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The Russo Brothers Will Replace Joss Whedon For 'Avengers: Infinity War'

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As first reported by Badass Digest and confirmed by The Hollywood Reporter, Anthony and Joe Russo will replace Joss Whedon as directors on the next "Avengers" film, the two-part "Avengers: Infinity War." The Russos, who also directed "Captain America: The Winter Soldier" for Marvel and will handle "Captain America: Civil War" as well, were long rumored for the gig: Deadline.com connected them to the franchise closer back in November. (Representatives for the Russos were not immediately available for comment.)

For his part, Whedon has long hinted that "Avengers: Age of Ultron" will be his final go-around in that particular corner of the Marvel Cinematic Universe.

"I couldn't imagine doing this again," Whedon said to Empire in January (via Slashfilm). "It's enormously hard, and it [will] be, by [the time I would make 'Avengers 3 & 4'], a good five years since I created anything that was completely my own. So it's very doubtful that I would take on the two-part 'Infinity War' movie that would eat up the next four years of my life. I obviously still want to be a part of the Marvel Universe –- I love these guys -– but it ain't easy. This year has been more like running three shows than any year of my life. It is bonkers."

"Avengers: Age of Ultron" is out on May 1. The Russos' "Captain America: Civil War," which sounds like it might become "Avengers 2.5," reaches theaters on May 6, 2016. The first of the two "Infinity War" films is out May 4, 2018.

For more on the Russos, head to Badass Digest.

In Defense of Cara Delevingne's 'Bad' American Accent

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Author and YouTuber, John Green, widely known for his New York Times bestselling novel, The Fault in Our Stars, publicly released the movie trailer for his book, Paper Towns, this past Thursday. Paper Towns, directed by Jake Schreier, is about a teenage boy, Quentin, played by Nat Wolff, who is in search for his longtime high school crush, Margo, who is played by Cara Delevingne.

So, let's talk about Cara Delevingne here. Immediately following the release of the Paper Towns trailer, it went viral -- and so did the opinions about it. I opened my Twitter app only to see a myriad of people straying away from the actual concept of the trailer's plot only to talk about Cara's "bad" American accent. Is there really such a thing or are people looking for any excuse to criticize here? I believe that there is NO such thing as having a bad American accent. Cara is used to speaking in her native tongue, a British accent. There are such things as bad British accents, yes, because it's obvious to tell when someone isn't a British native, but a bad American accent? What is that?

There are so many different ranges of how people talk, let alone so many different kinds of people in the United States that for America. To claim to have one particular accent is ludicrous. Anything that doesn't sound British, Australian, Indian, Canadian, Sweden, etc. is pretty much considered an American accent today. Depending on what part of any country you grew up in, you're going to sound a tad different. For example, in America, we have our Brooklyn, Southern, Californian, Wisconsin, etc. accents. To really capture an honest American accent, all you have to do is sound average, and needless to say, far from fancy. Maybe that's why people were criticizing? Margo's character was also said to be portrayed as much more dull in the trailer than in the actual book, but we have to think about people who haven't read the book when we talk about filmmaking.

Cara is the perfect actress to play Margo because not only is her American accent dull and average, but it's perfect for a character you're not supposed to really figure out at all. That's the whole point. You hear in the trailer Quentin saying, "Margo always loved mysteries. Maybe she loved them so much, she became one." There's no such thing as a bad American accent, cynics, but there is such a thing as brilliant acting. Cara's accent is what really makes this film all the more climactic and exciting. For people who haven't read the book and watch the movie, they'll be left wondering what happens next, or boggle their brain trying to figure out Margo, when, thanks to Cara's acting, is hard to decipher.

So to the people out there who were criticizing, you must try to see that there is a reason behind everything, and this one was that anyone but Cara could have been casted, but Cara is the only one to really give Margo the meaning her character deserves. I'm not saying Cara is a dull person at all, but her ability to act like someone who knows how to play her cards with a straight poker face is a valuable concept of acting that, for any actress to ever accomplish. This is especially valuable for Cara, who is so early in her acting career. She should be praised.

I'm stoked to see how Paper Towns plays out for Cara when the movie is released this coming July. It's not her first time acting, as she has starred in 2012's Anna Karenina, and will be making future appearances in Pan and Tulip Fever. However, Margo will be Cara's first major starring role debut.

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Elizabeth Taylor Would Be 'Horrified' To Learn Of Current HIV Rates In Young Gay Men, Granddaughter Claims

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Elizabeth Taylor would be "horrified" to learn about current HIV/AIDS rates in young gay men, the actress's granddaughter revealed in a new interview.

Naomi deLuce Wilding, 40, tells The Telegraph that "a real complacency" regarding HIV/AIDS in the gay community had already set in before her legendary grandmother's death at the age of 79 in 2011.

"Even before she died, when my grandmother was pretty ill, she was horrified to see that," Wilding said. "Sadly I don't think she had the strength to say what she really felt at that point."

Describing Taylor as a "very intuitive woman," Wilding said, "When she saw that people -- friends of hers and fellow actors -- were being stigmatized [for being HIV-positive], she recognized an opportunity to use her voice and fame to speak up for those who were being discriminated against."

That mindset, Wilding implied, prompted Taylor to establish the Elizabeth Taylor AIDS Foundation (or ETAF) in 1991, following the 1985 death of her good friend, Rock Hudson, due to complications from HIV/AIDS.

During her lifetime, Taylor was reportedly critical of former U.S. President Ronald Reagan's response to the HIV/AIDS crisis, and lobbied celebrity fans like Michael Jackson and Elton John for support in her cause.

"It is bad enough that people are dying of AIDS, but no one should die of ignorance," Taylor, who became known internationally as a prominent figure in the fight against HIV/AIDS, is quoted as saying.




