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Sean Hayes And Scott Icenogle Lip-Sync LunchMoney Lewis' 'Mama' And Get Us Ready For Mother's Day

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Sean Hayes and husband Scott Icenogle are "proud Mama's boys" and they know just how to show it.

On Tuesday, the adorable couple posted a wonderfully charming video of themselves lip-syncing to LunchMoney Lewis' "Mama" in honor of Mother's Day, which they dedicated to their own mothers.

Our latest. #MothersDay2015 We're proud Mama's boys.

Posted by Sean Hayes on Tuesday, May 5, 2015


Hayes and Icenogle married in November 2014, and previously delighted the Internet when they shared a video of themselves lip-syncing to Iggy Azalea and Jennifer Hudson's song "Trouble."

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Khloe Kardashian Confirms Kylie Jenner Got Lip Injections On 'KUWTK'

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Much lip service has been paid to whether Kylie Jenner's much fuller pout is courtesy of injections or some very impressive makeup skills, as she's repeatedly claimed.

Jenner really wanted to hang on to the idea that her new lips could have been created using a lot of lip liner, but her fib gets busted by her own sister, Khloe Kardashian, on this week's episode of "Keeping Up with the Kardashians."

In a new preview clip, Jenner is shocked after reporters start asking her about her lips at an event. The camera then cuts to Khloe's confessional, in which she lays out the truth bomb we've been waiting for.

"Kylie decided to plump her lips. I don’t think there’s anything wrong with that. I think if you’ve done something though, it is right to cop up to it," she says.

That's not in the cards for Jenner who tells her sister, "I’m not ever going to deny or confirm anything."

Of course, the 17-year-old reality star would go on to firmly deny having plastic surgery in a recent interview with Grazia magazine. "I haven't had plastic surgery. I've never been under the knife. People flashback to pictures of me when I was 12 and say 'Kylie's so different,' but how can I look the same from 12 to 18?'" Jenner clearly chose her words carefully, considering lip injections don't require going "under the knife."

Baby

A photo posted by Kylizzle (@kyliejenner) on




Jenner also comes clean about her lips herself. During her confessional she admits, "I have temporary lip fillers, it's just an insecurity of mine and it's what I wanted to do. I'm just not ready to talk to reporters about my lips yet because everyone always picks us apart. I want to admit to the lips, but people are so quick to judge me on everything, so I might have tiptoed around the truth, but I didn't lie."

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9 Things We Learned From The Kurt Cobain Doc 'Montage of Heck'

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The following article is provided by Rolling Stone.

By BY DAVID FEAR and JASON NEWMAN

You would have thought that, 21 years after Kurt Cobain took his own life, there would be precious few facts left to unearth about the Nirvana frontman. Endless articles, several biographies and a few films of vastly varying quality have already walked us through his childhood in Aberdeen, Washington; told us how his parents' divorce profoundly affected him; examined how punk rock helped him find an outlet for his pain; and reminded us that he started a band, became famous and then had a hard time dealing with the fallout. What does Brett Morgen's years-in-the-making look at Kurt's world have to tell us that we don't already know, you might ask.

As anyone who saw "Montage of Heck" on HBO last night can attest, the answer is: plenty. Using the musician's own home movies, journal entries, personal recordings, notebook scrawlings and drawings (not to mention the usual assortment of vintage concert clips and TV interview footage), this left-of-center attempt to understand Cobain via his own words and works could not offer a more intimate look at the iconic figure. Put it this way: Whereas most folks would have tried to make the "Smells Like Teen Spirit" version of a rock documentary, Morgen goes the "Endless, Nameless" route — jagged, discordant, uncomfortably raw — and the result ends up being way more revelatory than your standard portrait of an artist. Here are nine things we learned from watching the film.

Frances Bean Cobain on Life After Kurt's Death: An Exclusive Q&A

His slacker image was a myth.
"He didn’t want to just be in a bar band and play music that way. He wanted to be a success," says ex-girlfriend Tracy Marander. Throughout the film, Morgen shows various notes Cobain wrote outlining the technical and logistical steps needed for his band to get off the ground, including instrument costs and record label addresses and phone numbers. Morgen also includes a list Cobain wrote of "Things the band needs to do," including "Send some fuckin' demo tapes." Marander details a period when Cobain would ostensibly spend entire days watching TV while strumming his guitar, a process that would lead to some of Nirvana's earliest riffs.

He tried to commit suicide after being taunted in high school.
Cobain and his friends used to visit the home of a developmentally challenged high school classmate to steal her father's alcohol. It was a particularly troubled period for the musician, who considered suicide for the first time. "I wasn't going out of this world without actually knowing what it was like to get laid," Cobain says in recorded audio. After he attempted to have sex with the girl, his classmates began insulting and shaming him. "A rumor started and by the next day, everyone was waiting for me to yell and cuss and spit at me, calling me 'The retard fucker.' I couldn't handle the ridicule." Cobain would later lay down on train tracks with the intention of ending his life, but the locomotive traveled on a different railway. "I just thought it was such an important part of the story," Morgen admitted, "and something that had amazingly just sat there from 1988 on."

No Apologies: All 102 Nirvana Songs Ranked

He considered the band's first "gigs" to be playing for "two locals who hated our guts."
According to Cobain, Nirvana's first "shows" consisted of playing for a few friends and random passerbys at local house parties — something footage of the singer, Novoselic and drummer Chad Channing bashing through an early version of "Mr. Moustache" for couple of lucky slam-dancing people in a living room confirms. "Just the fact that we were actually playing music live in a room was amazing," Cobain says. "If we played in a house for a couple of hours and two people stopped by, we considered that a gig...a show. That was good enough, even if it was locals who hated our guts and thought it was terrible music."



