylie jenner

She clearly has business savvy.


She dresses like this.
kylie jenner

She's learned to control her emotions.


She's developed a keen gift for sarcasm.


She has strong opinions, and isn't afraid to voice them.
mom

She's an expert on relationships.


And the nature of fate.


And human behavior in general.


She's a master of etiquette.


She knows how to stay grounded.


She has a philosophical outlook.


She's come to terms with life's unpredictabilty.
mom

'Thor,' 'Captain America' Land At Disney Expo

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ANAHEIM, Calif. — Angelina Jolie cast a spell on the crowd at the D23 Expo.

The star of the upcoming film "Maleficent" appeared on stage at the Disney extravaganza for a Saturday presentation promoting the company's upcoming assortment of live-action films.

"Since I was a little girl, Maleficent was always my favorite," Jolie told the crowd of 4,000 fans about her role as a real-life rendition of the "Sleeping Beauty" villainess. "I was terrified of her, but I was so drawn to her. I wanted to know more about her."

Jolie said her daughter, Vivienne, who turned 5 years old last month, was cast in the film as a young version of Princess Aurora, mostly because she was the only child who wasn't afraid of Jolie in her horned attire on the set.

"One little kid even said, `Mommy, please tell the mean witch to stop talking to me,'" said Jolie.

Other stars that appeared at California's Anaheim Convention Center included a few allies of "Marvel's The Avengers."

Tom Hiddleston, Natalie Portman and Anthony Hopkins from "Thor: The Dark World" and Chris Evans, Sebastian Stan and Anthony Mackie from "Captain America: The Winter Soldier" were on hand to tout their upcoming sequels.

Hiddleston apologized for not wearing his Loki costume, which he donned earlier this summer at Comic-Con International in San Diego.

"I'm not gonna get this crowd to kneel," he said. "We're at Disneyland."

Later, when the "Captain America" crew came on stage, Evans comically invited the audience to join him at the theme park across the street.

"Anyone wanna go?" the "Captain America" star joked. "Let's go!"

Marvel Studios president Kevin Feige screened footage from both sequels, including two never-before-seen clips, and teasers for both "The Avengers: Age of Ultron" and "Guardians of the Galaxy."

The clip for "The Dark World" showed Portman's human character Jane being examined on Thor's home realm of Asgard, while the rough "Winter Soldier" footage showcased a stealth assault on a naval ship by Cap with plenty of boomeranging shield action.

Other films previewed Saturday included the globe-trotting Muppets sequel "Muppets Most Wanted," fairytale musical "Into the Woods," live-action retelling of "Cinderella" and the mysterious "Tomorrowland," which stars George Clooney and is inspired by contents from a box found in the Disney archives.

"Tomorrowland" filmmakers Brad Bird and Damon Lindelof showed off some items from the box on stage.

"They want us to pull Clooney out of the box," said Lindelof. "It's not gonna happen, guys."

The items included a blueprint of the "It's a Small World" ride, a doctored photo of Walt Disney with Amelia Earhart and a large silver disc that the pair said contained the remnants of an animated film.

"In 20 short years, we will share this extraordinary place with the entire world, so would you like to see it?" a booming narrator said at the end of the clip, which began with an animation of cave paintings and ended with a futuristic cityscape.

Despite the plethora of stars and footage, the Force was notably absent from the D23 Expo, despite the Walt Disney Co. acquiring George Lucas' Lucasfilm empire last year. Disney didn't tease anything new about its plans for "Star Wars" films at D23. The studio previously said it plans to unleash a new "Star Wars" trilogy and two spin-off films beginning in 2015 with "Star Wars: Episode VII."

"I really wish I could tell you more, but there are dark forces and they are watching," said Disney Studios chairman Alan Horn.

Saturday's presentation concluded with several clips from "Saving Mr. Banks," which tells the story of Walt Disney's collaboration with "Mary Poppins" author P. L. Travers, and a performance of "Go Fly a Kite" from B.J. Novak and Jason Schwartzman, who portray "Mary Poppins" songwriters Richard and Robert Sherman in the film. The pair were joined on stage by the real-life Richard Sherman.

Patterned after San Diego's wildly popular Comic-Con, the biannual D23 Expo, which Disney launched in 2009, isn't just about movies. On the show floor this weekend, the 45,000 expected attendees are snapping up exclusive merchandise, trading collectible pins and meeting stars from Disney Channel shows.

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Online:

http://d23.com/d23-expo

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Follow AP Entertainment Writer Derrik J. Lang on Twitter at http://www.twitter.com/derrikjlang

Lake Bell Poses Nude For New York Mag

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Lake Bell ditched her clothes and added some faked tattoos to pose nude for this week's cover of New York Magazine.

The 34-year-old is currently promoting "In A World," a film she wrote, directed, produced and stars in. The film, now in theaters, is a revealing look at the competitive world of movie-trailer voice-overs -- specifically for women.

With all the press that Bell has done in recent weeks to promote the film, you've likely at least heard of her complete and utter disdain for what she calls "sexy baby voice virus", which she says is infecting young women from coast to coast.

"The vocal trend that is infecting the female youth in this fine nation is the sexy baby vocal virus. [It's] a huge problem for a myriad of reasons, one being ... is that sexy? Because ... I think [what] is intended is this submissive I'm-a-12-year-old-and-you-can-tell-me-what-to-do [thing], which I think is pretty weird, for that to be considered sexually enticing," she told NPR's Terry Gross. "[The sexy baby vocal virus] originate[d] and then festered from reality television, in some respects. ... I would love to talk to some of the ladies who are on reality-television shows. I have a fantasy of helping them find their true voice."

To read Lake Bell's New York Magazine cover story, pick up an issue, on sale Aug. 12.

lake bell nude new york magazine

Chris Brown's Seizure Caused By 'Extreme Emotional Stress'

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LOS ANGELES — Grammy-winner Chris Brown has suffered a seizure brought on by intense fatigue and extreme emotional stress, his publicist said Saturday.

The "Look At Me Now" singer suffered a non-epileptic seizure early Friday morning while he was working in a Los Angeles studio, Nicole Perna said via email.

Perna said Brown's doctor attributes the episode to "intense fatigue and extreme emotional stress, both due to the continued onslaught of unfounded legal matters and the nonstop negativity."

The doctor examined the 24-year-old but he wasn't hospitalized.

The singer has been on felony probation since the 2009 beating of then-girlfriend Rihanna.