Jared Leto's Russian Cold Medicine Collection Is Comprehensive

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In case you missed it, this weekend Jared Leto had a cold while visiting Moscow. Luckily, he (or someone on his staff) was able to collect an impressive array of Russian homeopathic and drugstore products in an effort to quell whatever ailed him:

Dinner. #calledinsick #sorryMoscow #lovelustRussia

A photo posted by JARED LETO (@jaredleto) on





What are these wondrous potions and are Russian drugstores to cold medicine what French drugstores are to skin care?



We asked in-office Russian speakers, HuffPost multimedia editor Irina Dvalidze and international fellow Talia Lavin, to translate and weigh in on what Leto was taking (besides the apparent tea and spoonfuls of jam). Clockwise from the blue bottle:

Аквалор (Akvalor):
"This is a nasal spray. According to its website, it's an 'all-natural' cure involving sea water and minerals." -- TL

Мирамистин (Miramistin):
"This antibiotic nasal spray was initially developed in the 1970s. Ammonium chloride is an active ingredient." --TL

Гомеовокс (Gomeovoks):
"'Gomeo' = 'Homeo' (G and H are often swapped out when translating English words or prefixes into Russian, e.g., Garri Potter). According to the product website, this pill is supposed to help with 'voice disorders' (?). Here's a list of ingredients. It's a homeopathic remedy. They also dubiously claim in the product description that it's much better for your throat/voice than tea with lemon, as tea contains damaging caffeine!" -- TL

Боржоми (Borjomi):
"The farther clear bottle in the back definitely looks like a bottle of Borjomi, which is Georgian mineral water that I can personally attest cures all stomach aches and nausea." -- ID

Here's hoping he's feeling better -- and considering a new side hustle as a Borjomi importer.

(h/t The Cut)

John Legend Talks 'Blurred Lines' Case & Common's Controversial Remarks On Ending Racism

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AUSTIN, Texas (AP) -- John Legend says he's concerned that the "Blurred Lines" verdict could set a scary precedent for artists creating music inspired by others.

In a wide-ranging interview with The Associated Press, the Grammy winner said understands why people say 2013's biggest hit song by Pharrell Williams and Robin Thicke sounds like "Got to Give It Up," Marvin Gaye's 1977 hit, adding: "I said that when I first heard it, too."

But he said he doesn't agree with the jury that determined the performers copied elements of Gaye's work.

"You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights," the singer-songwriter told The Associated Press on Saturday before performing at the South by Southwest music festival. "Because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song."

Williams, with whom Legend has worked in the past, and Thicke also were ordered to pay nearly $7.4 million to three of Gaye's children.

"I think we have to be careful about that, and I'm a little concerned that this verdict might be a slippery slope," Legend said.

Legend also spoke about collaborating with Sam Smith, whose debut album earned him Grammys for song and record of the year last month; his collaborator Common's recent comments about racism that sparked some backlash; and mentoring budding artists with for the AXE White Label.

Here are some highlights from the interview:

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AP: Are you working on a new album?

Legend: A week from Monday I'll start. I'm going on vacation next week because I need it (laughs) and then I'll really jump in the studio to start writing again.

AP: "All of Me" was such a huge hit. Is there any pressure as you head into the next album?

Legend: The pressure I put on myself isn't, `I have to make another `All of Me." It's just I have to write great songs. I want to make a better record than I made the last time. I want to grow. I want to discover new things about myself creatively.

AP: You and Common won an Oscar for "Glory" from (the movie) "Selma." Where did you put it?

Legend: It's sitting on my piano in New York at our apartment there.

AP: Common received some backlash for his comments about ending racism on "The Daily Show" last week. What are your thoughts?

Legend: Oh yeah, I heard a little bit about it and I understand what he's saying because I do believe that part of us ending racism is us seeing each other's humanity and learning to love each other, even if we look different or worship differently or live differently. But I think it's not enough for us to extend the hand of love. I think it's important that that goes both ways. It's important also that we look at policies we need to change as well.

It's important for us also to fight for certain changes that need to happen. And one of those issues that I really care about is education. But also another one is incarceration, which is what I talked about at the Oscars. And mass incarceration is a policy that's kind of built up over the last four decades and it's destroyed families and communities, and something we need to change. And it's fallen disproportionally on black and brown communities, especially black communities, and it's kind of a manifestation of structural racism. So when you think about that kind of thing, it's not enough to say we need to love each other, you have to go behind that and say we need to change these policies, we need to fight, we need to protest, we need to agitate for change.

AP: What was it like working with Sam Smith on the charity single "Lay Me Down"?

Legend: It was great. I love Sam. I think he's one of the most talented new artists out right now, and our voices work really well together. And we both love soul music and wanted to make a really powerful song together, and we were able to do that - and do it for a great cause. And I'm excited for all the traction the song has gotten; it hit No. 1, my first No. 1 in the U.K.

AP: Have you been to SXSW before?

Legend: I've performed here many times, just different types of events. There's always something going on. The first time I played here was actually for Starbucks, outside of Starbucks in 2005 for my first album. I've come back for different purposes different years. I've done a show with Kanye here.

AP: What was it like mentoring budding musicians?

Legend: I love it. It's something I've always done anyway. A lot of it has been informal; some of it is me signing artists like Estelle or executive producing artists like Stacy Barthe. It's always been a part of what I like to do, and I benefited from it as well. Kanye signed me and has mentored me, Stevie Wonder has mentored me. All kinds of people have given me great advice over the years, so I like to pay it forward as well.