Nirvana was almost called "The Reaganites."
Morgen includes numerous shots of the notebook where Cobain would scrawl various potential names for the band — including the oh-so-Eighties-hardcore moniker "The Reaganites." Other potential handles: "Elvis Cooper," "Boy in Heat," "The Mandibles," "Window Pain," "Fecal Matter" (which blessed one of their early demos), "Erectum," "Bliss" and "Nagging Rash." Finally, we see a full page dominated by a written-out announcement: "Our final name is...Nirvana."

40 Greatest Rock Documentaries

He was devastated by the band's first review.
The band's first review came after they released their debut single "Love Buzz" in 1988. "It was in this hip magazine out of Michigan these scenesters were doing," Novoselic said. "They said it was like Lynyrd Skynyrd without the flares. Kurt was really hurt by that. He hated being humiliated. If he ever thought he was humiliated, then you'd see the rage come out." Novoselic said this fear and anxiety would influence and impact how Cobain's art would be presented to the world.

When Wendy O'Connor first heard "Nevermind," she almost burst into tears — out of fear.
Recalling the first time that Kurt ("padding down the stairs in his whitey-tighties") played her the master tape for what would become Nirvana's breakthrough album, his mother says she started muttering "Oh my god!" and nearly starting weeping. "Not from happiness," she clarifies for the camera. "It was fear." She could tell from that initial listen that "this is going to change everything. And I said 'You'd better buckle up...because you are not ready for this.'"

Kurt Cobain: Rare Images, Artwork, and Journal Entries

An unlikely cameraman shot the film's most personal footage.
At a discussion following the film's Tribeca Film Festival screening, Courtney Love told the crowd that Hole guitarist Eric Erlandson filmed much of the footage of Cobain and Love at home. "This is weird. I used to date Eric and then he'd come over to our house and he would shoot really intimate stuff of me and Kurt," Love said. "When you realize it's Eric shooting that, it's kinda…" Morgen interjected: "Creepy."

"That freaked me out because he came over and said, 'I have this tape, but I don’t know what's on it,'" Morgen added. "There was part of me that had to downplay how excited I was to see the tape because I didn’t want to get jacked. At one point I stopped when it was [Love and Cobain] in the bathroom and said, 'I'm sorry, what's your relationship to them? I'm a little confused.' He's like, 'I used to go out with Courtney.' I was like, 'Oh that's fuckin' weird.'"

Kurt's mother confronted him about his heroin use.
Detailing one of her son's frequent visits back home, where he'd hide from the pressures of being in the spotlight, Wendy O'Connor remembers seeing Kurt "getting sores...he was losing weight, and nodding out. I was pretty sure he knew I knew." She decided to confront him about his addiction, and — having educated herself on the effects of heroin and shooting up — asked him "if he was at the stage where he was addicted to also the needle prick. And he burst into tears. He was just...ashamed."

Brett Morgen on His Astonishing Cobain Film: 'Kurt Isn't Performing for Anyone'

Courtney Love claims her near-infidelity led to Cobain's Rome overdose.
Six weeks before his death, Cobain ingested dozens of Rohypnol pills and overdosed while in Rome, Italy. Love said that while she never cheated on Cobain, "I certainly thought about it one time in London," says the singer. "The response to it was he took 67 Rohypnols and ended up in a coma because I thought about cheating on him." Love said Cobain overdosed because he viewed the thought as "severe betrayal.”

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Big Bird Actor Caroll Spinney Narrowly Escaped Being A Passenger On The Doomed Challenger Flight

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Big Bird was supposed to be one of the passengers on the Challenger space shuttle, according to the actor who spent years inside the "Sesame Street" character's costume.

Caroll Spinney, who played Big Bird for 46 years, told HuffPost Live's Nancy Redd on Wednesday that he was invited to ride the rocket and said yes, "because I could not ever imagine that I would be in the situation to orbit the earth."

Fortunately for him, the invitation had to be revoked as the Big Bird costume was too large for the mission on the doomed shuttle.

"Big Bird couldn't be stored on that spaceship," he recalled. "There's just no place to put him. The quarters were quite cramped."

The actor vividly remembers watching Challenger's disastrous launch. "We saw its fate and I thought, 'Oh my gosh, I was supposed to be on that.'"

"But worse than that selfish thought," he continued, "I felt, 'Oh my god, those poor people. They're gone.'"

The documentary "I Am Big Bird: The Caroll Spinney Story" is in theaters today.

Watch more from Caroll Spinney's conversation with HuffPost Live here.

Sign up here for Live Today, HuffPost Live’s morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

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'Vincent Van Gogh' Is A Brooklyn Hipster Who Takes Public Transportation

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Turns out Vincent van Gogh takes public transportation. Or at least his doppelganger does.

Redditor XacBranch spotted the famous painter a man who looks strikingly like the famous painter while riding the New York City subway and snapped a picture. He shared the photo last week alongside a painting of the actual artist on the social media site, where it understandably went viral with almost 2 million views on Imgur.

View post on imgur.com



The photo that was uploaded to Reddit.




The man, who is actually Brooklyn-based actor Robert Reynolds, revealed himself on the social media site, and told PIX11 that his overnight fame took him by surprise.

“One of my friends texted me and was like ‘Dude, you’re famous!’”

van gogh
Photo Credit: treborsdlonyer/Instagram, Bequest of Miss Adelaide Milton de Groot, 1967/Van Gogh via Metropolitan Museum of Art
Reynolds on left, and van Gogh self-portrait painting, "Self–Portrait with a Straw Hat," on right.

Reynolds wasn't entirely surprised by the comparison to the iconic artist, however. He's heard it all before.

"Van Gogh is definitely the first thing that people see," Reynolds told ABC News. "I would say I've heard it for about five years -- pretty much ever since the first time I grew a beard.

The resemblance is so strong that, Reynolds says, his parents even get confused.

van gogh
Reynolds.

“My parents had an argument on whether or not the painting was of me,” he told PIX11 of a van Gogh portrait his parents saw.