Brown has been in and out of court since the Rihanna assault, making reports on fulfilling the requirements of his five-year supervised probation term.

A judge revoked his probation last month and ordered a hearing in a May 12 hit-and-run case, in which he is suspected of rear-ending a car stopped at a red light in the San Fernando Valley.

Brown allegedly refused to give the other driver his license or insurance information. The driver of the other car said Brown was polite at first, but a confrontation arose after she kept demanding identification.

The woman said she took a picture of Brown and a passenger, "and then they went ballistic," shouting expletives and grabbing at her camera before speeding off.

The woman said she didn't know who Brown was until a friend called and told her about an online report of the incident.

In February, the Sheriff's Department investigated a fight between Brown and singer Frank Ocean at a recording studio, but Ocean declined to pursue a battery case against Brown. The same month, Brown crashed his Porsche while being chased by paparazzi.

Brown won a Grammy in 2011 for Best R&B Album with "F.A.M.E."

'We're All Sorry' 'Friends' Ended

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Are you sorry "Friends" ended? So are Matthew Perry, Lisa Kudrow and Jennifer Aniston.

During a red carpet interview with Access Hollywood for the premiere of her new film "We're The Millers" (above), Aniston -- who played Rachel Green for ten years on the NBC sitcom -- admitted that she agrees with Matthew Perry and Lisa Kudrow's recent comment about wishing "Friends" had lasted longer.

"I find myself sort of reminiscing about how much fun ['Friends'] was, the hours that we worked, and you know, you can see how much we laughed and everything and I find myself saying, 'If I had a time machine, I would like to go back to 2004 and not have stopped,'" Perry said to Kudrow while sitting in for Piers Morgan on CNN last month. "I guess the ideology was that we would decide because that would be better. But I disagree -- looking back, 'No, don't make us decide. Let's keep going.' It's the greatest job in the world."

"Yeah, no ... If it was up to us ... I would keep going," Kudrow agreed. "I figure there probably would've come a time anyway when someone would've said, 'We've had enough,' but why not have fun until they do?"

Aniston echoed their sentiments, saying the entire cast felt the same way.

"We're all sorry … I think it ended at the right time, and it ended when people still wanted more," she said. But she would go back in a time machine? "I would too, probably," she confirmed.

Do you wish "Friends" was still on the air?

Rihanna's Bikini Could NOT Be Smaller

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Another day, another selfie of Rihanna in a bikini, courtesy of the singer's Instagram account.


Is 'The White Queen' The New 'Game Of Thrones'?

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The medieval world depicted in HBO's Game of Thrones is decidedly not of this Earth -- um, dragons! -- but it does find real world-inspiration for many of its battles, mad monarchs, and palace intrigue in the War of the Roses, the dynastic fight for the throne of England that occurred in the mid- to late-1400s. Accordingly, any TV show about the War of the Roses is bound to bear some similarities to Game of Thrones, right? Starz's latest drama, The White Queen, is based on Philippa Gregory's historical novels and is so similar to Game of Thrones that it might even help fill the void for anyone who just can't wait until the fourth season of HBO's epic drama arrives next spring. Consider these connections:

'I Must Be Getting Thin-Skinned In My Old Age'

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Alex Trebek is finally opening up about the outrage over the treatment of Newtown, Connecticut eighth grader Thomas Hurley during "Jeopardy!" Kids Week, and the host of 28 years is not pleased.

“It wasn’t my decision; it was the judges’,” Trebek told the L.A. Times of Hurley's garbled spelling of "Emancipation" that was deemed invalid.“I don’t mind being accountable if it’s something I have done, but it kind of bothers me to take a lot of flak for something I haven’t done. I must be getting thin-skinned in my old age."

When Hurley's answer was not accepted Trebek was immediately targeted on Facebook, with one viewer writing, "Come on 'Jeopardy,' this is a quiz show NOT! a SPELLING BEE."

After the incident, the producers of "Jeopardy!" emailed The Huffington Post the following statement:

If Jeopardy! were to give credit for an incorrect response (however minor), the show would effectively penalize the other players. We love presenting young people as contestants on our show, and make every effort to be fair and consistent in their treatment.

Still, Trebek insists he tries his best. “I want to be liked and I try my darndest with the kids, because they are so sensitive,” he told the Times.

For more comments from Trebek, head over to The L.A. Times.

Ernest Owens: Kris Jenner, Stop Misinterpreting President Obama's Critique of the Kardashians

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Dear Kris Jenner,

If you thought President Obama was "picking" on your family by his recent remarks that your wealth isn't a realistic marker of success, then please re-evaluate your sentiments.

It was brought to my attention that you had a few choice words for the president on one of your many television shows (where you attempt to self-promote your multi-million dollar brand, as always) "Kris" in which you argued that you were taught "dream big, work hard and you could have whatever you wanted." And you continued to criticize the president on wealth by further mentioning that you "bet the president has some friends with 10,000 square foot houses and that he wouldn't mind going over there..." as a counterargument to his referencing of your family's over-the-top lavish lifestyle.

But wealth was not at the heart of what President Obama was discussing; it was a question of values from the past and now. Let's face it, your family has garnered their wealth from continuing to showcase the high celebrity lifestyle that most of the middle class have now been forced to consume through various forms of media. You cannot leave a corner store magazine rack or go on any online news site without seeing the word "Kardashian" in some small print. The celebrity culture that your family has propelled has done wonders for your interpretation of dreaming "big" and you consider that as "hard work." And that Kris Jenner was the problem the President was talking about.

Thank you for making yourself Exhibit A.

When President Obama referred to the past generation in which "kids weren't monitoring every day what Kim Kardashian was wearing, or where Kanye West was going on vacation, and thinking that somehow that was the mark of success," how could you deny those claims? The Kardashian brand and all its affiliates have contributed to the ever-expanding "window into the lifestyles of the rich and famous." As a result, how you continue to gain your wealth is based on the viewership and interest you garner from youth: the impressionable masses who are still trying to figure out what defines actual success.

President Obama wasn't "picking" on your daughter Kim (who has shown the world almost every inch of her body in the name of fame) but was simply calling a kettle black. To be quite frank, there is no actual intellectual or social value to the work that your family puts out. In fact, much of the self-idolizing and materialism is more harmful than not.

