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LISTEN: Zooey Deschanel's New Song

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When Zooey Deschanel isn't starring as Jess Day on "New Girl" she's singing with M. Ward in the band She & Him. With the group's third album arriving on May 7, She & Him released a new single, "Never Wanted Your Love," on Thursday.

For She & Him fans, "Never Wanted Your Love" is another jaunty throwback tune, featuring Deschanel's quirky voice over bouncy orchestrations.

Listen to "Never Wanted Your Love" above; check out She & Him tour dates, via Billboard, below:

  • Jun 13: Nashville, TN (Ryman Auditorium)
  • Jun 15: Grand Prairie, TX (Verizon Theater at Grand Prairie)
  • Jun 16: Austin, TX ACL (Live at the Moody Theatre)
  • Jun 18: Phoenix, AZ (Comerica Theater)
  • Jun 19: Las Vegas, NV (The Cosmopolitan of Las Vegas)
  • Jun 21: San Diego, CA (SDU Open Air Theatre)
  • Jun 22: Berkeley, CA (Greek Theatre)
  • Jun 23: Los Angeles, CA (Hollywood Bowl)
  • Jun 25: Salt Lake City, UT (Red Butte Gardens)
  • Jun 27: Council Bluffs, IA (Harrah's Stir Cove)
  • Jun 29: Chicago, IL (Aragon Ballroom)
  • Jul 1: Ann Arbor, MI (Hill Auditorium)
  • Jul 3: Montreal, QUE (Montreal Jazz Festival – Symphony Hall)
  • Jul 4: Toronto, ON (Toronto Urban Roots Festival)
  • Jul 6: New York, NY (Central Park Summerstage)
  • Jul 9: Philadelphia, PA (Mann Center for Performing Arts)
  • Jul 10: Boston, MA (Bank of America Pavilion)
  • Jul 11: Vienna, VA (Filene Center at Wolf Trap)


FIRST LOOK: One Direction's New Comic Book!

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One Direction have already pretty much achieved world domination, so it seems fitting that Louis, Liam, Zayn, Niall and Harry are taking superhero-form this week in a new comic book about their lives. Scroll down to view images... they're hilarious/awesome.

“Fame: One Direction #2” (the sequel to their first comic book "Fame: One Direction," apparently) follows the boys on -- you guessed it -- their rise to fame. The issue, written by Michael Troy and art by Jill Lamarina, will be exclusively digital on iTunes as well as print. Highlights include a guest appearance from cartoon Simon Cowell and cartoon Harry Styles sporting a dashing beret.

Directioners: sound off with your reactions in the comments or tweet us @huffpostteen!

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LOOK: LeBron James' Adorable Save-The-Date

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More than a year after getting engaged, LeBron James has finally set a wedding date.

The Miami Heat player is reportedly set to wed his girlfriend of nine years, Savannah Brinson, during the weekend of Sept. 13 to 15, 2013, in San Diego, according to a save-the-date released by TMZ Thursday. The invitation features a caricature of James, Brinson and their two sons -- check it out below.

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James proposed to Brinson, his high school sweetheart, at a New Year's 2012 party just after midnight. He told Oprah that his teammate, Dwyane Wade, held the $300,000 ring until James was ready to pop the question.

In other NBA wedding news, Michael Jordan applied for a marriage license Thursday in West Palm Beach, Florida. He has been engaged to Cuban model Yvette Prieto since December 2011.

Click through the slideshow below to see our most anticipated celebrity weddings.

Keep in touch! Check out HuffPost Weddings on Facebook, Twitter and Pinterest.

Lena Dunham's Parents Write For 'Girls'

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Lena Dunham's parents are helping their daughter become "the voice of a generation."

According to Capital New York's article about the "Girls" writers room, Laurie Simmons and Carroll Dunham sometimes help pen the Emmy-winning HBO series.

"Our writers this year include Judd Apatow, Jenni Konner, Lena Dunham, Bruce Eric Kaplan, Murray Miller, Paul Simms, Sarah Heyward and, occasionally, Lena’s parents," an HBO spokesperson said. "We are very excited to get started on Season 3."