Kendall Jenner And Justin Bieber Are In Hollywood's New Brat Pack, According To Vogue

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If you ask Google who the members of the Brat Pack are, the search engine will tell you in approximately 0.00000001 seconds that they are Emilio Estevez, Anthony Michael Hall, Rob Lowe, Andrew McCarthy, Demi Moore, Judd Nelson, Molly Ringwald and Ally Sheedy -- actors who all rose to fame in the 1980s. But if you ask Vogue who the Brat Pack is, they list Justin Bieber, Kendall Jenner, Gigi Hadid, Ansel Elgort and Dylan and Hopper Penn.

In a recent photo shoot for the magazine, Vogue crowned the group of young models, actors and reality stars the "new Brat pack," aka "Instagram aristocracy." Naturally, the group happily reposted photos from the Vogue spread on their Instagram accounts:

#repost shot by the amazing @mariotestino April 2015 @voguemagazine

A photo posted by Kendall Jenner (@kendalljenner) on





me, G, and norm in April 2015 Vogue! @voguemagazine @mariotestino

A photo posted by Kendall Jenner (@kendalljenner) on





@voguemagazine @mariotestino

A photo posted by Kendall Jenner (@kendalljenner) on





last one! April Vogue spread @voguemagazine @mariotestino @justinbieber

A photo posted by Kendall Jenner (@kendalljenner) on





Side note: Kendall's younger sister Kylie Jenner was noticeably snubbed from Vogue's "Brat Pack" clique, but hey -- at least her dog Norm made his Vogue debut.

Head to Vogue for the full photo shoot.

5 Behind-The-Scenes Stories About 'The Wire,' As Told By Sen. Clay Davis

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Isiah Whitlock Jr., who played Sen. Clay Davis on HBO's "The Wire," recently started a now fully-funded Kickstarter campaign to make the "Isiah Whitlock Jr. Talking Bobblehead." Those familiar with "The Wire" can probably surmise the bobblehead's choice phrases.

As part of getting the word out about his potentially limited edition talking bobbleheads (recently endorsed by Questlove), The Huffington Post spoke with Whitlock about his time playing a crooked politician on the Baltimore-based cult classic, "The Wire."


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1. The origins of "sheeeeeeeeeit" can be partly credited to Spike Lee.

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Whitlock first picked up on his now iconic form of swearing from his uncle. As the 60-year-old explained to HuffPost, he "always just kind of found it humorous."

The first time "sheeeeeeeeeit" showed up on screen was actually during Spike Lee's movie, "25th Hour," where Whitlock busted Edward Norton's character as Agent Flood. "I had done it in an audition and he really liked it and so when he cast me he said he wanted me to do it," Whitlock said. He later reprised the role and catchphrase in Spike Lee's "She Hates Me."

Of course, "sheeeeeeeeeit" really took off when he said the line as Sen. Clay Davis in "The Wire."

"I was a little surprised," Whitlock said. "I wish I could, you know, sit here and say I knew that this would like be a big catchphrase or something like that. It was something I really just took for granted. I never really paid much attention to it. But I was always amazed the way people would respond to it so I just kind of stuck with it."



2. Sen. Clay Davis is loosely based on a real person who was given a small part on the show.

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In the conversation with HuffPost, Whitlock confirmed that his character was based off a real person and even appeared on the show in a scene with Whitlock.

"I think it's in Season 5, when I'm in a radio station and the guy is interviewing me," Whitlock said. "That guy is the guy that the character was based on, so I'm told ... It was kind of interesting to meet him, it was a little weird. I don't think he knew that I knew that I was he. Which was even more bizarre."

Whitlock went on to say that he didn't want to specifically name the person as he didn't "want to get sued or something like that." He continued, "I mean ... it wouldn't be that difficult to find out." The person who Whitlock most likely was talking about was Sen. Larry Young who has been brought up in the past as a clear inspiration, due to his expulsion from the Maryland state legislature and then eventual acquittal. Young is now a radio host in real life.

Image: WikiCommons



3. Since the show was based in reality, viewers could guess storylines by particular casting of real people.

maria von trapp

Whitlock used the example of his lawyer in Season 5, Billy Murphy Jr., who played a version of himself in the show. If you had known of the lawyer's reputation, then you could have guessed that this lawyer wouldn't lose.

"The guy who plays my lawyer in the courtroom is a real Johnny Cochran-type," Whitlock explained. "He'd probably kill me for saying that because, and I don't mean that in a bad way, but what I'm trying to say is that he is a top lawyer in Baltimore. Very, very good. So, watching this show, you live in Baltimore, you see me go into this guy and ask him to represent me. You sort of know early on that I was going to get off, there was no way I was going to jail. I mean, that guy has kind of a reputation."

Whitlock spoke of others who were based off real people, such as the character named Omar (whose inspiration recently died). Whitlock mused that it "just shows you how fascination a lot of these people are. How similar these people are. They're just sometimes on the wrong side of the law."



4. In the beginning of "The Wire," many actors almost dropped out amid trepidation about the show's direction.

dominic west the wire

At a reunion of some of the cast in 2014, it was revealed that the actors weren't all that satisfied with the show at first. "I told my agent to call 'Law & Order,'" said Wendell Pierce (Det. Bunk Moreland); Sonja Sohn (Det. Kima Greggs) said, "A lot of us were like, 'I don’t know, it’s kind of slow.'"

Even Whitlock, who didn't fully join the cast until Season 3, was slightly reluctant to do so at first.

"I was doing 'Othello' in Alabama and they had wanted me to come up to set up some stuff for Season 3 and I didn't want to do it," he said. "I just said, 'Tell them I'm busy in Alabama and I've got some other stuff to do.' But I finally okayed it and went to Baltimore and David Simon just kind of explained to me what he had in mind. I was glad I did, because otherwise Senator Clay Davis came close to not happening."



5. Major character deaths were bonding moments for the cast. Sometimes mock funerals were held.

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Sonja Sohn would gather relevant members of the cast to memorialize any character who was killed off. This began after she learned she was supposed to be killed off and fought for her character's life.