In many ways, your "empire" represents the shift in values that now has dampened the light of what is considered the American dream. What was once an idea shaped around getting a good home, a good job, and the possibility of higher education has been exploited for this idea of ultimate fame and immense fortune. It is a shame that even in college, many don't recognize the opportunity that comes from an education but moreover the rewards and perks that come from the career they may get from it. This same reshaping of views can be seen in your critique of the President where you argued that there is nothing wrong with working hard for "nice things."

But that is the fundamental problem with the celebrity influence that your family and their brand have continued to push for: an incentive-driven reality. You continue to thrust this superficial idea of working hard and "you could have whatever you wanted," when that is an illusion. The fact that you even tried to make the connection between your family's aspirations for success and that of the President's dreams of becoming the Commander-in-Chief is ludicrous.

Newsflash: unlike most families in this country, yours had a secure financial spot to launch your dreams.

Your family didn't start from the bottom and raise themselves up... they capitalized from the notoriety of your late husband and the sex-tape controversy of one of your daughters. If neither of those aspects were in play, there would be no Kardashian empire.

If there is anything you all could get credit for is taking advantage the moment and attempting to make lemonade from the lemons of a public relations atrocity. Clever and opportunistic, I will give you that. But it would be foolish for anyone to consider your claim to fame as a model of the American dream and inspiration to middle class aspirations.

For you see the very root of the American dream is not success by fame and fortune but upward mobility through hard work and respectable values. Your definition of success is perhaps the very social ill that has transcended in how society lacks self-esteem in their work and this has thus led to the devaluing of a more humble way of life.

Perhaps your critiquing of President Obama on your show stood as the ultimate testament to the current flaws of popular culture: the ever impending idea that what you do is just as meaningful as that of those in public office or those who actually make a real difference in the world. Your constant celebrity showmanship is not nor ever will be. You are an entertainer with questionable talent that I have yet to actually figure out.

But you're famous for being famous and for some reason you feel that should be acknowledged. Well now that the President has recognized it, don't pout because he also took into account that it might just be partially responsible for how young adults devalue their understanding of achievement.

You can't blame him for equating your family to the modern-day Joneses that the middle class have been programmed to keep it up with... isn't that the play on words one of your various reality shows are punned with? Last time I checked, those who we were intended to keep up with couldn't much relate to the struggles we, the middle class, had to face to get there.

They already had it.

Sincerely,

Ernest Owens

One who rather keep up with integrity of the American Dream rather than the Kardashians

Alex Moaba: With Friends Like These ...

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Note: Do not read on if you have not yet seen Season 8, Episode 7 of Showtime's "Dexter," titled "Dress Code."

Well, Hannah McKay -- ahem, Maggie Casner -- is back, and Dexter has an unhinged protege. Before this episode was through, both of Dexter's buddies had killed someone, and more consequences were visible on the horizon. With friends like these, who needs enemies?

Hannah's drugging turned out to be more innocent than it appeared at the end of the last episode. She left Dexter passed out next to a river, and left Deb home safe in her apartment, unharmed, just to sort of announce her return to Miami, as lovelorn, serial killer ex-girlfriends do. As it turned out, she really only wanted Dexter's help in making her new, millionaire casino magnate husband Miles Casner disappear.

Hannah got what she wanted, slicing her abusive husband's throat with what looked like an eyelash curler after he roughed her up and threatened to take her on a never-ending cruise. And after getting beat up himself by Casner's henchmen, Dexter arrived just in time to help her dispose of the body. Unfortunately for both of them, Deb had been tracking Dexter with a GPS monitor and watched as they returned from their romantic rendezvous on the bay.

There's another showdown looming between Hannah and Deb, and it's going to get really ugly. Deb seems more jealous that Dexter is still in love with Hannah than she is that that Hannah has now drugged her twice. She was also aghast that Dexter would reveal even more of his secret, incriminating rituals to Hannah, who could conceivably still rat them out.

It looks like Deb is dangerously close to taking matters into her own hands, which could get risky for her, since Hannah is the more accomplished murderer. She said several times throughout the episode that Hannah needs to be out of their lives, and although she pinpointed the moment she asked Dexter to kill Hannah as the beginning of her downward spiral, at this point, Deb seems more inclined to finish the job than learn from her mistake.

Zach Hamilton, on the other hand, couldn't claim self-defense in his murder. He killed Dexter's neighbor Cassie in cold blood, bludgeoning her to death like the women he killed before. And he did it despite Dexter's efforts to teach him the Code and mold him into a vigilante serial killer for the next generation. Kids these days, right?

Dexter should have never taken him on as a protege in the first place. His instincts told him not to, but Dr. Vogel manipulated him into taking Hamilton off his table. And as a result, he got called to a murder scene in his apartment complex.

Both storylines seemed to drive home the message that Dexter is ultimately destined to live and die alone. His attempts to form relationships with other people in the murderin' community have all ended badly. He's already turned his sister into an accomplice, gotten Rita killed and caused his father's suicide. And now, his sister wants to kill his ex and he's going to have to kill his protege.

Other observations:

  • Jamie is moving out of Angel's apartment, and she wants Quinn to move in with her. He promised to "totally think about," so that sounds predictably not at all promising.

  • In the most Masuka-ish irony ever, it turns out that his daughter is a stripper. And it kind of crushes him. "I've stared at a million boobs, but until now, I've never considered them daughter boobs," he sighed. He tried to get her a job at Miami Metro, but she didn't seem interested.

  • Elway and Deb are going to hook up sooner or later, right? And when that happens, he seems destined to uncover her off-books investigating and figure out what she and Dexter are up to.

  • After Zach Hamilton marched into Miami Metro and demanded that Quinn stop his unauthorized stake out, Dexter tried to teach him restraint, but he ended up just sounding maniacal. "Then you'll be able to do what I do, and get away with it," Dexter told him. Was that a glimpse of the pride that will come before Dexter's fall? We'll have to watch the series' final five episodes to find out.

What did you think of this episode of "Dexter"? Share your thoughts and theories in the comments.

"Dexter" airs Sunday nights at 9 p.m. ET on Showtime.

Maureen Ryan: Just When Walt & Jesse Thought They Were Out ...

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Note: Do not read on if you have not yet seen Season 5, Episode 9 of AMC's "Breaking Bad," titled "Blood Money."

When a great show enters its home stretch, it's impossible not to be nervous about the ending, but "Breaking Bad" reminds me of "The Shield," in that it seems to work harder to satisfy and to earn every single moment and plot twist the closer it gets to the end.