This isn't the first time Dunham's parents have been involved in the series. In a Season 2 episode, Dunham's mother (Simmons) played a woman working at an art gallery who interviewed Marnie (Allison Williams).

"She kind of uses a shorthand with me that’s like, 'Mom, that sucks. Mom, be quiet. Mom, scream.' You know, she just kind of shouts commands at me that she really wouldn’t dare to do with any other actor," Simmons told Vanity Fair of having her daughter direct her. "So that’s OK, she has a shorthand with me."

"Girls" airs on Sundays at 9 p.m. EST on HBO.

The Top 9 Quirkiest TV Weddings

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When TV characters say "I do," an ordinary wedding sometimes just won't cut it.

Whether TV weddings are crazy, shocking or sweet, one thing's for certain: the best ones are always a little quirky. We've rounded up some of the most unique weddings to hit the small screen -- we're talking Princess Leia dresses, a hospital patient as an officiant, and celebratory dead pigeons instead of doves. Click through the slideshow below to see our picks for the quirkiest TV weddings.

Keep in touch! Check out HuffPost Weddings on Facebook, Twitter and Pinterest.

WATCH: Will Smith Teams With Son For New Film

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M. Night Shyamalan's last film, "The Last Airbender," was so reviled that even Shyamalan wasn't prepared for the vitriol.

"I don't know what to say to that stuff," he told Vulture when faced with a particularly negative review by Roger Ebert. "I bring as much integrity to the table as humanly possible. It must be a language thing, in terms of a particular accent, a storytelling accent. I can only see it this certain way and I don’t know how to think in another language. I think these are exactly the visions that are in my head, so I don't know how to adjust it without being me. It would be like asking a painter to change to a completely different style. I don't know."

Here's hoping for better results with Shyamalan's new film, "After Earth." Out June 7, the future summer blockbuster stars Will Smith as a general who crash lands on the remains of Earth with his son (Jaden Smith); there, the duo must survive as they look for a way to get home.

Check out the trailer, with it's "Avatar"-y post-apocalyptic vistas, above. For earlier coverage of "After Earth," click here.

[via Apple]

SNEAK PEEK: Is Someone Leaving 'Grey's'?

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Thought that things were going to calm down at Seattle Grace now that all that sale business is done? Think again.

In fact, it seems the transition is going tougher than everyone imagined -- especially poor Avery and Owen. On one end, Avery was unexpectedly thrusted into this position of power -- and we're not even sure he wants it. Meanwhile, Owen killed himself trying to keep the hospital afloat during tough times, and he's still being looked at as the bad guy!

Justin Bieber Faints

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Justin Bieber is recovering after fainting backstage at a concert in London.

A spokeswoman for Bieber said late Thursday that the 19-year-old pop star was given oxygen and took a 20-minute reprieve after fainting backstage at London's O2 Arena.

"Getting better," Bieber later posted on Twitter. "Thanks for everyone pulling me thru tonight. Best fans in the world. Figuring out what happened. Thanks for the love."

Jazz Chappell, a 20-year-old concertgoer who brought her younger sister and her friend to the show, said a backup dancer helped Bieber off stage after he announced he couldn't breathe and needed water. She said many fans in the audience were gasping and crying, while others kept cheering for him to return.

"I thought, `Give the guy a break. He just fainted. He's not a performing horse. Let him rest a second,'" said Chappell.

In a video of the concert posted online, Bieber's manager, Scooter Braun, appeared on stage and told the crowd that the singer was feeling "very low of breath" but would come back to finish the show.

Chappell said Bieber, who's in London to perform four concerts at the O2, later returned and performed low-energy renditions of his hits "Boyfriend" and "Baby."

Braun later tweeted "everyone please give him a little space and he will be ok. Im sure he appreciates the support ... Tough kid proud night once again he always finishes the show. Full out. True pro..."