Along those lines, Whitlock mentioned that the deaths would bring the cast together in a way, as they shared the eventual surprise of the audience.

Whitlock said, "We were all very upset when Stringer Bell died. That kind of put a pause on there. That kind of took everybody by surprise."



Bonus: According to Whitlock, there is a right and wrong way to say "sheeeeeeeeeit."

And he should know, especially considering that many people say it to the actor.

TK TK gifs

Although Whitlock estimates more than 1,000 people have repeated the actor's signature catchphrase to him in the real world, to get its use right, you can't just say "sheeeeeeeeeit" in any moment and expect it to work. The pronunciation is an art form.

"Sometimes, even when they wrote it in, if I didn't feel like it was right at a certain moment, I wouldn't do it," Whitlock said. "It's a little bit more technical than that, because I think if you just sort of throw the word around and stuff like that, people will sort of get tired of it, but if you can kind of pick and choose, certain moments called for that particular word and the way that I would say it, it can have an incredible amount of effect."

Whitlock explained that he would make sure it wasn't "just sort of flippant." The perfect moment arrived when "you reached this sort of -- you worked yourself up, and there's nothing left to say, but 'sheeeeeeeit.' So, that's kind of the way it worked."

For Whitlock's uncle, the word came out when he was either exasperated or "overwhelmed with joy." Now, Whitlock finds himself using the words, but only in certain moments.

"Sometimes, it's usually like, I don't have anything else to say, but that," Whitlock said.

All images Getty unless otherwise noted.

Chris O'Donnell Still Looks Really Good

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Remember this face? Oh yes, you do -- especially if you were an adolescent in the late 80s or anytime in the 90s. This is Chris O'Donnell.

Are Chris Evans And Lily Collins Dating?

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Last week, rumors flew that Chris Evans is dating Lily Collins, and now there's proof of their reported romance!

The Internet Just Realized The Girl From 'The Ring' Is All Grown Up

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Samara from "The Ring" was a thing of nightmares.

Creeping.



Crawling.



And freaking everyone out.



But, thanks to the Internet, now you can rest easy knowing the girl who played Samara, actress Daveigh Chase, has grown up.

Back in the fall, a BuzzFeed writer first spotted Chase's Instagram account. On Tuesday, BuzzFeed resurfaced the new images of the 24-year-old and others took notice. Refinery29, Elite Daily and Us Weekly all noted how the actress is an adult now.

Early morning pondering... ☺️ ✨⭐️⭐️⭐️⭐️

A photo posted by Daveigh (@daveighc) on





@toastycakes cake cake cake

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Off set early... I.da.ho. #americanromance #nofilter

A photo posted by Daveigh (@daveighc) on





Phonetime. by @josephzentil

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My 23rd year of life by @cameronmccool

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@chucksvintage is finally on #etsy !! #shopvintage

A photo posted by Daveigh (@daveighc) on









After 2002's "The Ring," Chase appeared on "CSI" and "Big Love," along with other indie films. Recently, she was a guest of honor at the 30th Monster-Mania Convention in Cherry Hill, New Jersey, according to the Asbury Park Press.

Here's Why The New Scientology Doc 'Going Clear' Calls Out Tom Cruise

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Alex Gibney's documentary, "Going Clear: Scientology and the Prison of Belief," is ripe with shocking revelations about the secretive religious organization and the many celebrities at its center. But much of the film focuses on actor Tom Cruise, who has become Scientology's most famous public face.

The documentary, based on Pulitzer Prize-winning author Lawrence Wright's 2013 book by the same name, features interviews with former high-ranking Church officials, former members (including director Paul Haggis) and journalist Tony Ortega. Much of what they divulge contains extensive details about the numerous abuse allegations that have been brought against the Church. And while many people formerly associated with Scientology have spoken out against the alleged acts of psychological and physical violence, Gibney believes Cruise is the most vital voice yet to be heard.

"Cruise is the big kahuna and that's why we've gone to the trouble of calling him out," Gibney said at an HBO screening of "Going Clear" on Monday night. "We believe that he has a responsibility to say something about the abuse."

The latter portion of Gibney's documentary focuses on Cruise's involvement with the Church, his relationship with current leader David Miscavige and previously unknown information regarding Cruise and the Church wiretapping Nicole Kidman's phone before the couple's divorce. While the film does not specifically connect Cruise to any of the abuse allegations, the director still believes that the actor "has an obligation to speak out."

In January, both Gibney and Wright told Variety that they hold Cruise and John Travolta, another famous Scientology figurehead discussed in the film, responsible for "not demanding change" in the Church. On Monday, Gibney echoed that sentiment: "He can espouse his beliefs, that's fine. But not to address the allegations of abuse seems to me palpably irresponsible."

Representatives for Cruise were not immediately available for comment. But the Church of Scientology has issued statements against "Going Clear" since it premiered at the Sundance Film Festival earlier this year. In January, the organization ran an ad in The New York Times, purchased Google ads and published an article on the website of the Church's magazine, Freedom, slamming the film:

The Church has documented evidence that those featured in Gibney’s film regurgitating their stale, discredited allegations are admitted perjurers, admitted liars and professional anti-Scientologists whose living depends on the filing of false claims. All have been gone so long from the Church they know nothing of it today. Yet Gibney and HBO stonewalled more than a dozen requests by the Church to offer relevant information about them, with more than 25 individuals with firsthand information eager to speak. To this day, neither HBO nor Gibney can deny that they have yet to present the Church with a single allegation from the film so the Church may have an opportunity to respond. The Church never sought special treatment, only fair treatment.


"Going Clear" is out in limited release and premieres Sunday, March 29, at 8:00 p.m. ET on HBO.