I have to think that "Blood Money" was a reassuring hour for those who were wondering whether or not the show is going to stick the landing. The biggest indication that "Breaking Bad" is not messing around came at the end of "Blood Money," when we had that intense confrontation between Hank and Walt.

It almost goes without saying that the performances were stellar, and every moment of that sequence gave Dean Norris yet another moment to shine. I loved how uncomfortable he was when Walt first showed up in his garage; Hank could barely look him in the eye, and Norris played the character's mixture of suppressed rage and forced politeness perfectly. I had no idea what would happen after he closed the garage door, but it took some stones to do that -- to enclose himself in the same space with someone he knew, at that point, to be a mass murderer.

And as much as Hank would like to build a legal case against his brother-in-law and observe the letter of the law, what kind of human being wouldn't want to take a swing at someone who'd been so cruelly deceptive for so long? Hank was owed at least that punch, if not more. It was a typically genius move by "Breaking Bad" to have that kid's remote-control car wheeling around in the street as the two men sized each other up; it helped reinforce, through sensory input, the idea that something about Walt had been a buzzing irritation to Hank for years. Hank always knew there was something off about the guy, and he couldn't get rid of that small but insistent sensation that Walt wasn't all that he seemed.

As was the case with the wonderfully still, sad scene with Jesse, the garage scene gave Bryan Cranston another chance to show us Walt switching effortlessly between various con-man modes. (Seen from one angle, Walt is a Willy Loman for a new age; what mattered about the character was not what he was selling but how the constant need to close the sale -- and the need to be seen as a good man who was "well liked" -- came to define him.)

With Hank, Walt wheedled, he begged, he used logic, and when none of that worked, he switched effortlessly into Heisenberg mode. You don't fool a DEA agent for five years and then ask him to "tread lightly." What's ironic is that at times, Walt is sincere -- he has given up the life; he thinks he is devoted solely to pursuing "an ordinary, decent life." Will Hank come to realize, as many of us have, that Walt probably never truly wanted that? That his ego most likely never would have let him settle for that kind of quotidian existence, even without the cancer diagnosis?

Speaking of the cancer, "Breaking Bad" put another card on the table by having us find out that Walt's cancer really is back. Presumably the pills he took in the flash-forwards in last year's season premiere were part of his treatment regime. Another dose of White-style irony: The nausea brought on by his cancer treatment brought about the discovery of the missing book of poetry. Poetic justice?

Jesse tried distributing his own kind of justice -- to the family of the murdered kid and to Mike's granddaughter -- but once again, his best instincts were thwarted by the cancer that is Walter White. Eventually, Jesse made it rain in a poor neighborhood, and his face in that scene was heartbreaking, as it was in the Walt-Jesse scene in his living room. Aaron Paul portrays abject depression and grief so incredibly well; Jesse's pain was almost like a third person on that couch. Jesse is the physical manifestation of Walt's continual need to wear down and use everyone around him. It's tragic that Jesse has so little fight left in him.

It's hard to think that there's anything left for Walt to lie about and ruin, but the look on Jesse's face said he was sure Mr. White would find something else to destroy.

A few more bullet points:

  • I spoke to Vince Gilligan briefly about Badger's "Star Trek" pitch, which amounted to two minutes of pure awesomeness (and by the way, "147 Kirks" is the name of my new band. Our debut album: "Five Parsecs Out of Rygel 12"). Here was his explanation of where that came from: "Peter Gould did a great job writing ['Blood Money']. But ... two, three years back in the writers' room when we were stuck, I remember saying, 'Hey, I've got this great idea for a "Star Trek" episode.' So I've never pitched it to anyone at Paramount, but I pitched it to the guys in the writers' room and they all seemed to dig it. So we finally found a place to put it on the show."
  • The flash-forward at the start of the show sees the re-appearance of the infamous ricin capsule, and also lets us know that Walt was not only driven out of his home but also -- per the graffiti on the living room wall -- publicly identified as the meth lord Heisenberg (not surprising, given Hank's discovery and what presumably followed). Well, Walt, you wanted people to remember your name, right?
  • The direction, music, cinematography, sound design and production values were typically stellar in this episode, but I particularly enjoyed the way they came together to indicate Hank's dislocation and visceral reaction after they left the Whites' house.
  • Speaking of the show's aesthetics, do check out this fine interview with the show's director of photography and occasional director, Michael Slovis.
  • Do not f*** with Skyler. Having said that, I don't think we've seen the last of Lydia Rodarte-Quayle.
  • With that nifty musical montage in his garage, Hank got his own "previously on Walter White" segment.
  • One thing I've always enjoyed about "Breaking Bad" is its embrace of the soul-killing chipperness of American retail. One of Giancarlo Esposito's most memorable line readings was, "Thank you for calling Los Pollos Hermanos, where something delicious is always cooking!" "Have an A-1 day!" serves a similarly not-intentionally-funny-but-funny purpose.
  • "Look it up! It's science!" Best Skinny Pete line ever? Speaking of science, Gilligan and Aaron Paul will be on a "Breaking Bad"-themed "Mythbusters" episode on Monday, which promises to be possibly too much fun. Check out a sneak peek here.
  • In the full interview with Gilligan, he said he would not ever go back and re-edit the upcoming series finale, but he would consider a 3-D or "holodeck" version of the show, and I hope the latter becomes a reality in our lifetime.
  • Ryan McGee and I discussed "Breaking Bad" in a recent Talking TV podcast, which is here, on iTunes and below. By the way, I'll be posting reviews of "Breaking Bad" until it ends, but next weekend I'll be traveling back from vacation on Sunday, so the review might not go up until Monday morning.

"Breaking Bad" airs 9 p.m. ET Sundays on AMC.

'I Wanted To Dedicate This Award To Cory'

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"I wanted to dedicate this award to Cory."

A smiling, yet tearful Lea Michele made her first public appearance since the death of boyfriend Cory Monteith on July 13, while accepting her Teen Choice Award for Best Actress in a Comedy - TV. The 26-year-old 'Glee' star's acceptance speech followed a cast tribute to the Calgary-born Monteith, but it was the actress' emotional appreciation for her fans' support that struck a chord with the crowd.

"Thank you guys, thank you," said Michele. "I just wanted to be here today to personally thank all of you, and tell everyone out there how much your love and support has meant to me over these very difficult past very difficult few weeks. Not that I had any doubt before, but you guys are most certainly the greatest fans in the world."