The incident caps a difficult week for Bieber. He was forced to apologize to outraged fans who accused him of taking the stage almost two hours late for his first concert at the O2 on Monday. He insisted he was only 40 minutes late and blamed "technical issues." He took to Twitter to vent his frustrations with the media's portrayal of the incident.

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AP writers Cassandra Vinograd in London and Derrik J. Lang in Los Angeles contributed to this report.

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Online:

http://www.justinbiebermusic.com/


Mila Kunis Is Awesome In So Many Ways

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What's black and white and chic all over? This week's best-dressed list. Some of our favorite style-setters attended Paris Fashion Week and sat front row at the shows in easy black dresses or winter white coats that stunned in their simple elegance.

Then there were the gals that were brave enough to don color in the middle of winter, and what a coup. Jessica Chastain's bright red dress and Mila Kunis' burgundy gown played beautifully off their skin tones while showing off their figures.

Check out this week's best-dressed celebrities and keep clicking to see previous weeks' contenders. Then check out our roundup of the week's worst-dressed for a lesson in what not to wear.


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Want more? Be sure to check out HuffPost Style on Twitter, Facebook, Tumblr, Pinterest and Instagram at @HuffPostStyle.
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Do you have a style story idea or tip? Email us at stylesubmissions@huffingtonpost.com. (PR pitches sent to this address will be ignored.)

'American Idol' Reveals Top 10 Finalists

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Your "American Idol" Top 10 have been revealed!

After weeks of auditions, tears, triumphs and failures, the finalists for "American Idol" Season 12 were finally announced on the season's first live results show. So, without further ado ...

The "American Idol" Top 10 are:
Paul Jolley
Burnell Taylor
Curtis Finch, Jr.
Devin Velez
Lazaro Arbos
Janelle Arthur
Candice Glover
Angela Miller
Kree Harrison

The below contestants were eliminated:
Vincent Powell
Cortez Shaw
Nick Boddington
Charlie Askew
Elijah Liu
Adriana Latonio
Tenna Torres
Zoanette Johnson
Breanna Steer
Aubrey Cleland

Do you think the right contestants made it into the "American Idol" Top 10? Sound off in the comments.

"American Idol" airs Wednesdays and Thursdays at 8 p.m. EST on Fox.

Outrageous Celebrity Spending Habits

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Let's just say he was "taking care" of business: rapper Drake reportedly threw down $50,000 worth of green bills recently at a strip club in North Carolina. But the 26-year-old is hardly the first -- or the last -- celebrity to spend money in outrageous ways: Lady Gaga reportedly dropped over $60,000 for 27 koi fish, imported directly from Japan, while Trey Songz's Hollywood Hills rental allegedly costs the singer $35,000 per month -- and that's just the news from this past week.

Launch the slideshow below to see a compilation of other stars coughing up some pretty ridiculous numbers that proves opposite that beloved Us Weekly saying, "Stars: They're just like us."

25 Celebrities Who Married By 25

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Since Jamie Lynn Spears is already mom to a 4-year-old daughter, Maddie, it's hard to believe she's only 21. But when Britney's little sister, who just announced her engagement to boyfriend of three years Jamie Watson, walks down the aisle, she'll still be a young bride.

Of course, plenty of other celebrities have tied the knot in their late teens or early 20s. Here are 25 who wed before the age of 25.

Same-Name Celebrity Couples

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Presumably, no one wants to call out their own name while in the throes of passion. But unfortunately, the rising popularity of unisex monikers has increased the likelihood of that awkward scenario. Here are some similarly named celebrities who've coupled up in recent years.

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Jamie Lynn Spears and Jamie Watson
Britney Spears' little sis just announced her engagement to her beau of three years. To add to the confusion, Jamie is also the name of Britney and Jamie Lynn's dad.

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Taylor Swift and Taylor Lautner
Twihards and Swift fans found common ground when the pair hooked up for a few months in 2009.

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Paris Hilton and Paris Latsis
Both named for the City of Light, the socialite and Greek shipping heir dated for much of 2005 and were briefly engaged.