The actor says that he's not bothered by the attention he gets for looking like the artist. In fact, he says he wants to use his resemblance to van Gogh as a career advantage.

"Vincent van Gogh is a fascinating character and there aren't enough pieces on him, as far as movies or plays go," Reynolds told ABC News. "I've had a couple of people propose a few things, but we’ll see what happens."

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Happy 10th Anniversary To HuffPost, From All Your Famous Friends

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"Welcome to The Huffington Post, which, as our motto says, has been delivering news and opinion since, well, a few hours ago," wrote Arianna Huffington in 2005. Ten years later, having expanded to more than a dozen countries, including Canada, Greece, France, Italy, the U.K., Japan, India and Brazil, it's hard to believe how far we've come.

In the words of Oprah Winfrey, "What an amazing, innovative, entrepreneurial idea."

Join Jon Stewart, Katie Couric, John Legend and Sen. Kirsten Gillibrand, among many others -- even early skeptic Larry King and unlikely fan Glenn Beck -- in raising a glass to The Huffington Post and the next 10 years.

"You don't look a day over 7," says Al Roker.

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Why I Met With President Obama and Testified Before the U.S. Congress

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Today, I had the great honor of meeting with President Obama along with my husband and the Chairman of the Elton John AIDS Foundation, David Furnish. And I had the honor of testifying before the Senate Appropriations Committee to urge Congress to continue critical funding for PEPFAR, the President's Plan for Emergency AIDS Relief.



PEPFAR continues to be crucial in the fight against HIV/AIDS because it addresses the global need for access to life-saving HIV/AIDS treatment and prevention medications. It's my hope that Congress holds steady in its commitment to PEPFAR, and ending this disease once and for all. Our work is not done.



Below is what I told Congress earlier today.



***


In 2003, at the invitation of Senator Ted Kennedy, I had the honor of speaking before the Senate HELP Committee in my capacity as the founder of the Elton John AIDS Foundation.



I created the Foundation in 1992 to address the dire need to provide basic services and support to those dying from AIDS. Over the past 23 years, we have raised over $321 million to fund organizations that provide direct treatment and prevention efforts in dozens of countries around the globe.



The first time I testified before Congress twelve years ago almost no one had access to antiretroviral medicine in sub-Saharan Africa, where the epidemic was most acute. People were being infected and dying by the millions even though we very literally had the drugs that could save their lives in our hands. At that point, 12 million children in sub-Saharan Africa had been orphaned by AIDS. African leaders had declared AIDS to be a "state of emergency." Worldwide, more than 30 million people were HIV-positive.



The disease left nothing but despair, ruin and fear in its wake. I saw it with my own eyes, as I traveled to the hardest hit regions on behalf of my Foundation and our grantees. Without the funds needed to make lifesaving drugs available in Africa, my Foundation invested in dramatically expanding palliative care and a hospice network. Across South Africa, Uganda and Kenya, we helped give a dignified death to more than 800,000 men, women and children. Then, we provided food, shelter and basic education to over three million orphans left in their wake. It was a compassionate response but it didn't solve the problem.



In those years, the epidemic was only escalating, until -- in a time of great need and urgency -- a Republican president and a bipartisan majority in the United States Congress created PEPFAR -- the President's Emergency Plan for AIDS Relief. Compassionate leaders from both sides of the aisle said to the international community: America can, and America will, lead the world in the global fight against AIDS.



Today, thanks to the unprecedented actions of Congress, an HIV-positive mother in South Africa can give birth to a healthy, HIV-free baby who she can live to raise.



Today, thanks to the generosity of the American people, 9.4 million men, women and children have access to life-saving antiretroviral treatment.



Where there was once despair, ruin and fear -- there is now hope, life, laughter and love.



PEPFAR has done more than just save lives -- it has provided basic infrastructure and trained more than 100,000 health care workers to prevent future outbreaks in countries like Botswana, Tanzania, Kenya, and Uganda.



Congress' strong support for the Global Fund for AIDS, TB & Malaria has enabled it to generate investments from governments and corporations worldwide and leverage $2 for every $1 invested by the U.S., thereby expanding its reach and its impact. I am grateful this has included up to 1 billion pounds from the United Kingdom over the past 3 years.



For my Foundation too, Congress' leadership has been transformational.



What we once invested in hospice to care for the dying, has been repurposed to treat the living. My Foundation has tested over 3 million people for HIV in Africa and linked more than 400,000 patients to lifesaving treatment on the continent since 2012.



Combined with efforts funded by the U.S. -- we've contributed to the 48 percent global reduction in mother-to-child transmission of HIV.



In short, we are no longer bailing out a sinking ship, we are helping steer it into safe harbor.



Mr. Chairman, because of the actions of this Congress, the course of the AIDS epidemic was altered for all of humanity. Because the American people had the optimism, the ingenuity, and the will to make a difference, the lives of millions of people half way around the world have been saved.



But I'm here today with a simple message: The AIDS epidemic is not over. And America's continued leadership is critical.



There is a window of opportunity before us -- a window through which we can very clearly see the end of AIDS -- within my lifetime.



We cannot afford to let that window close. If our efforts flag, drug resistance will surface, transmission rates will rise, and this disease, which knows no boundaries, will once again become a ruthless pandemic with disastrous and far-reaching consequences. I have stood at too many bedsides -- in America, in England and across Africa, helplessly watching people die in pain, to bear the thought that we might go back to those dark days.



On the other hand, if we continue the historic work of PEPFAR and the Global Fund... if we honor the 40 million lives lost over the past three decades... then we can and will see the day when AIDS is no longer a horrifying global killer, but a contained and controlled chronic illness.



Mr. Chairman, this is the most powerful legislative body in the world. And this Congress indeed has the power to end AIDS. You have the power to maintain America's historic commitment to leading the global campaign against this disease.