Jonathan Groff Reveals The 'Looking' Scene That's Hardest For Him To Watch

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"Looking" star Jonathan Groff dropped by HuffPost Live this week, revealing (among other things) the scene in the HBO series which he finds most difficult to watch.

"It's really hard for me to watch the Halloween speech [in the "Looking for Gordon Freeman" episode of Season Two]," Groff said. "That was the moment in that script where I was like, 'Oh God, I have to do that.'"

The "Gordon Freeman" episode, which aired in February, featured a scene in which a drunken Patrick (Groff) attempted a speech at his own Halloween party before spiraling out of control while on-again, off-again love interests Kevin (Russell Tovey) and Richie (Raúl Castillo) looked on.

Meanwhile, the scene in the “Looking Top To Bottom” episode which saw Patrick give himself a home enema before a planned weekend rendezvous with Kevin didn't phase Groff in the least.

"I didn't think twice about it," he said. "I've had that experience in my real life of saying to a friend, 'What are you doing right now? Can we talk about this for a second?' So that felt like real life to me."

Responding to criticisms that Patrick is a narcissistic character, Groff called him "disarmingly complicated," and noted, "It's hard for me to judge because I play him and I love him and I feel like, for better or for worse, I really connect with him."

Despite critical support for "Looking," the series has struggled in ratings, and HBO has yet to renew the show for a third season, a fact not lost on the cast and creatives. Still, series creator Michael Lannan has remained cautiously optimistic about the future of the show.

"I think we have so many more stories to tell, so I think we need a third season," he said. "We have a lot more that we want to do with these characters and this world."

Antonio Banderas Has Strong Feelings About The Attitude Toward Aging Women

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Antonio Banderas says society, not just Hollywood, is to blame for the unfair pressures put on women today to maintain their youthful sex appeal.

"I try to be as natural as possible. I understand though, especially [for] women, the tremendous pressure that they receive in a place like Hollywood, where thousands of new girls arrive every year all fresh and new, and when you're getting to a certain age, they can feel the push of these things," Banderas said in a recent interview with the UK's Press Association.

The actor, 54, says when it comes to getting older, men have it easier than women, not just because of Hollywood, but because of societal standards. "It's more cruel unfortunately for women than men," Banderas said. "There's a social convention that allows men to grow older and not be so criticized and pushed about beauty, and for women it's different. It's ridiculous, but that's the way that we created image around ourselves."

Despite the pressures of the industry, he's previously spoken out against plastic surgery, saying it just isn't for him. "I think everybody can do what they want to do but I am starting to like grey hair and wrinkles and find them interesting," Banderas said in a 2011 interview with The Telegraph.

Banderas, it seems, has accepted his aging and continues to make films, like "The Spongebob Movie" he is currently promoting. Meanwhile, his ex-wife, Melanie Griffith, has lashed out at Hollywood, saying finding good movie roles in her 50s has been a challenge. "It is what I never thought would happen when I was in my 20s and 30s, hearing actresses bitch about not getting any work when they turned 50," she said in a 2013 interview. "Now I understand it, it is just different."

Seems like Banderas, unfortunately, has hit the nail on the head.

h/t The Nottingham Post





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This Is Sean Bean's Advice For The Stark Kids On 'Game Of Thrones'

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It has been four years since we last saw Ned Stark, the former Lord of Winterfell. But Sean Bean still continues to talk about "Game of Thrones," blowing up the Internet by confirming huge fan theories, and now giving some advice.

With Season 5 of the HBO series weeks away, we know things are only getting darker for the Stark kids. Arya will undergo a major identity shift, while Sansa will have a "super, super traumatic" scene. So what would Ned do if he could come back to life and help out his kids?

In a recent interview with Entertainment Weekly, the actor shared Ned's advice for the young Starks. “He’d probably have said, ‘Just stay at home in the castle, with your mum.’” Hey Bean, you do know what happened to their "mum," right? Maybe he's referring to the pilot, but either way there'd be no show, and no fun, if that happened.

For the full interview, head to Entertainment Weekly.

"Game of Thrones" returns on Sunday, April 12 at 9:00 p.m. ET on HBO.

Bullied Eyewitnesses Blast Rapper's Wrongful Conviction, Join Family In Plea For New Trial

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HAMMOND, La. -- In 2001, they say, they were bullied into silence or forced to lie in court to help prosecutors wrongfully convict a 22-year-old rap artist of shooting a fan. Now, they will no longer keep silent.

Five eyewitnesses -- including the prosecution's star witness -- have signed affidavits in recent days to swear they didn't see McKinley "Mac" Phipps Jr. shoot a young fan. The witnesses claim in the documents, which have been assembled by Phipps' attorney, that authorities intimidated them into falsely testifying, kept them from sharing their version of events or simply ignored them.

Phipps, who was convicted in 2001 on a manslaughter charge, is serving a 30-year prison term.

"He didn't do it," said Jamie Wilson. "He was standing right next to me when it happened. He didn't shoot."

Wilson was 19 years old on the night of Feb. 21, 2000, when Barron Victor Jr., also 19, was gunned down at Club Mercedes in Slidell, Louisiana. She is certain the singer then known as "Mac The Camouflage Assassin" did not commit the crime.


EXPANDED COVERAGE



Phipps was convicted in September 2001 by an all-white jury, despite a lack of physical evidence and conflicting witness accounts.

The witnesses who signed affidavits said they were only willing to come forward now because former District Attorney Walter Reed, who led the prosecution, is no longer in power. After nearly 30 years, Reed decided to not seek re-election amid a reported federal grand jury investigation into campaign funds and side businesses. He left office in January.

Phipps' family is hoping the affidavits, along with Reed's departure, will get the musician a new trial. They point to a Huffington Post investigative report last week, in which all five of the eyewitnesses claim they were threatened, intimidated or outright ignored by investigators.