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Tom Cruise and Penelope Cruz
When Tom and Penelope were an item in the early aughts, we had high hopes for them to produce offspring with the hyphenate Cruise-Cruz.

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David Lauren and Lauren Bush
George W. Bush's niece became Lauren Bush-Lauren when she married Ralph Lauren's son in 2011.

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Kris Kumphries and Kris Jenner
Okay, so it's actually Kim Kardashian's mom who shares the first name of her ex husband. But we still think it's weird that they use the same quirky K spelling.

WATCH: Eva Longoria Dances... And Undresses

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What does Eva Longoria do everyday when she gets home? She DANCES!

As part of the launch of a new advertising campaign, Longoria can be seen displaying her extraordinary dance moves, as well as her enviable figure. Although we understand the commercial’s purpose is to communicate the existence of the cat food brand Sheba, what really caught our attention are her sensual movements while undressing to the rhythm of the music.

The images show the Mexican-American star getting home where her cat has been waiting for her. She quickly turns up the radio volume and begins to dance non-stop while her pet follows her around the house, until she gives it food.

However, if you thought that this represented a normal day at Longoria’s home, we are sorry to disappoint you, because the actress confessed in an interview with HuffPost Voces that she does not own a feline in real life.

"No, it is not my cat, it's a professional actor," said Longoria to HuffPost Voces on the commercial’s cat.

However, even though the star currently does not own one, she admits she loves and admires these animals.

"I love the qualities of cats. They are independent, feminine, self-sufficient, and playful, soulful, they are much like humans. I find their qualities admirable," says Longoria.

This is not the only project the actress is working on these days. Aside from the campaign, and political advocacy work she has been doing on behalf of the Hispanic community in the United States, Longoria is also currently producing the TV shows "Ready for Love,” expected to be transmitted on NBC in March, as well as "Devious Maids" which will run on Lifetime.

COOLEST COUPLE

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Award shows are like galaxies: Their light keeps shining on long after they're gone. And so, two weeks after the Oscars, VF.com decided to release several strips from the Vanity Fair Oscar Party photo booth.

Everyone who's anyone was there, from Jennifer Aniston and fiance Justin Theroux with friends Chelsea Handler and Dave Grohl, to Judd Apatow and his lovely wife, Leslie Mann; from Jesse Tyler Ferguson and fiance Justin Mikita, to Miranda Kerr and Orlando Bloom.

Best Supporting Actress winner Anne Hathaway and husband Adam Shulman got fierce with their baby statue, parents-to-be Channing Tatum and Jenna Dewan-Tatum showed their love and "Parks and Recreation" pals Rashida Jones and Amy Poehler made a funny. Here, take a look:

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For plenty more photos of celebrities celebrating the Oscars, click over to VF.com.


Tiffani Thiessen Is Thankful She Was Famous Before TMZ Existed

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NEW YORK — Tiffani Thiessen is probably best known for her role as Kelly Kapowski on "Saved by the Bell," but the actress says she had no idea at that time how popular the teenage sitcom was.

"I mean, I was so young. I was 15 when I started that show," Thiessen, now 39, said in a recent interview.

"I remember Mark-Paul (Gosselaar) and I touring the (United) States and going overseas. ... That was the first time that I realized what an impact that show had when 5,000, 6,000, 10,000 kids were showing up to these malls and these places where we would sit there for hours and do autograph signings and pictures and stuff," she said.

"That's when I was really like, `Where am I? What is this?' Kids wanted my empty cup of water and, you know, things like that. It was strange. I had to constantly remind myself that what I was doing was a job and I enjoyed my job and I was going back to school and do homework like all these other kids who were sitting here."

"Saved by the Bell," which also starred Mario Lopez and Dustin Diamond, aired from 1989 to 1993.

The show now airs in syndication and remains a part of the pop culture zeitgeist. Jimmy Fallon tried – unsuccessfully – to rally the cast for a reunion in 2009. (They did pose for a People magazine cover.) Justin Bieber wore a T-shirt with the likeness of Kelly Kapowski to the MuchMusic Awards in 2011.