I am here to ask you to use that power. To seize this window of opportunity. To change the course of history.



And one day soon, I hope to extend my thanks -- to you, to this Congress, to the United States of America--not only for fighting this disease, but for ending it -- once and for all.



Sir Elton John is the Founder of the Elton John AIDS Foundation, www.ejaf.org

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Reese Witherspoon's New Lifestyle Site Is So Reese Witherspoon

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Reese Witherspoon delighted fans Wednesday afternoon with the launch of her new lifestyle site, Draper James. With the new venture she joins the likes of Gwyneth Paltrow and Blake Lively, who have been luring customers to their own lifestyle sites one overpriced item at a time.

WItherspoon says in the introductory video above that her new website exemplifies the "grace and charm" she grew up with in Nashville, Tennessee, combined with the romance of and her love for the South. Named after her grandparents, the site features monogrammed everything and a wide array of "Y'all"-printed accessories.

Though the prices can be pretty steep, the retail site and accompanying Instagram account are as cheery as the actress herself. Check out some of the site's adorable products below.

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Alan Thicke Reveals That He And His 'Growing Pains' Wife Joanna Kerns Discussed Dating Offscreen

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Alan Thicke calls his "Growing Pains" co-star Joanna Kerns, "one of my great wives," but the leading lady only got the chance to fill that role onscreen, despite a flirtation between the actors off set.

"When 'Growing Pains' started, she had just been cancelled from a show and divorced. I had just been cancelled and divorced. We certainly had that in common, and we liked each other right off the bat," recalled Alan Thicke in a conversation with HuffPost Live on Wednesday.

Kearns and the "Unusually Thicke" star "thought it through," he said, and decided to keep things platonic.

"We made the very intelligent decision that the show might last longer than a relationship would, so would it be smart to just be friends and have that little bit of chemistry and preserve that, instead of going the other direction, which is fraught with peril?" Thicke recounted.

The actress who played Mrs. Seaver "was quite lovely," he added. "We're still in touch."

Watch more from Alan Thicke's conversation with HuffPost Live here.

Sign up here for Live Today, HuffPost Live’s morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

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Escaping from the Dark

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In the next 10 years we want to do two things:

1) Shine a light on how incredibly enormous, barbaric and ineffective our criminal justice system is. Most of us have some sense, but lack a true idea of the colossal depth of its hell.

2) Successfully utilize new technology and emerging trends in culture in creating a national movement to radically reform this beast.

As many already know, we are in the final months of a new documentary feature film called The Survivors Guide to Prison-- an investigative report on the world's largest "corrections" system.

What's exciting about this film besides the film itself, one we're incredibly proud of and excited to share with you, is the incredible coalition coming together to support it. Prison reform activists like Russell Simmons and Wayne Kramer have joined the ranks appearing in the film along with the incredible national organizations on the front lines like the ACLU and the Innocence Project.

What we hope is going to be a launching point for a new decade in social activism are the technologies and action-based content we're going to try and build to support this movement. And we're proud to account that we've conducted our first experiment in that regard.

On Saturday April 18th we joined forces with our partner Bryn Mooser of RYOT.org and unveiled a Virtual Reality experience of what it's like to be in solitary confinement aka "the hole" at Tribeca Interactive in NYC.

People who paid to see the latest in entertainment media got to do something I never thought I'd see in my lifetime. We put on a pair of VR goggles on people's heads and transported them into a scary-as-hell 7 x 9 foot cell with no windows, a concrete slab for a bed and no way out for 23 hours a day.

There in that virtual reality people found out that over 80,000 Americans -- some as young as 13 years old are also here in "the hole." There are no rules for this. You could just piss off a guard, fail a drug test or be in danger of getting beaten up -- you could do literally anything or nothing and find yourself in the hole.

I watched people pull off the goggles after the 3 minute "experience," most of them in a state of shock. They couldn't believe the average amount of time spent in the "hole" in the USA is 7 years. They couldn't believe that the American hikers who spent time in solitary confinement in Iran said that California prisons were worse. In Iran nobody gets put in solitary for more than a few weeks. In CA there's a man who'd been in solitary confinement for 42 years.

Having experienced this little taste, nobody was surprised that spending time in the hole leads to massive mental health issues, increases the likelihood you will commit suicide by 500 percent and most useless of all -- that you're actually more likely to commit a crime (whether or not you ever committed one in the first place) after you've been thrown in solitary.

Folks experiencing the virtual tour, listening to the sounds of people going mad around them don't need to just take Supreme Court Justice Anthony Kennedy's word for it when he recently said "Solitary confinement literally drives men mad," because the folks at Tribeca got a real feeling for it themselves. Brought to them by the good people at Oculus and Samsung.

Technology affords us a new hope. With the advent of the iPhone we're in a national state of shock regarding the incredibly destructive "shoot first" culture of many police departments. This shock could lead to major reform that could uplift and save so many lives. We hope the same will apply when we start using technologies like Virtual Reality.

Of course that doesn't replace the hard ground work. We had the ACLU there on the floor with us explaining the facts and getting people eagerly signing petitions to ban solitary confinement. We had actor/producer Maggie Grace and filmmaker Bryn Mooser helping fit VR goggles and headphones around people's heads of all ages, adjusting the fit and troubleshooting bugs. It was a sight to see.

You can get a taste of the VR experience in this new technology by watching the 360 video below. Please comment, and tell us what you think. But most important, let it inspire you to take a few clicks and sign those petitions.

I remember when Adrian and I did HBO's Teenage Paparazzo, we interviewed the great writer and professor of media studies at NYU Mark Crispin Miller and asked him about technology, and he told an amazing little anecdote. He said every time there's been a major advance in technology we expected that to usher in an era of conflict resolution and well-being which never materialized.