Wilson said Monday that she told police 15 years ago that she witnessed the shooting -- and that Phipps was not the triggerman. She stands by that story now.

According to Wilson, police were not interested in what she had to say after the shooting.

"They treated me like they wished I wasn't there," Wilson said. "They made me feel like I was telling a story different from the one they wanted me to tell."

THE CLUB SHOOTING: (Story Continues Below)



Phipps and his family believe that he was targeted by authorities because he was black and a high-profile gangsta rapper. At his trial, prosecutor Bruce Dearing made a point of repeatedly quoting -- and sometimes misquoting -- Phipps' lyrics to make the defendant look more violent.

The artist's mother was tearful as she met with Wilson and other witnesses earlier this week.

"It really touched me because it brought back all the memories from what happened that night," Sheila Phipps told HuffPost.

Wilson was equally emotional. "This is a mother who basically lost her son 15 years ago," said Wilson. "It's inhumane, and it's terrible that it has gone on this long."

Jamie Wilson writing her affidavit.


Sheila Phipps heard Wilson's story for the first time on Monday. "I haven’t seen this young lady in 15 years, so for me to hear her statement about what happened really broke my heart," Phipps said.

The four other eyewitnesses who signed affidavits are the Mercedes nightclub's former co-owner Dwight Guyot, the victim's cousin Jerry Price, Phipps' cousin Larnell Warren and the state's star witness, Yulon James.

Larnell Warren writing his affidavit.


"It was a complicated case and no one wanted to go to jail," Warren said on Sunday about the witnesses' previous reluctance to come forward. "There was all kinds of emotions going on, and you had the district attorney and police threatening people."

Warren and Price both were charged with obstruction of justice in reference to first-degree murder. Both said the charges were filed after they refused investigators' demands to finger Phipps as the shooter.

"They said all you got to do is say Mac did this, and we'll let you go," said Warren, who was jailed for more than a year as a result of his refusal to cooperate.

THE MAC STORY (Story Continues Below)




Price, currently serving a 25-year sentence in Louisiana for drug charges, was unavailable for comment. According to a statement provided to HuffPost by licensed private investigator Miguel Nunez, who is doing pro bono work on Phipps' behalf, Price claims he was harassed and pressed to say he saw Phipps shoot Victor.

"The detectives asked me if I was 'gonna let that asshole get away with murder'," Price said, according to the statement.

"I told the detectives I did not see who shot Barron … [and] the detectives told me that I was being charged with obstruction to first-degree murder and that the charge carried just as much time as the murder itself," he said.

Dwight Guyot (left) and McKinley Phipps Sr.


Guyot signed an affidavit on Sunday, the same day he met with Sheila Phipps. He claims he told investigators he saw another man shoot Victor, but that police were upset that his account conflicted with the case they were building. When he refused to finger Phipps as the shooter, he said, the police threatened him with prison.

After signing his affidavit, Guyot declined to further discuss the case.

"A lot of people in this are like me and they don’t want to be in this," he said. "We’ll do what we gotta do, but we have to live here and we don’t want to talk with the media."

The most powerful affidavit obtained by Phipps' legal team is likely the one signed by Yulon James, who now says she lied when she identified Phipps in court as the shooter because of prosecutors’ threats to charge her.

"They stalked my house, they stalked my job and they stalked my family," said James in an earlier interview with HuffPost. She now acknowledges she "didn't see anything" and testified falsely against Phipps. "The DA came over to my parents' house and told me I would have my baby in prison if I didn't testify."

Copies of the affidavits provided to HuffPost.


Phipps' attorney, Remy Starns, said he is preparing a motion for a new trial based on the affidavits, "in the interest of justice."

"I think it's easy to see someone else committed the crime, and I believe the courts will take a hard look at it in the interest of justice," Starns said.

Guyot and Wilson have both said the gunman was Thomas Williams, the former fiancé of Phipps' aunt. At the time, he was working as a member of Phipps' security team. He confessed to police the month after the killing that he fired in self-defense, pulling his gun after Victor charged at him with a broken beer bottle.

"I didn't know what else to do," Williams told police. "I was protecting myself."

THOMAS WILLIAMS CONFESSION: (Story Continues Below)



Authorities disregarded Williams' statement based on his inability to describe the weapon and his claim that he fired at Victor from several feet away, which was at odds with the coroner's reports. He was charged with obstructing justice and accessory after the fact for second-degree murder.

Williams has declined to discuss the case with HuffPost. Nunez, for his part, believes Williams' confession was accurate.

"Just because Tom said he was 10 feet away does not mean he actually was, and just because he said he can't remember what the gun looked like does not mean he actually couldn't," Nunez told HuffPost. "It might very well be that Tom pressed the gun right up against Barron Victor, but he might not want to tell it like that because then it removes his claims of self-defense."

Newly elected District Attorney Warren Montgomery said in a statement last week that his office will answer when Phipps presents the court with evidence.

"At that time, I will fulfill my responsibility to respond to the allegations," Montgomery said.

Starns said he will file the petition "as soon as we can."

Meanwhile, McKinley Phipps said from prison that he is hopeful the petition will be granted so the new evidence can be presented in court.

"For the first time in a very long time, I have hope," Phipps said.





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Vin Diesel Thinks 'Furious 7' Should Win Best Picture

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Back in 2011, Vin Diesel made the bold proclamation that "Fast Five" should be a major contender at the Oscars. "I wouldn't be surprised if there is some Oscar talk around this," Diesel told the Los Angeles Times. "I don't know, maybe I'm just biting off what some guy from Channel 7 thought. But sooner or later, people are gonna say, 'Wait a minute, just because they are for the working class doesn't mean they're not great.'"