Thiessen is grateful that she grew up in the limelight before TMZ and other 24-hour media outlets and gossip blogs came along on the Internet.

"Thank God I missed that. The photographers that would follow us were like for Teen Beat and Bop (magazines)," she said.

She said the limelight got a little more intense with her next big role as Valerie Malone on the `90s romance drama "Beverly Hills, 90210." But it was "nothing like (what) the kids are going through now."

Thiessen credits Aaron Spelling, who was an executive producer of "90210," with giving her an interesting perspective on fame.

"Aaron Spelling said something to me a long time ago that was really interesting," she said. "He said ... movie stars are in big screens and you have to go see them in the theater. TV stars are in people's homes and they feel much more of a connection because you're watching them in your home, and I thought that was really interesting because it was kind of true. A lot of people you know would stop me on the street thinking they went to high school with me."

Thiessen divides her time between Los Angeles, where she lives with her husband and daughter, and New York City, where she films the USA series "White Collar," which aired its season four series finale this week.

Matt Bomer plays former con man Neal Caffrey, who is working with the FBI to catch white-collar criminals. Her character is married to agent Peter Burke, who supervises Caffrey.

"If I wasn't an actor, I probably would be an event planner, which is why my character, Elizabeth, on `White Collar' is an event planner. It was kind of my idea. Presentation is huge for me. I love throwin' a good party. Absolutely. Like my daughter's birthday last year. I did all the catering, all the food, all the decor and I loved every minute of it. Of course, my husband's like, `Do we have to do this much?' I just love doing it."

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Online:

http://www.usanetwork.com/series/whitecollar/

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Alicia Rancilio covers entertainment for The Associated Press. Follow her online at http://www.twitter.com/aliciar

Alan Schroeder: The Senate Prospects of Ashley Judd

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Does Ashley Judd have the chops to defeat Mitch McConnell in next year's U.S. Senate race in Kentucky? Already the possibility of a Judd-McConnell matchup has spawned a mini-tornado of media speculation, not to mention a Karl Rove-sponsored attack ad. If and when Judd actually tosses her hat into the ring, the race would automatically become the marquee political story of 2014.

For a non-traditional candidate like Judd, a Senate run poses both opportunity and risk. A realistic assessment of her prospects begins with an acknowledgement of the challenges she faces, particularly in three key areas: show business, roots, and politics.

THE SHOW BUSINESS CHALLENGE: When entertainers run for office, they bring along a complicated set of associations, associations that inevitably color how voters perceive them. These associations can be positive, negative, or some combination thereof. The trick for professional performers transitioning into politics is to maximize the good feelings, sprinkle pixie dust over the bad, and get voters to accept them in a newly defined role.

Can Judd pull this off? In recent years she has reinvented herself as an activist and policy wonk, earning a masters degree from the John F. Kennedy School of Government at Harvard University. For years Judd has devoted herself to a range of causes, from international AIDS awareness to wildlife preservation. Compared with other entertainers who have run for office, Ashley Judd steps into the ring well prepared. She is more Al Franken than Sonny Bono.

She is also undeniably glamorous. On the one hand, this constitutes an enormous gift -- good lucks and star power never hurt anyone in a political campaign. Yet too much glamour could backfire if it ends up alienating the home folks of Kentucky or if it undercuts the seriousness of her message. Clearly Judd's opponents will seek to turn this potential asset into a major liability -- they've already started.

Deployed properly, however, Judd's status as a Hollywood actress can make the campaign trail something of a glide path. The skills she has mastered -- storytelling, empathy, projecting that extra bit of energy that's the mark of a genuine star -- are also skills required in politics. Entertainers dedicate their entire lives to selling a product: themselves. So do elected officials.

All entertainers-turned-politicians must reckon with the baggage of their careers. In Judd's case, this is likely to involve the sexually suggestive nature of some of her film work. If her Republican opponents see an opening here, they act upon it at their peril. A party already regarded as anti-woman would be playing with fire to make an issue of Judd's on-screen nudity.