Miller gave as an example of the Wright Brothers thinking the invention of the airplane would lead to world peace -- once we saw each other from the fragile perspective of thousands of feet above all civilized nations would recoil in horror at further warfare and disband their armies. Eight years after the bicycle mechanics first flew across the sands at Kitty Hawk, N.C., the airplane made war exponentially more devastating.

So we have an opportunity with our new-found technologies. The smart phone, virtual reality, etc. We really can use it to escape from the dark. Or disappear deeper into it. We're planning to join forces with the best in the business to try and use the 10 years of technological advances to work for social good. And we hope to learn from your thoughts and experiences as well. As Robert DeNiro said in Terry Gilliam's brilliant 1984-esque satire, Brazil, of a society deeply in the dark... "We're all in it together."


Confinement is a short virtual reality piece by RYOT and Matthew Cooke


This post is part of a series commemorating The Huffington Post's 10 Year Anniversary through expert opinions looking forward to the next decade in their respective fields. To see all of the posts in the series, read here.

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The Future of the Celebrity Magazine Cover

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How Roger Ailes Became Kim Kardashian



In 2007, Barneys New York heir and former co-CEO Gene Pressman wrote a book called Chasing Cool. It analyzed how certain consumer products catch on "in a cluttered marketplace" -- a sort of pre-Gladwellian analysis of cachet. He enthused about Us Weekly, the then-recently revitalized publication that I was editing at the time. Pressman called Us Weekly the "iPod of its industry," adding, "like crack on newsprint, it made an entirely dormant segment into a monster loyal audience."



But as anyone who follows celebrity knows, those "cool" days have faded. Sales of every newsstand publication reliant on the right face at the right time have plummeted, ratings of entertainment news shows are down, Hollywood rarely mints big new stars anymore, and the breathless market for "exclusives" and baby reveals (coined the "celebrity industrial complex") has gone the way of Dutch Tulips (save, for say, the occasional new British princess). Some reasons for the ennui are obvious: oversaturation, the Internet, smart phones and social media's supplanting of traditional media outlets as middleman.



More telling: The ruling class simply stopped caring the way it once did. In Us Weekly's heyday, young women in New York City who wouldn't have been caught dead reading mom-sy People magazine or downmarket Star in public rode the subway inhaling the novel, newsy entrant, making its "Just Like Us" ethos a catchphrase of the decade. Measured independently in 2008 by research organization MRI, Us Weekly's 11 million readers were two-thirds college-educated, with a household income of $72,000, ahead of Vogue and Vanity Fair. Those stats meant that in 2007 we could get candidate Barack Obama to invite a reporter on his campaign; his rival, Hillary Clinton, to Fashion Police her own outfits, and then be covered by The New Yorker because of that. Ivy League types debated at dinner the day's pressing topics: Jennifer Lopez and Ben Affleck; Britney Spears shaving her head; or whatever iteration of Brad (Pitt), Angelina (Jolie) and Jen (Aniston) was at play. George W. Bush was president, 9/11 had just happened, and an ill-conceived war was raging in Iraq. Celebrity was a weapon of mass distraction, a preferred medium of communication -- even for the future president.



During that era, copycat publications emerged, as did Perez Hilton, TMZ and many more websites amounting to millions of page views with the same commodity: celebrity news and photos. Some were great, some weren't, others were fawning. But all of them required you cared endlessly about Lindsay Lohan's car crashes (real and metaphysical), who wore something better, or the confessions and woes of every marginal "star." The "white noise" effect kicked in, and 24/7 celebrity news and scandal began to sound like the teacher in Charlie Brown. It also ceased to be "cool." After all, something viewed as too available simply couldn't be.



So where does this leave the future's celebrity-dependent magazine covers and media? That may seem an anachronistic question in a digital age. Yet in the web's infinite landscape, where anyone can be the star of his own Vine, covers actually matter more. Remember, commodities rise in value when they are in limited supply. Could Kim Kardashian have broken the Internet with an Instagram post of her bare derriere? Maybe. But it became a sensation thanks to its "cool" status on 6-times-a year Paper magazine (see, it was art, not pornography!). And Vogue may have had average sales on that Kim and Kanye West cover, but it gave the couple the only 12-times-a-year imprimatur of tastemaker Anna Wintour.



Comparatively few saw or touched the physical copies of those issues. No surprise. At The Hollywood Reporter and Billboard where I now work, our 35 million monthly visitors (comScore) dwarf our print circulation. Newsstand sales are irrelevant, as they will be for every single title in the next 10 years. And while that's potentially threatening as an editor, it also is liberating. Yes, my staff carefully curates gorgeous, luxurious print editions that I like to think are smarter than any out there, and we won a National Magazine Award this year. But the ultimate goal is to make these pieces catch fire online, which opens wide who can be on a cover.



At People magazine in the '90s, the editor said to never put a star on who wasn't ubiquitously known. Today, I'd argue for the opposite, as the Internet masses grow weary fast and the consumer base of female newsstand-buying grocery shoppers shrinks. Innovators and originality are rewarded online in a way that safety (say, the 1,000th magazine cover of Julia Roberts or Sandra Bullock) historically has been in print.



At The Hollywood Reporter and Billboard, we have a combined 90 covers a year to take a chance. Sometimes we are lucky and get Chris Rock, whose bylined Hollywood Reporter cover on racism in entertainment -- hardly supermarket fare -- was read online by nearly 900,000 people (and counting). Recently, we featured Roger Ailes, the rarely profiled chairman of Fox News. He is 74 and polarizing, and the photo was black and white. Yet, within 24 hours of the story posting, a 4,200-word piece from a magazine that prints 72,000 copies was read online by 400,000 people. Its cover image sat atop the Drudge Report for hours. Rupert Murdoch's chief of staff tweeted a photo of the Australian billionaire in his L.A. office reading the cover. The print edition. A 360-degree modern media win.