Just weeks ago, Monteith was found dead at Vancouver's Fairmont Pacific Rim Hotel. On July 16, the B.C. Coroner's Service confirmed the actor died from a lethal combination of heroin and alcohol. He was 31.

"For all of you out there who loved and admired Cory as much as I did, I promise, that with your love, we're going to get through this together," said Michele. "He was very special to me, and also to the world, and we were lucky to witness his incredible talent, his handsome smile, and his beautiful, beautiful heart. So, whether you knew him personally or just as Finn Hudson [his 'Glee' character], Cory reached out and he became a part of all of our hearts, and that's where he'll stay forever."

Michele has stayed out of the spotlight since the death of her boyfriend, and did not walk the red carpet at the 2013 Teen Choice Awards. She previously broke her silence on his passing in a tweet, posted on July 29th, where she published a photo of herself and Monteith, with the caption, "Cory will forever be in my heart." The on-and-off-screen couple began dating in early 2012.

Variety reports 'Glee' will address Monteith's death in the third episode of the show's upcoming season. At the Television Critics Association press tour in August, Fox Broadcasting Entertainment Chairman Kevin Reilly told the crowd, "That episode will deal with the incidents directly involved with Cory's passing, (including) drug use." Reilly also made special note of Michele's professionalism and candour, saying, “[she] has the most personally wrapped up in it and has been an extraordinary human being and pillar of strength.”

This was Michele's second Teen Choice Award win in this category, for her portrayal of 'Glee' character Rachel Berry.

Michele's full acceptance speech is below:

"Thank you guys, thank you. I just wanted to be here today to personally thank all of you, and tell everyone out there how much your love and support has meant to me over these very difficult past very difficult few weeks. Not that I had any doubt before, but you guys are most certainly the greatest fans in the world. And, I wanted to dedicate this award to Cory. For all of you out there who loved and admired Cory as much as I did, I promise, that with your love, we're going to get through this together," said Michele. "He was very special to me, and also to the world, and we were lucky to witness his incredible talent, his handsome smile, and his beautiful, beautiful heart. So, whether you knew him personally or just as Finn Hudson [his 'Glee' character], Cory reached out and he became a part of all of our hearts, and that's where he'll stay forever. So, thank you guys so much. Thank you."

Jack Mirkinson: Sorkin Tackles Sideboob, Coming Out & Loss

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Note: Do not read on if you have not yet seen Season 2, Episode 5 of HBO's "The Newsroom," titled "Newsnight with Will McAvoy."

So, let's get something out of the way. This week's episode of "The Newsroom" takes a big ol' shot at The Huffington Post, and all our sideboob-loving ways. Such criticism is, of course, perfectly reasonable and acceptable. It's just weird that Maggie Jordan (or, more accurately, Aaron Sorkin) chose to target all those cleavage posts as a way to deride all of the outrage over Rush Limbaugh's attack on Sandra Fluke, and to mock the people who were outraged by saying they might as well write columns called "White Men, I Think I Hate Them." Yes, that's the lesson of the Fluke saga: White men are being persecuted by faux-outraged media hypocrites. It's too bad Sorkin chose to make such a classically dismissive -- and, yes, sexist -- argument.

Also, if you search "sexism" on HuffPost, you get a lot of stuff about ... sexism.

OK, moving on!

Besides the Fluke stuff -- which is really just a way for us to see how damaged Maggie still is from the trauma in Africa, and to revive the dullest ongoing romantic squabble in television -- "Newsnight with Will McAvoy" is chock-full of random, shoved-together plot points that encompass every story that was in the news about 15 or so months ago.

This is the second or third episode of this season so far where a lot happens in the plot, and yet, it feels as though the show is spinning in place. There's an odd weightlessness to "Newsnight," even as seemingly momentous things occur on screen.

As a single edition of the show plays out, the gang tackles: the war in Syria, Trayvon Martin (thankfully, we only see a minute or so of Will's take on that one), the suicide of Tyler Clementi, Pat Buchanan's exit from MSNBC, and probably a couple more that I missed. Oh, and naked pictures of Sloan wind up online, and a shadowy spy friend of Charlie's sort of confirms to him that something really did happen with chemical weapons in Pakistan (though of course we know that's not true). And Will's father dies.

So, why does so much of this not work? Part of the problem is that we're being directed in so many different places, and most of them lack much dramatic heft.

Sloan's online saga, for instance is an excuse to get her and Don closer together -- specifically, in a room where neither of them bothers to turn on a light for some reason. But since nothing really happens between them that hasn't happened before, and since things don't really advance, the plot thread just sits there, adding little. The same goes for several of the other strands of the episode. Meanwhile, Will's dad dies and it's a relatively minor part of the hour, though presumably we'll hear more on that front next week.

Sorkin also has a tendency to punch down, whether it's the poor Occupy protester from last week or the poor Rutgers student this week. We get it: He doesn't like Twitter and thinks today's culture is full of self-aggrandizing, get-rich-quick bottom-feeders. He has told us this once or twice before, if my memory serves.

But why single out some 19 year old who's in over his head and searching for a way to come out to his parents as the target for all of that criticism? When MacKenzie tells this kid, "Fuck you," it's meant as some sort of righteous moment. Instead, she's mostly an arrogant bully. Sorkin is like a dad who's trying to teach you about life, but instead, winds up telling you that you're a disgrace to humanity.

Yet again, the Genoa stuff manages to poke its way through all of this muck. Charlie's conversation with his spy buddy is the kind of wary back-and-forth between brilliant professionals that used to pop up on "The West Wing" a lot, and the format still works. By the end, Charlie's convinced that the story is true, and there's a nice squirmy quality to the whole thing as we wonder how this will all unravel. So I say to Aaron Sorkin, once again: More of this please. And please, please, please, less of everything else.

"The Newsroom" airs Sundays at 10 p.m. ET on HBO.


Lea Michele Tearily Honors Cory Monteith At Teen Choice Awards

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It was a big night for "Glee," but also an emotional one, as the show took four big awards at the 2013 Teen Choice Awards on Sunday, August 21 in Universal City, California. Lea Michele, in her first public appearance since the death of her co-star and boyfriend Cory Monteith in mid-July, accepted the award for "Choice TV Actress- Comedy." The show also won "Choice TV Comedy," "Choice TV Breakout Star" (Blake Jenner), and "Choice Male TV Scene Stealer" (Chord Overstreet).