No skeletons appear to be lurking in the closets of Judd's personal life. Earlier this year she and her racecar driver husband announced their intention to divorce, amicably, and a 2011 autobiography bared uncomfortable family secrets. Barring any unforeseen revelations of a disqualifying nature, Ashley Judd would seem to enter the race with nothing more scandalous in her past than a make-out scene with Salma Hayek in Frida.

Being a Hollywood celebrity opens innumerable doors to Judd. From a fund-raising standpoint, she could hardly be better situated. Whoever clinches the Democratic nomination will reap millions of dollars in contributions from those hoping to take down the Senate Minority Leader. Judd's connections in the entertainment community give her entrée to millions more.

Celebrity confers upon Judd a media megaphone. Everything she says and does will be widely covered and commented upon, creating a platform not just for her own candidacy but also for her ideas. Such a prospect must be very tempting to someone who cares deeply about policy. Although this platform lets Judd be heard, it also magnifies any awkward moments. For the duration of the campaign, she will need to exercise extraordinary control over her self-presentation.

One more thought regarding Ashley Judd's celebrity: Against the charisma-challenged Mitch McConnell, she holds every advantage when it comes to commanding the public spotlight. Imagine them in a televised debate, two stylistically disparate individuals going toe to toe in live combat. No scriptwriter could come up with an unlikelier pair.

THE ROOTS CHALLENGE: Judd spent much of her peripatetic childhood in Kentucky, graduated from the state university, and hails from a long line of Kentuckians. Despite these connections to the Bluegrass State, her opponents will paint Judd as a carpetbagger because for the past twenty years she has lived primarily in Tennessee.

Obviously, if she plans to seek office from Kentucky, she will need to move there, and soon. It might make political sense for her to relocate not to urban Louisville or Lexington, but back to her hardscrabble hometown of Ashland on the Ohio River. Basing herself in Ashland would plant Judd's personal narrative front and center. It's a story worth repeating, because her journey to Hollywood stardom from humble local beginnings establishes an instant connection with voters. She's the Kentucky girl who made it big and decided to come home to work on behalf of her community. Frank Capra couldn't concoct a better premise.

Judd should tap into her Nashville music connections -- her mother and half-sister are both country singers-to reinforce cultural affinity with Kentucky voters. Ashley Judd is an entertainer, so why shouldn't her campaign be entertaining? At the same time, Judd must take care not to overdo the celebrity campaigners, especially when it comes to Hollywood types.

Judd would be well advised to study the example of Hillary Clinton, another candidate accused of carpetbagging. Like Clinton, Judd should launch her campaign with a Kentucky-wide listening tour, hearing people's stories, learning what voters in the state care about and what they expect from government. Similarly, Judd should avoid national media and cultivate local journalists. Not only is this smart in the short-term; it could also yield dividends if she wins election and needs these same reporters down the line.

THE POLITICS CHALLENGE: How plausible is an Ashley Judd victory? Is she, as Kentucky's Republican junior senator Rand Paul put it, "way damn too liberal" to be elected as a red-state senator? A Judd win may not be not as farfetched as it appears. Kentucky is a border state, where Democrats have not gone extinct (though no Democrat has been elected to the U.S. Senate since 1992). As senator, Judd could position herself, a la Jay Rockefeller of West Virginia, as a progressive advocate for the disadvantaged in a socially conservative state.

If she makes the run, Judd will have to balance two imperatives: staying true to her convictions without letting herself get too far ahead of Kentucky voters. Past pronouncements on issues like coal mining may come back to haunt Judd, yet they also give her an opening to explain herself, to initiate a dialogue. She will need to be ready with answers for her previous statements, but statements are easier to defend than a voting record.

As a candidate, Judd must establish herself from the outset as a people's politician, an outsider willing to fight for the powerless. McConnell, a creature of Washington if there ever was one, appears highly vulnerable on this point. In a recent Louisville Courier Journal poll, only 17 percent of those surveyed said they would vote to give him another term.