Oprah Winfrey said at one of our events that no matter how big her interview subject, the person always asked afterward, "Did I do all right?" Her point: validation matters. To everyone, reader and subject alike. The digital audience -- especially the digital audience -- craves these signposts amid a 24/7 culture of quizzes, lists and an endless social media loop of outrage. Maybe in the near future, as reality TV shows decline in ratings, and banality hits a bear market, a Vanity Fair or People could steer clear of the canned A-list interviews and take a chance on a Silicon Valley star, or the right TED talker-turned Internet icon. All editors, unburdened of the Sisyphean task of maintaining newsstand sales, could try more interesting, less available people -- a commodity as scarce as actual covers themselves.



After all, everything is deliciously upside down: a trade (as both my titles once were) can now be more mass than a mass title; and creative people once accessible only to thought leaders in quirky publications are now available to millions online. Talk about "cool." It could be a great future where sometimes, yes, even Roger Ailes can be the web's Kim Kardashian for the day.



This post is part of a series commemorating The Huffington Post's 10-year anniversary through expert opinions looking forward to the next decade in their respective fields. To see all of the posts in the series, read here.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

When My Children Read This in 10 Years, I Hope the Hunger Crisis Is History

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Congratulations to Huffington Post on its tenth anniversary! Last August, just before the birth of my daughter Summer, you invited me to share my story on a subject very close to my heart - ending world hunger. I'm so grateful for that opportunity and thank you to the many Huffington Post readers who passed my story on.



Since 2009 after the birth of my son Max, I knew I had to do something to help other children and families around the world and that's when I became a volunteer Ambassador Against Hunger with the United Nations World Food Programme (WFP) as well as volunteer spokesperson for Yum! Brands' World Hunger Relief effort. It's more than my story though, it's the story of millions of children and families around the world who need our help.



Last year, many of you joined me in sharing #PasstheRedCup to raise awareness for the global hunger crisis -- 805 million people, many of them children, go to bed hungry each night. And that red cup is a symbol of the meal millions of children will get through a WFP school feeding program.



Together we created a movement and millions of dollars were raised to support WFP programs. Since 2007, Yum!'s World Hunger Relief campaign has raised $600 million in cash and food donations, providing 2.4 billion nutritious meals for women and children around the globe.



The thing is, we have so much more to do.



I've visited WFP relief sites in Rwanda, Haiti and Guatemala. I've seen first hand the need. The sense of desperation in a mother's eyes as she holds her hungry child. I've also seen the joy. The faces of mothers and their children light up as they're served a meal through WFP. I've felt the joy that comes from handing a meal to a child who has no idea who I am, she simply smiles in appreciation of the meal I'm serving her. The meals that these children get might be the only food they eat all day.



It's a life changing experience to feed a hungry child. And we all have the power to do it. There is enough food in the world to feed everyone. If we all give a little more time and money, we can end global hunger as we know it. My greatest hope is that ten years from now, we can look back with pride knowing that the world came together to finally eliminate hunger.



I want my children, Max and Summer, to always appreciate what they have, but also to understand they have a role in helping our fellow citizens around the world to the basic need of food. I'd love for them to stumble upon this article and other hunger relief stories a decade from now and see that there is an end to world hunger.



"It's a life changing experience to feed a hungry child. And we all have the power to do it."



I know we can do it! Please help by donating whatever you can to the World Hunger Relief campaign at HungertoHope.com. Share this story with your friends and family and encourage them to get involved. Do what you can in your local communities to help combat hunger. Together, let's move the world from hunger to hope!



This post is part of a series commemorating The Huffington Post's 10 Year Anniversary through expert opinions looking forward to the next decade in their respective fields. To see all of the posts int he series, read here.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

The Trailer For 'An Open Secret,' The Hollywood Child Sex-Abuse Documentary, Will Horrify You

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Many kids dream of becoming famous, but few do. Those who attempt to make their hopes come true in Hollywood are exposed to a very adult world while they are still very much children.

Amy Berg's documentary "An Open Secret" looks at the sexual abuse of children in the entertainment industry, profiling five men (including Michael Egan, who accused "X-Men" director Bryan Singer of abuse last year) who relay their stories of misconduct at the hands of those they trusted to help propel them to stardom.



"An Open Secret" hits theaters on June 5.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

'The Mindy Project' Has Reportedly Been Canceled, But Could Live On At Hulu

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After three seasons, Fox has reportedly canceled "The Mindy Project."

According to multiple outlets, the Mindy Kaling-created comedy won't be renewed for a fourth season on Fox, but there may be hope for a future on Hulu. Universal Television, which owns "Mindy," is reportedly in talks to move the series to the streaming service for a multi-season deal. A representative at Fox could not confirm the show's status, and Hulu had no comment.

Chris Messina, who plays Kaling's love interest Danny Castellano on the show, told E! Online that he didn't know if "The Mindy Project" would be renewed back in April. "You'll probably find out faster than I will. I'm the last person to know these things ... I'd love to see Danny and this baby," he said, referencing the major plot point in Season 3 in which Mindy became pregnant with Danny's baby.

Season 3 ended its run in March, but if Hulu's on board, there's hope we'll see more of Mindy, Danny and a Lahiri-Castellano baby to come.

For more, head to Vulture.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Michael Jordan Allegedly Breaks Up Altercation Outside MGM Grand After Mayweather-Pacquiao Fight

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When Michael Jordan decided to catch the Fight of the Century at the MGM Grand in Las Vegas Saturday, he probably didn’t anticipate getting involved in another altercation -- this time, as peacemaker.

Footage captured outside the MGM Grand after the Floyd Mayweather/Manny Pacquiao fight allegedly shows His Airness pacifying a potential bust-up between his bodyguard and a stranger. Thanks to Jordan’s intervention, the disagreement was quickly quelled.

(Watch the video of the altercation above. Warning: The clip contains strong language.)