"Fast Five" failed to garner a single nomination, but that hasn't stopped Diesel from further awards prognostication. Wit the release of "Furious 7" fast approaching, the 47-year-old star told Variety he expects the franchise's seventh film to win Best Picture at next year's Academy Awards.

"Universal is going to have the biggest movie in history with this movie,” Diesel said. "It will probably win best picture at the Oscars, unless the Oscars don’t want to be relevant ever."

Never stop being you, Vin.



For more from Diesel, head to Variety.

Guy Gets Kicked Off A Southwest Airlines Flight For Profane 'Broad City' T-Shirt

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Fellow Americans, freedom of speech does not apply to every situation.

New York college student Daniel Podolsky discovered this the hard way when he was kicked off his Southwest Airlines flight on the way back from South by Southwest in Austin, Texas, after refusing to remove a "Broad City" T-shirt that prominently displayed an expletive. Podolsky told the local St. Louis Fox station that he wasn't given a chance to conceal the message in any way.

“It just happened so fast. Within 30 seconds the flight was gone," he said. "I mean I would have gladly done so.”

However, a video provided by Podolsky himself tells a different story:






Southwest Airlines' contract of carriage forbids "lewd, obscene, or patently
offensive" clothing and behavior. Sorry, Podolksy. Next time save the shirt for when you're safely back home in Brooklyn.

H/T Uproxx

10 Michael Scott Quotes To Live By In Honor Of 10 Years Of 'The Office'

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Ten years ago, the U.S. version of "The Office" came into our lives and introduced us to the employees of Dunder Mifflin. It was like we already knew them (and we did, because the show was based on Ricky Gervais' award-winning British series of the same name). But one character stood out among the rest: Michael Scott (played Steve Carell). The often inappropriate and frequently hilariously regional manager of the paper company's Scranton branch was always good for a one-liner of wisdom, even in his most obtuse moments. To honor of the 10-year anniversary of the premiere of "The Office," here are 10 Michael Scott quotes to live by:

10. On being superstitious.

Image: Giphy


9: On being fooled.


8. On being loved.

Image: Tumblr


7. On success.


6. On ice cream

Image: Giphy


5. On encountering racists.


4. On Beyonce.

Image: Giphy

3. On religion.


2. On cutting loose.

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1. On gossip.


There you have it. Just listen to Michael Scott, and life won't seem so hard.


Image: Giphy

10 Thoughts About 'The Jinx' And Why It's Flawed But Fascinating

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The Jinx,” the HBO true-crime series that ended March 15, engendered a wave of intense attention and discussion as it rolled through its six-episode season. The finale was almost upstaged by the arrest of the documentary series' subject, real estate heir Robert Durst, and since it ended, there's been something of a backlash regarding its narrative techniques. I caught up on the show in recent two-day binge and had a few thoughts about what worked, what didn't and what will haunt me until the Durst saga takes its next turn.

  1. Canny recycling. Nothing about “The Jinx” is new, and I don’t intend that to be a dig at the show at all. But if you’ve ever watched a “Dateline” or a “20/20” that focused on an unsolved case, you’ve seen many of the elements that made “The Jinx” addictive: murder, money, marital discord, newspaper clippings, archival footage, swanky and tawdry real estate, re-enactments, dynastic squabbles, grieving friends and family, trial scenes and unexpected revelations. There are dozens of TV shows that traffic in this sort of thing, but “The Jinx” did what so many HBO programs do: It took a sturdy, reliable TV premise and it polished it up to a high, glossy shine. Just as “True Detective” is a really expensive, well-acted buddy-cop drama and “Game of Thrones” is a very pricey, often thoughtful take on fantasy epics, “The Jinx” took the kind of fare you often see on Discovery ID and in middlebrow TV news magazines and made that format seem fresh and compelling. Once you began watching “The Jinx,” it was hard to stop, and that’s what any network wants, no matter how fancy it is.


  2. The rise of the “cork-boarder.” The past decade or so has witnessed the rise of a genre of television (and podcasts) that wants you to head out to an office supply store and stock up on push pins, highlighters, note cards and yarn -- items you’ll need for your cork board when you fall down a popular narrative’s rabbit-hole of theories, conspiracies and connections. As the radio drama “Serial” did, “The Jinx” presented not only a lengthy investigation into a sometimes bafflingly complex series of murder-related events, it also took you on a journey into the inquisitive mind of the person investigating that mystery. Curiosity didn’t kill the cat, it ensured that the cat stayed up past her bedtime looking at message boards, websites and comments positing any number of theories and ideas about a particularly compelling cork-board narrative. As I said on Twitter the other day, it doesn’t matter if a “cork-boarder” is fiction or non-fiction: “Homeland,” “Lost,” “True Detective,” "Sherlock" and even “Breaking Bad” have driven both their characters and their viewers to puzzle over disparate facts and plunge headlong into unsolvable mysteries. Who can forget Carrie Mathison having a psychotic break in front of her elaborate “Homeland” Abu Nazir note board, or “Lost” fans doing freeze-frames in frantic attempts to unlock the secrets of the island? Those folks have a lot in common with people trying to solve “Serial” via Reddit crowdsourcing or trying to find the truth in Durst’s cleverly manipulative version of the “facts.” I’ve no doubt that we’ll get a lot more fictional and documentary cork-boarders in coming years as networks try to cash in on our twin desires for schadenfreude and elaborate yarn-and-note card constructions. (By the way, can we agree that Jason Sudeikis will play Jarecki in the inevitable film? They look so much alike.)