Against McConnell, Judd presents the home state electorate with a vastly different alternative. Defeating him may be an uphill climb, but McConnell has never faced an opponent like Judd, and he could easily end up overplaying his hand. If Judd has the stomach for a race, she is perfectly situated to campaign on a counter-narrative, one with great public appeal. Ashley Judd brings to the arena enough strength and enough potential to make this a real Kentucky horse race.

'S.H.I.E.L.D.' Pilot Is All About Agent Coulson

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The "S.H.I.E.L.D." pilot is going to be all about Agent Coulson.

Though Clark Gregg's beloved, by-the-book agent seemingly met his tragic death in the 2012 blockbuster hit "The Avengers," Agent Coulson will be at the center of the new Marvel television show produced by Joss Whedon.

"We all love Clark Gregg, there's no doubt about that," Whedon said via taped message to attendees at New York Comic-Con in October 2012. "From before we made 'The Avengers,' we discussed whether there was a way for him to be a part of the Marvel Universe, perhaps a part of a TV show even after his death."

And now we know Gregg won't just be a part of the show -- he'll be the star. Whedon opened up to Deadline about what to expect from the "S.H.I.E.L.D." pilot below:

"The idea of the Little Guy is something that I am very fierce about, and there has never been a better Little Guy than Clark Gregg. That intrigued me, this world around the superhero community. It’s the people whose shop windows get blown up when the Destroyer shows up. It’s the more intimate stories that belong on television that we can really tap into the visual style and ethos, and even some of the mythology, of the Marvel movies. I think we’ve put together another really great ensemble headed by Clark. And how much it’s actually seeding or hinting or reacting to what’s going on in the movies is something we’ll let play out as we go. For me the most important thing is that people fall in love with it on its own merits, rather than constantly asking, 'Is there gonna be an Avenger?' Well, there’s not gonna be a Hulk because that guy’s too expensive."

Details about the upcoming "S.H.I.E.L.D." pilot have been sparse, but in addition to Gregg, we do know that Ming-Na, Elizabeth Henstridge and Iain De Caestecker were cast in the project.

Should "S.H.I.E.L.D." be ordered to series, Whedon told Deadline, "I will be as involved as I can be –- mostly on a story level. On the TV show I can say, 'No, do it my way.' I’m just trying to keep it exciting and meaningful and surprising."

"S.H.I.E.L.D" is easily one of ABC's most buzzed-about pilots and Paul Lee, the network's entertainment president, said at the 2013 Television Critics Association Winter Press Tour in January that he is "very hopeful" about "S.H.I.E.L.D" being picked up to series after fast-tracking the pilot. He praised Whedon's script, noting it had "some great male/female relationships and humor," as well as all the action the superhero genre provides. Lee added that Whedon is "great to work with and very excited to be [back] on television."

ABC is hoping that the show will be accessible to men, women and children, allowing for a co-viewing experience that will "bring the whole family together" the way "Once Upon a Time" has for the network, Lee said.

For more from Whedon, click over to Deadline.

WATCH: The Fresh Prince Strikes Again!

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More than 20 years after the Fresh Prince Of Bel Air first aired, Will Smith is still getting jiggy with it.

Yesterday, Smith delighted the ladies of St Martin-in-the-Fields High School for Girls in south London with a surprise performance. Member of Parliament Chuka Umunna, who is an admitted fan of the TV show, planned the assembly and arranged for the "rapper's" appearance.

Smith was in London accompanying his son Jaden on the UK leg of his tour with Justin Bieber when Umunna invited him to head the special event. School staffers tried to keep Smith's appearance quiet right up until he came out and closed the assembly with an unplanned performance of the iconic theme song.

Even though the hit 90s show hasn't been on the air since 1996, fans amongst the under 35 crowd can still be found everywhere you go. All you have to do is drop the starting phrase, "In West Philadelphia, born and raised..."

The Fresh Prince himself doesn't mind joining in here and there.