Speaking on behalf of the show after "Glee" won its first award of the night for "Choice TV Comedy" were co-stars Kevin McHale, Amber Riley and Jenna Ushkowitz. The actors dedicated the award to their "brother and castmate" Monteith, and thanked the fans for their support. Shortly thereafter, emotions were even higher when Michele took the stage for her big win.

“He was very special to me, and also to the world," she said, choking back the visible tears in her eyes. "And we were very lucky to witness his incredible talent, his handsome smile and his beautiful, beautiful heart.”

“Cory reached out and he became a part of all of our hearts," Michele continued, dedicating her award to him. She told the "greatest fans in the world" that, with each other's support, they would all get through this. The broadcast then cut to a memorial title card for the late actor.

The New York Daily News' Michael Walsh said that Michele's "genuine heartache was palpable" throughout her speech and thought it will be remembered as a touching tribute to Monteith. Us Weekly's Nicole Eggenberger noted that Michele's tribute to Monteith went beyond just her words -- she also wore a "Cory" nameplate necklace to the event.

"Glee" will have a special memorial episode for Cory Monteith -- and his character Finn Hudson -- in the third episode of the upcoming fifth season on Fox, which premieres on Thursday, September 26 at 9 p.m. ET.

TV Replay scours the vast television landscape to find the most interesting, amusing, and, on a good day, amazing moments, and delivers them right to your browser.

Karen Fratti: Don't You Dare Leave Us, Eric!

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Note: Do not read on if you have not yet seen Season 6, Episode 9 of HBO's "True Blood," titled "Life Matters."

Spoiler alert: This was the best episode of "True Blood" ever. Excuse me while I gush.

Revenge of the Sub-Plot
I thought Sookie was dressed to become a vamp last week, but that lace number was for the funeral. You've heard me snark on Terry, but I'll be gosh-darned if Arlene didn't throw a good funeral. The flashbacks were far from gratuitous -- they were beautiful. Can we talk about Chris Bauer as Andy Bellefleur? He has always been good for a mid-episode laugh, but when he flashed to calling his cousin out of PTSD-land in the woods with a Raging Bitch IPA joke and brings Sam along for a catfish hunt? He kills me. Sign this man up! There's something about the gurgle in his voice, how he says sweet things but sounds like he's angry -- there's something so human about him. After all of this time, I realized that Andy, Lafayette, and every scene at Merlotte's hasn't been for naught -- it's what makes the show so very magically real. I will never be able to fry anything again without thinking of Lafayette putting some back into it. We all complained about the Terry plot. But it was taken back tonight. It was the perfect mix of nostalgia running alongside the vamp action. We weren't saying goodbye to just Terry -- we were wishing Bon Temps as we know it farewell. For now, at least.

Team J-Eric
Along with minor character porn, for the first time in seasons, this episode was all about aesthetics. The first scene, when Sookie sullenly gave Warlow her wrist just before the credits, could have been a spread in a high-fashion magazine. We also got gore. Lots of it. Eric, full of fairy blood, mauled the guards outside of the prison and let all of the vamps free. He foiled Bill's plan, but got to the point. He ripped out a doctor's genitals just before Bill followed and stomped his face in, finishing Eric's work.

Riding on the high of great dialogue in the flashbacks, Eric found Jason and they teamed up. Don't think I wasn't relieved to know that Eric can't remember if Jason's ever fed off of him before. Looking good! Together, they freed all of the vamps, left the Hep V infected to goo all over the morgue, and conquered. Bill was on their tail, looking to get to Northman because he foiled his plan, but it was Eric who cleared the path. Bill spent a lot of time shaking his fist tonight -- "Northman!"

Sarah Newlin escaped from under the Tru-Blood CEO she murdered. She prayed to Coolio -- as I walk through the valley of the shadow of death -- and pulled the roof open to let the vamps burn. It was the moment we'd all been waiting for since Bill's vision. But the vamps were already feeding off of Bill, surviving. Eric and Bill saved each other unwittingly. Gangster's Paradise.

End Times
It was not a good night for the almighty. I wanted Jason to pull the trigger when he caught Sarah Newlin. I may or may not have shouted at my television. I thought we would see Sarah, Bill, or Eric die tonight. We didn't. Racism bubbled over at the funeral, Big John sang sweet nothings, and Jason, always humble, spoke for Jesus. Who is Sarah Newlin to decide the fate of vampires? Big J let her go. Sarah peeled out of the parking lot, the vamps rioted over Tru-Blood, and Bill lived because Jessica made James give some blood and had the courage to walk through the hallucinations and save her maker.

The vamps had their weird maypole dance and Tara went "Call of Duty" on the cases of infected Tru-Blood. Jason was stuck with Violet on the way out and Eric just flew away, Bilith style. Where is he going?! How does Pam's hair always look so good?!

Also, Sookie was dressed and ready for Warlow until Alcide shodwed up at the funeral. He cleans up so well. I think she's re-thinking the whole becoming-a-vampire-for-Warlow thing. Who could resist that werewolf in a suit? Lean on his shoulder, Sookie. Lean in.

"True Blood" airs Sundays at 9 p.m. ET on HBO.

Sydney Levin: The Surgery That Nobody Supports

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Note: Do not read on if you have not yet seen Season 5, Episode 9 of Bravo's "Real Housewives of New Jersey," titled "Children of the Scorned."

... And just like a pesky (but reliable!) communicable disease, Teresa and Jacqueline are back. But this time, it's Jacqueline's turn to voice her pain. "You have no idea what I go through with my son on a daily basis," she sobs. The men are still downstairs smoking, but with such a big foot in his mouth, Joe Giudice's really gotta stuff that cigar in. "I know two people with autism. They're kinda like, a little off," he says helpfully. Upstairs, Nick's reality has unlocked the pieces of Teresa and Jacqueline's hearts that were sealed off during their fight. Maybe reflecting on a tough situation that's out of their control made them realize what they were powerful enough to change. Or perhaps it's not that cerebral. At the end of the day, these women were friends for over 10 years. That bond may be bent worse than Kathy's pre-op nose, but it's not completely broken.

Speaking of things that are broken, Jacqueline's husband Chris takes a meeting with the Manzo dudes to talk about their illustrious business ventures. Since Blk. is doing so well with the five people who yearn for a nice glass of fulvic-enhanced all-natural mineral water, the boys have finally moved the business out of their grandma's old house. "I used to s*** my pants there," Chris Manzo says fondly of his old digs. Now he can s*** his pants in the comfort of a real office ... and rehydrate quickly with a mix of electrolytes and alkaline pH that resembles the plague in a bottle.