According to Complex.com, R&B singer/songwriter Delray Richardson captured the footage and uploaded it to YouTube. Richardson told the magazine that the stranger and his girlfriend had been walking on the sidewalk as people were leaving the MGM Grand when Jordan’s bodyguard “pushed him out of the way.”

“The guy was like, ‘Don't push me, man. You ain't gotta push me!’ He didn't even see Michael Jordan. He just saw some guy pushing him,” Richardson said.

Tempers quickly flared and Richardson said the situation would likely have turned very “ugly” had Jordan not stepped in.

In the video above, the basketball star can be seen stopping for several seconds to talk to the man before walking to his car.

“You could tell this dude was major,” Richardson told Complex.com. “You could tell by the situation. So Mike stopped and was like, ‘Chill out, chill out, chill out.’ He let the dude know that everything was cool, and just out of respect for Mike, the guy toned it down a little bit.”

Richardson added that he was impressed by how the NBA legend was able to calm the situation down like he did.

“I thought this was a powerful example of the influence Mike has. He told the guy, ‘You alright,’ and the situation was over. He didn't have to do that. He could have just kept walking,” Richardson said.

Jordan has not responded to The Huffington Post’s requests for comment.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.


Adam Levine Attacked By Sugar-Slinging Assailant In Hollywood

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Maroon 5 frontman Adam Levine was attacked by someone who threw powdered sugar at him outside the Hollywood set of "Jimmy Kimmel Live."

Levine was signing autographs outside the studio after recording a segment for Kimmel's show when a man threw a bag of powered sugar at him, catching him across the face and body, according to images and video from the scene.




"The Voice" coach quickly backed away while security grabbed the man and brought him to the ground.

The suspect has not yet been publicly identified. However, The Hollywood Reporter says the same individual is accused of throwing a rock at Dwayne "The Rock" Johnson.

Maroon 5 has a song called "Sugar."




Entertainment Tonight says the suspect currently has five victims pressing battery charges against him, including Levine. ABC 7 in Los Angeles described the assailant as a man in his 30s.

One video shows Levine after the attack, with his powder-covered sweater removed, and the cuffed suspect being led away:

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Jimmy Fallon And Kerry Washington Crack Each Other Up Playing 'Lip Flip'

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More duets should be done with swapped mouths.

Kerry Washington stopped by "The Tonight Show Starring Jimmy Fallon" on Wednesday to promote the Season 4 finale of "Scandal," and what better way than with a "Lip Flip" duet? The two spent a few minutes trying to crack each other up before breaking into a song parody of "Candle In The Wind" called -- what else? -- "Scandal In The Wind."

"The Tonight Show Starring Jimmy Fallon" airs weeknights at 11:35PM EST on NBC.

Follow Huffington Post's board LOL onPinterest.

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Cleary Wolters, The Real Alex Vause, Shares Her Story For The First Time

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As fans of "Orange Is the New Black" prepare to spend upwards of 13 hours watching the third season of the Netflix series this June, they may easily forget the reality the show is based on. Many of us already know Piper Kerman -- the real Piper Chapman, played by Taylor Schilling -- from her 2010 memoir, but what about the real woman behind the black-rimmed glasses?

In Kerman's book she's Nora Jansen and on screen she's Alex Vause, portrayed by Laura Prepon. But in real life she's Cleary Wolters, a woman who had no idea her story and likeness would be depicted in a hit Netflix series. She first broke her silence with the media in a Vanity Fair interview las year, which revealed Kerman and Wolters never had sex in prison. Now Wolters is ready to tell the full story for the first time with a memoir of her own, Out of Orange.

"The story I have is that I’m not a bad person," Wolters told The Huffington Post. "I’m not an evil drug lord or kingpin. I’m like so many other people." Wolters recounted to us the first time she saw a commercial for "OITNB" -- which Netflix has still never consulted or informed her about -- what she hopes her story will reveal to readers and how Kerman's book and the series helped her face many of the difficult experiences she'd blocked from her memory.

What was your experience like the first time you heard about the show?
Very bizarre. I think the most bizarre incident was seeing a commercial for it, that was really weird. That was the point at which I slipped into some weird parallel universe. In seeing Laura Prepon wearing my glasses and listening to the narration and knowing they’re talking about her lover, that that’s me.



Most people get hooked binge-watching a fictional series, but this is an adaptation of your life. What was it like watching it?
Right. The stuff [the show] did in prison was just really disturbing. I think I realized at that point I genuinely have a little PTSD from it. I knew I had it, but the surreality of it just made it more pronounced because who in the world gets so bothered by just images of women in prison? [...] At first I didn’t know if I would actually like the show, but I had a morbid curiosity. Probably the same morbid curiosity that got me in trouble in the first place. So I kept watching.

Did you continue to watch through Season 2?
Oh, yeah. I watched the first season the minute it came out and the second the minute it came out.

Did it get harder to watch?
It got easier because it got further and further away from reality. The plot diverges so completely, especially in terms of my character. Then it just was entertainment.

Were you grateful that it diverged so much?
Yeah. I didn’t want to see a perfect adaptation of my actual life unfold in front of me. I don’t play front and center in [Piper's] book at all, there’s barely a mention of me. So when Alex’s character does play front and center so much in the first season I was like, "Wow, okay. This is weird." They’re creating this whole fictitious person based on me.

And the whole romance plot between Alex and Piper wasn’t real, right?
Right. No, Piper and I were done. We were friends.

alex piper

Have you and Piper spoken recently?
I’ve spoken with Piper. We had breakfast together. She’s read my book. We’re on good terms. I don’t know what she thinks about the book yet, though.

At what point did you decide to write your memoir?
After the [Vanity Fair] article came out, I was approached by a literary agent. Somebody wanted to do my memoir, but they were unaware of the fact that I was actually a writer, so I said, "Well, I would love to do my memoir myself."