Carole DeSanti: To the Question of Fantine (and Anne Hathaway)

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That our 19th century selves live alongside us should not be in much question. Considering the long-running success of Les Miserables on Broadway, its promised return, and the present screen incarnation, it seems that something about these struggles and their message resonates. Anne Hathaway suggested as much in her Oscar acceptance, wishing that "someday in the not-too-distant future the misfortunes of Fantine will be only found in fiction and not in real life." (Her speech, award and appearance were much raked over and criticized, although not, particularly, for that.)

Perhaps we still are living more or less in a society at war with itself about love, and sex. Like the Miserables, maybe we remain split along the lines of moral judgment, putting women in dire positions of dependency (financial, social) while placing on them burdens as heavy as the cart lifted by Jean Valjean off the back of a pinioned man. And setting them up, too, as martyrs, the unwitting victims of our belief systems... So lovely. So ephemeral. So lacking the grit and tenacity and strength -- spiritual and physical -- necessary for survival.

But real women, like Jean Valjean, often accomplish astonishing feats of living. They did it in the 19th century, as I know from their diaries, testimonies, court documents, and other records left behind -- and they do it now. They free themselves from impossible situations, do the equivalent of scaling high walls and swimming through sewage carrying the wounded on their backs; they look for a higher purpose, a different route, a path to forgiveness; they do not easily succumb. Their solutions come not from society with its habits of condemnation and confinement, from vaunting appearance and making a pretense of rewarding sacrifice, but from the depths of their stories and the details of their situations.

Nevertheless, here we are faced again with the hovering image that won't go away -- the fictional, dramatic and melodramatic one; and the real one that is put up large on our screens and over the airwaves when another woman's tragedy occurs in the world. Why is the sacrificed female (who is not endlessly fascinating herself) so endlessly replicated, so very often shown to us?

I wonder if the wave of scapegoating of Hathaway is in part a general discontent with the contradictions. Somehow we cannot accept a woman with human flaws and ambitions; nor, in the era of "One Billion Rising," can we embrace the sanctified martyr of Les Miserables. We argue over what makes heroines (and real women) likeable or sympathetic; we are often merciless in our judgments of them, and of ourselves.

But maybe too, feminine beauty, like the very Earth's beauty, seems to betray, to be withheld; is in some sense unconquerable and beyond grasping. The elusive siren maddens us; even when we murder her she comes again, this time haunting us with loss. Have we not yet learned how to be at one with beauty, to love without devouring, to fulfill ourselves without roaring greed? We've heard the arguments about society's continued, embedded, misogyny; about the sexism of the media, of Oscar judges and other judges. Feminist theorists explain why women's Valjean-type acts of strength are so difficult to fit to familiar narrative arcs and storylines, why they elude our very language. And we laugh with recognition at the greedy antics of the Thénardiers, and say "Human nature will never change." We also know that when any woman under stress considers her survival, the Fantine-option presents itself, or indeed is forced upon her. It's called "the world's oldest profession."

And, of course, it is forced upon boys and young men; it is a veiled or overt threat hanging over the young and vulnerable; and in a different way, casts a shadow over the lives of the clients, the patrons, the johns -- the muffes and michés of 19th century French slang; the desired, despised money-payers.

Prostitution is, in fact, a situation that goes beyond venal sex. We commonly extend the concept to include other acts of plundering our gentler selves and higher ideals. It's long been an accepted practice in our world; and is perhaps our truest link to the 19th century, when such choices for work became available on a wider scale than ever before, promising a route to middle-class prosperity and comfort and called progress. Valjean's real Houdini act is that he rejected such notions and lived to prevail. Victor Hugo's was that he wrote such a story that lived on, as well.

For the world to be a better place for women -- and also, by the way, for men, and for young people -- it will need to become a place where the main thrust of our work and our pleasure is conceived not as an act of plunder, but of something else. Whether this takes another thousand years or a day in the life of one person, it is the singular shift that must be made. It is also the lesson of Jean Valjean and Les Miserables. Perhaps that is why we carry its message onward.

Carole DeSanti is vice president, editor at large at Viking Penguin and the author of a novel, "The Unruly Passions of Eugénie R."

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