  3. The doorman! I have a contribution to the rabbit hole of “Jinx” theorizing, and it has to do with a question I wish the film had done a better job of addressing. The doorman of the building where the Dursts lived said he saw the heir’s wife, Kathie, arrive at their building the night she disappeared. Later, a private investigator reported that the doorman said he did not see Kathie arrive. Why didn’t the police re-interview the doorman? Did they, but we just didn’t see it? Given that much of Durst’s alibi rests on this claim, it seemed odd that we didn’t get more information about it. Why didn’t the filmmaker Andrew Jarecki press any detectives on this point -- or if he did, why not include that in the film? I would have preferred more on that topic to some of “The Jinx’s” re-creations, which were not always well done and which came off, at times, as mildly pretentious padding.


  4. Durst as a real-life Walter White. Durst is, to borrow a phrase from "Breaking Bad," one of the dumbest smart people of all time. As was the case with TV’s Heisenberg, Durst’s tremendous narcissism blinded him to the risks he was taking -- risks he ultimately didn’t care about because he was able to talk himself or buy himself out of every jam. Think about this “Breaking Bad” parallel: Durst did not really accomplish anything in his life, except the destruction of the lives of many other people. One of Jarecki’s theses is that Durst was driven in part by a lack of recognition from his father and family, but the heir never attempted to accomplish anything that would elicit the approval of others. With that vast fortune, all he did really did was drift around, nursing his resentments and apparently plotting revenge on those who’d crossed him. Walter White finally admitted that he did terrible things because he liked it and was “good at it.” Durst, compelled by his ego to undertake this project in the first place, also ultimately made a damning admission that contained the strange phrase, “Oh, I want this.” Maybe that admission is not so strange if we consider that attention may be what he wanted most. He certainly got it.


  5. Director as subject. It was a bit jarring that Jarecki’s presence became so pronounced in that final episode, and as Anne Helen Peterson points out, the finale worked overtime to ensure that viewers accepted Jarecki’s version of events and agreed with his impressions of the show’s subject. How Jarecki and Durst struggled over the narrative and how each of them presented themselves to the world made for a juicy clash of egos. This was like watching savvy, fame-hungry boxers go a few rounds, but “The Jinx” was much cleaner and slicker than the sweaty fights that HBO broadcasts.


  6. Those blinks, those burps. A few years ago, Fox aired a show called “Lie to Me,” which drew on the work of Paul Ekman, who studies the ways in which body language and facial expressions express emotions and ideas, sometimes inadvertently. I would dearly love to read what Ekman or another expert in that field thinks of “The Jinx,” in which Durst presented one narrative with words and a very different one with his gestures, mannerisms and body language. In interviews with Jarecki, Durst made the case that he’s simply a hapless man who had several runs of bad luck, but his blinks and bizarrely timed burps appeared to tell a different story. It's as if the tension and emotion in him simply had to express itself in some way or another, and it emerged in these tics and physical eruptions. I could be wrong, but every time Durst appeared to be embroidering or altering the truth, he blinked in that weirdly emphatic way, to the point that each time he did it, I thought, “Lie!” Those narrative wars -- between Durst’s version of his life story and Jarecki’s, between Durst and himself -- helped drive the show past its slower patches, and made me think about the furious repression that had been drilled into Durst from childhood. According to him, that is.


  7. The timeline shift. BuzzFeed and others have done deep dives into how “The Jinx” presents certain events in its timeline. Reputable writers have claimed -- with some convincing evidence -- that Jarecki played around with various sequences of events, and one apparent alteration in particular is, if true, disappointing. The show makes it look as if Durst’s 2012 arrest for violating an order of protection led the heir, who had been evasive regarding a second interview, to sit down to talk to Jarecki again. Jarecki used the word “leverage” at one point in the finale, in a segment in which he and his team discussed the fact that they had footage Durst’s lawyers wanted. It appears, however, that the arrest took place after the second Durst interview, though I’m still not entirely clear on this point (I appreciate the detailed breakdowns of "The Jinx's” timelines, but I must admit that they all tend to give me migraines). I have two thoughts relating to the fudging of that timeline, if that alteration did take place.


  8. It shouldn't have and didn't need to pump up the ending. Every documentary shapes the facts and impressions within its narrative, but if the 2012-2013 arrest-second interview timeline is depicted differently from how it played out in reality, Jarecki created a new fact or impression. That’s not shaping or massaging a reality-based narrative, that’s creating a fact that didn’t exist before. If -- and again, this may still be an “if” -- Jarecki created the impression Durst only sat down with him a second time because circumstances surrounding the heir’s 2012 arrest led him to do so, that’s misleading, at best. I don’t care that “The Jinx” is a TV show or a piece of entertainment or whatever. It came from HBO's Documentary division, which generally does journalistically solid work, and unless a piece is presented to me as fiction, it should not contain fictional or invented elements.


  9. The ending was amazing. The thing is, “The Jinx” didn’t need any timeline fudging to have an incredible coda. The ending of episode five was great: One thing I won’t soon forget is the face of Sareb Kaufman as he realized he had befriended and defended an alleged stone-cold killer. But the ending of the sixth episode packed even more of a wallop. If, when he was editing the final installment, Jarecki knew he was sitting on that audio of Durst saying, “Killed them all, of course” -- one of the most jaw-dropping TV moments of the year -- my goodness, wasn't it clear that the episode didn't need to be goosed with further drama? That installment already had everything any TV show would need to keep people talking for days.


  10. Those eyes. It’s common to say of a creepy person that their smile doesn’t reach their eyes, but I got the impression that Durst had never in his life had a smile that reached his flat, black eyes. Even in vintage pictures, his eyes look like bottomless portals to hell. How could those twin black voids ultimately be so compelling? But wait, there’s another question that haunts me: What is creepier, Durst’s eyes or the chipper way he says, “Bye bye!” (It's the eyes. Definitely the eyes.)


Ryan McGee and I discussed “The Jinx” and “Bloodline” in the most recent Talking TV podcast, which is here, on iTunes and below.



Your Favorite Child Stars, Now And Then

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Our favorite child stars are all grown up now.
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