You mention in it that you’d previously written a novel that’s a fictionalized account of your experiences.
I actually wrote three novels, a trilogy, in prison. Some of them I actually wrote on rolls of toilet paper. I have little sheets of toilet papers with chapters on them. I managed to write three 600-page novels.

Do you think you’d have written this had it not been for Piper’s book or the show?
No, I would not. I was not a non-fiction writer and I don’t think I was ready to look at my own story as closely as you have to do. One of the things that was really hard was being honest with myself and reliving some of those experiences. A lot of it I just blocked out of my mind. The only way I can actually convey to the reader the -- I want you to be there, to feel it. I want you to know what that is like so you never go there and so you have more empathy for the people who do go there. We’ve got 800 percent more women in prison than we did in 1987, it’s all because of the drug wars. These women have kids and these kids are growing up without parents and these kids are going to end up in the system too. We can’t just put everyone in jail.

With regard to the show, did Netflix every consult you?
No. I would be happy to, but I doubt that they will if they haven’t already. It almost feels like it’s an inconvenience that I’m an actual human being. Because they haven’t reached out. It surprises me that people in that production company are not sensitive to the fact that when you do use real-life characters, that even though it’s fiction, if you are a hit show that you are going to impact those real-life character’s lives. A head’s up would’ve been nice. But they must have had reasons not to, and I can’t imagine that those reasons are very altruistic. I would never have gotten in the way of their production, but then again I was so stubbornly under my rock [then] I might have thrown a fit. And really in the end, it was the greatest thing anyone’s done for me, to shove me out of that closet and get rid of my secrets.

What are you hoping for now that the book is out?
I would love it if I could be a writer and a technologist. That would make everything in my life suddenly make perfect sense, why I had to go through all of that. But to be a writer and to get to publish a book and have the opportunity to reach so many people is the coolest thing since Wonder Bread.

This interview had been edited and condensed.

Cleary Wolters' Out of Orange is out now and available on Amazon.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Michael Jordan Allegedly Breaks Up Altercation Outside MGM Grand After Mayweather-Pacquiao Fight

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When Michael Jordan decided to catch the Fight of the Century at the MGM Grand in Las Vegas Saturday, he probably didn’t anticipate getting involved in another altercation -- this time, as peacemaker.

Footage captured outside the MGM Grand after the Floyd Mayweather/Manny Pacquiao fight allegedly shows His Airness pacifying a potential bust-up between his bodyguard and a stranger. Thanks to Jordan’s intervention, the disagreement was quickly quelled.

(Watch the video of the altercation above. Warning: The clip contains strong language.)

According to Complex.com, R&B singer/songwriter Delray Richardson captured the footage and uploaded it to YouTube. Richardson told the magazine that the stranger and his girlfriend had been walking on the sidewalk as people were leaving the MGM Grand when Jordan’s bodyguard “pushed him out of the way.”

“The guy was like, ‘Don't push me, man. You ain't gotta push me!’ He didn't even see Michael Jordan. He just saw some guy pushing him,” Richardson said.

Tempers quickly flared and Richardson said the situation would likely have turned very “ugly” had Jordan not stepped in.

In the video above, the basketball star can be seen stopping for several seconds to talk to the man before walking to his car.

“You could tell this dude was major,” Richardson told Complex.com. “You could tell by the situation. So Mike stopped and was like, ‘Chill out, chill out, chill out.’ He let the dude know that everything was cool, and just out of respect for Mike, the guy toned it down a little bit.”

Richardson added that he was impressed by how the NBA legend was able to calm the situation down like he did.

“I thought this was a powerful example of the influence Mike has. He told the guy, ‘You alright,’ and the situation was over. He didn't have to do that. He could have just kept walking,” Richardson said.

Jordan has not responded to The Huffington Post’s requests for comment.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Kim Kardashian Becomes A Mental Health Advocate As Her Family Promotes Social Change

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Somehow, over the last eight years, between all the bandage dresses, the endless selfies and tabloid covers, the Kardashians have become proponents of social change.

In his recent "20/20" interview where he came out as transgender, the Kardashian sisters' stepfather, Bruce Jenner, told Diane Saywer, "We’re going to change the world. I really firmly believe that we’re going to make a difference in the world." And the thing is, they really just might.

Next week, "Keeping Up with the Kardashians" will air a two-part special revealing the intimate conversations that Jenner had with his family, in which they discussed his transition. While the Kardashians live their entire lives in front of the camera for financial gain, this time it feels less promotional.

"It was important for him to capture these moments so that people can understand," Kim Kardashian explained to E! News at a signing for her new selfie book on Tuesday. "I think people will learn a lot and understand it's okay to have every emotion. We just filmed it to help other families going through what we're going through."

Similarly, while Kardashian's selfie book may be called Selfish, these days, she's actually pursuing more selfless endeavors.

On Wednesday, the 34-year-old participated in a Google hangout, where she chatted with fans about why she's become passionate about mental health issues, two days after "#RedFlag," the documentary she produced about mental health in the social-media age aired on HLN.

"For me, I have experienced so many friends who have suffered from depression and other mental illnesses. And because I've never experienced it, I don't understand it. I wanted to really inform myself because it's not just something that you can snap out of," she explained during her nearly 14-minute hangout.

"I just started to see too many people around me suffer, and I couldn't give them advice for where they should go to get help," she said. "And so I wanted to really inform myself and try to help inform other people and bring awareness to [the issue]."

Kardashian also noted that there's still a stigma surrounding mental illness, which is something she wants to use her massive platform to end.

"It's something that I feel is a little bit taboo," she said. "I also think it's hard for people to admit they have a mental illness and I want them to know it's okay. And there is help available."



Note: Considering that Jenner has identified as, “for all intents and purposes, a woman,” but has not yet indicated that he would like to be known by a new name or female pronouns, this story uses male pronouns.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

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