Just when you think the "undesirable things to look at" train had made its final stop, we take a quick detour over to WOB Lingerie to watch Jacqueline and Kathy pick out undergarments. More like WOBBLY Lingerie, am I right? They have every bra you could ever want, but the only boobs the women seem to want to discuss are Teresa and Joe. Jacqueline fills Kathy in on their makeup drinks, then drops the real A-cup bomb: She has decided to get some work done. (A tummy tuck and a neck lift from a doctor in Beverly Hills, to be exact.) Kathy thinks it's a great idea because Jacqueline "needs a break" ... and really, what's more relaxing than having someone hack into your body and suck a bunch of stuff out while you're across the country, recuperating alone?

Meanwhile, over at Teresa's house, Joe Gorga is eager to bring his goddaughter on a date because it's the first time he's ever been taller than a female. "It's really sad that I don't k now who she is," he admits. Though Gia tries to play it casual, it's adorably obvious that she picked out her clothes with care and spent extra time on her hair and makeup. Milania, on the other hand, is hanging off the banister shooting balls into the chandelier. Hey, creationists: Need proof that we evolved from monkeys? It's on a small screen near you every Sunday at 8 P.M.

Since everything in Jersey was named so that I could easily make a stripper joke, Joe Gorga and Gia go to Pole Position raceway, where I assume your go-kart has a C-section scar and complicated feelings about men. After they zip around, Joe happily says awkward and borderline illegal things like, "How did you like looking at my ass?" Though Gia was hopefully taught to run from older men who say things like that, she's all smiles -- but there's something guarded just below the surface. A quick spin around a track can't undo a year-and-a-half of damage and silence. When Joe tries to laughingly insist that Gia's "attitude" is a side-effect of being a maturing teen, she rolls her eyes.

"When I was little-little, it was different," she says. "You used to come over everyday." Then, she explains that his fight with her mom distanced the entire family. She may have a leather studded jacket on, but it's the only tough thing about her right now. It's a shame they don't sell any armor for emotions. Joe tells her that there are two sides to every story, but Gia counters with the only thing she can truly trust: what she saw. We flash back to the terrible christening, when tiny Gia is literally tearing her mom away from her uncle and his hateful words. "It affected me, because kids said stuff at school, like, 'Your uncle is a maniac.' I broke down in tears because I don't know what to do."

Joe is the first to admit he's embarrassed, and he pledges to control himself. "I want you to love me. I love you," he says simply. It's nice that they're working on their relationship, but I fear the damage has been done. She'll definitely be working this (among other things) out for years to come in therapy.

A few days later, Teresa's getting her girls together for their big Zumba trip for charity. Zumba is a dance/workout class where you burn fat while simultaneously mortifying yourself. Since these women buy their workout gear from a sausage casing factory, I'm sure we'll all feel some sort of unpleasant burn. The whole cast (minus Caroline) gathers at the Giudice house and gingerly says their hellos.

Once on the bus, Jacqueline and Teresa sit across from each other so that if a fight breaks out, they've each got a window to smash the other person in to. "The other night," Teresa says calmly, "Jacqueline called me a 'sociopath.' Can you define that word?" Just like God and Steve Jobs intended, she turns to Google and reads aloud: "A person who lacks a sense of moral responsibility, often antisocial and lacks social conscious." Related Words include: Kim D., Milania Giudice.
 
Though Teresa only understood "a" and "person," she knows the other words are too big to be positive. Still, in the spirit of being Gandhi-licious (Definition: One who is anti-violence, but still faaaabulous!) she lets it go.

You can cut the tension with a knife, so Joe Giudice decides to slice it up like a nice bruschetta. "Melissa, can you do the pole like, once?" he says, gesturing to the pole that's inexplicably in their luxury bus. Melissa's not biting, but my girl Milania throws herself up there with ease while the adults point and laugh. Hey, at least one member of the Giudice family may be gainfully employed someday!

Once inside, they meet members from the Nephcure Foundation. Teresa met a young man struggling with a rare kidney disease a few years back, and she's really honoring her goal to stick by him until he finds a cure. The cynic in me thinks this must be a PR stunt to raise her standing in the community, but who knows. Like I've said before: Teresa is just not smart enough to be all that calculating. Besides, who cares if they raise a ton of dough at the end of the day?

There must be some healing property of dance (or perhaps the pre-party shots were really strong) because families that were once at war are shakin' it along side each other. Even Teresa and Jacqueline are embracing on the floor, and it's not because they wrestled each other there!

In the bus on the way home, the wine and Joe's verbal diarrhea flows freely. He holds up a glass and proclaims, "Here's to the sociopaths, the idiots, the scum bags, the butchie boys, to the horsey faces and to Josefine!" Everyone cheers and continues to pretend that words can never hurt.

Later, the gang (minus the Giudices) meets Caroline at what I think is the Brownstone to see fabulous friend Greg off, as he's moving to San Francisco to take a job. "It's funny how time changes and life brings you gifts," Caroline says before sobbing into her napkin. I find it interesting that she's wearing a half-black, half-white outfit, because Caroline really is the poster child for dueling personalities. On the one hand, she can be tough, dark and scary; on the other, she's all light and kindness -- the mom who loves her son's best friend as if he were here own. It is this dichotomy that makes her real. "I don't want you to go, but you have to grab the brass ring," she says. More like brass balls, everyone in the audience (and probably Greg) thinks.

Caroline gives him a gift -- a gorgeous silver frame. In it, there's a photo Greg took when he first moved in with her boys. It's a splash of graffiti that reads, "Take care of each other."

In the spirit of taking care of oneself, the attention turns to Jacqueline. She announces her surgery to the whole table, and doesn't get much support from Caroline. "Remember when we rushed her to the hospital after her boob job 'cause one was too big 'cause she did too much?" She bites her lip and does a double thumbs up. She won't be dissuaded.

What is it that the kids say? Oh yeah, I think it's, YOLO: You Only Lipo Once!

Just like that, Jacqueline's in Beverly Hills. Her daughter (the artist formerly spelled as Ashley) and her buddy Jill meet her at the surgery center, and both women look like they've had an awful lot done as well. Or, perhaps Ashlee just left half her nose, 20 lbs and her natural teeth back in Vegas. Those baggage fees really force one to pack light.

We could all use some more time to try and figure out what happened to her lips, but Dr. McDecent Looking walks in. He brings them into a private room and we get a look at what he's about to work with. Jacqueline's stomach isn't looking so hot and the tiny rose tattoo doesn't scream "class," but it's not THAT bad. Her neck honestly looks fine too, and it's obvious that a lot of this is in her head. She wants her "sexy back" and I support that fully -- God knows I adore a little plastic surg and would love to squeeze in a second nose job between episodes. Still, for a person with an unpredictable home life, this feels like a pretty blatant attempt to get total control over a situation. She isn't seeing fast results at home ... so she's seeking a payoff she can count on here.

At Jacquline's house in Jersey, her husband Chris is slowly getting overwhelmed. He's juggling the kids and work, and CJ isn't feeling so hot. Perhaps it's because he's drinking Blk. and eating a plate of spaghetti and something called a potato clock? Sweet Caroline comes to the rescue (remember, Chris is her brother) and diagnoses him with strep and a need to talk to mom.

Back in Beverly Hills, Jacqueline exclaims that if she's going to be "sawed in half like a magic trick," she is going to drink and eat -- even though her doc expressly said not to. Jacqueline's parents and daughter eschew the booze and burritos, but she indulges while everyone looks very worried. "It's like [Ashlee's] being the responsible one, and I'm on spring break!" Jacqueline says. Everyone admits that the surgery scares them, and Jacqueline's dad is quick to call the whole thing "crazy." Though she cracks up, he's not laughing. "You are sick, you know that?"

Yes, it's just one measly shot and a taco salad, but it's what the meal represents that's upsetting: She's obsessed with changing her body, but has no regard for her overall well-being. Is she flouting rules meant to keep her safe because, in her heart of hearts, she just doesn't care what happens anymore? If anything needs to be cut out of poor Jacqueline, it's not excess skin: It's the darkness and pain that has taken over her mind and clouded her vision.

While Jacqueline's on the operating table the next day, Ashlee confides in her grandparents. She says she cried, worrying about "the call" that could come if something went wrong. I am currently crying and gagging myself because the doctor just showed us whole chunks of flesh he took off Jacqueline. Bye bye, tattoo! We hardly knew ye.

Though the operation took longer than expected, it went well. The doc brings her family in to see her, and she's looking ... well, she looks like what would happen if Honey Boo Boo's mom had a passionate night of love with ET. Her face is all wrapped up and swollen, and it looks like it's hovering a few miles above her neck. Strangely, she's got full makeup and nail polish on, which is normally a no-no during elective surgery. I guess the rules are different in Beverly Hills. Apparently, you wouldn't even THINK of letting the surgeon who just tore hunks of bubbling fat out of you see your real eyelashes and bare, sad fingernails.

Ashlee holds the phone up so Jacqueline can speak to her husband. "I look like a turtle slash Q-tip," Jacqueline says happily, before falling asleep mid-call. Here's hoping she sleeps well, 'cause when she wakes up, she is going to be in a world of hurt. Plus, she'll have to face the most painful side-effect of a tummy tuck: the realization that it doesn't fix everything.

"Real Housewives of New Jersey" airs Sundays at 8 p.m. ET on Bravo.

'Food Network Star' Finale: Southern Vs. Pie

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If you're ready for some new faces on Food Network, then the season finale of "Food Network Star" came just in time. The ninth season crowned its winner this week,and it came down to Damaris Phillips, a culinary teacher who specializes in modern Southern food, and Rodney Henry, a pie shop owner and pie specialist.

Apparently, the pie angle just wasn't enough to put Rodney over the edge, as it was Damaris' face who came into focus, declaring her the winner.

"America, I am so excited," Damaris said. "Thank you so much, and I cannot wait to be on the Food Network. Thanks guys.”

TV Line's Michael Slezak agreed with this decision, calling the 32-year-old Kentuckian the standout anyway. "[Damaris's] food has looked consistently excellent and [she,] for the past 10 weeks[,] has showcased a winning mix of humor, enthusiasm for Southern cuisine and the ability to convey real, actionable tips.” As for Rodney, Slezak called him a "Peanuts" character who grew up.

Laurel Brown, writing for Zap2It, is interested to see where she goes from here. Damaris' pitch for a show was to pair her with men looking to win over women by cooking them southern meals. The network doesn't have to go with that idea, but her show -- however it is developed -- should premiere in the fall.

And whatever it ultimately becomes, E! Online's Tierney Bricker and Jenna Mullins note that Damaris' presence on Food Network will fill that "Southern comfort food" void left by Paula Deen after her unceremonious exit from the network earlier this year.

TV Replay scours the vast television landscape to find the most interesting, amusing, and, on a good day, amazing moments, and delivers them right to your browser.

'ANTM': Sideways Runway Down Side Of Skyscraper

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It's only Week 2 of "America's Next Top Model" and things are weirder than ever. And not just because of the addition of male models this cycle for the first time in the show's history. But the presence of all that testosterone could help explain the crazier challenges the contestants seem to be facing ... like walking a runway down the side of a skyscraper in Los Angeles.

The challenge proved both difficult and terrifying for many of the contestants. Nina Burns and Chris Hernandez went down side-by-side, but it quickly turned into a disaster for Nina as she fell, screaming, hanging from the harness.

Fellow contestant Jourdan Miller described it thus, "Nina was dangling like a spider in the air.”

Nina recovered, but wobbled her way down the sideways runway. Walking with their bodies parallel to the ground proved difficult for almost all of the girls. Most blamed their trouble walking perpendicular to the ground on the sky-high heels they had to wear, not to mention the pouring rain.

Host Tyra Banks seemed to have no sympathy, though, then or now. She Tweeted during the show, "Fall on UR #Tooch? Don’t let a slip up keep U down — get right back up & try again, boo! #ANTM”

StarPulse's Greg Bauch found himself wondering if "ANTM" is running out of ideas. "This episode combines fear with posing," he wrote. "Somewhere out there, a guy with big glasses and a hat that looks like a hammock has invented the word ‘fearosing’. It’s week 2 of 'ANTM' and I’ve already run out of things to type.”

See what they come up with next for the contestants to tackle on "America's Next Top Model," Fridays at 9 p.m. ET on The CW.

TV Replay scours the vast television landscape to find the most interesting, amusing, and, on a good day, amazing moments, and delivers them right to your browser.

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